Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.

Today's hunting debate began in the eighteenth century, when the idea of the countryside was being invented through the imaginative displacement of agricultural production in favour of country sports and landscape tourism. Between the Game Act of 1671 and its repeal in 1831, writers on walking and hunting often held opposed views, but contributed equally to the origins of modern ecology, while sharing a commitment to trespass that preserved common rights in an era of growing privatization.

Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.

Paul Mellon (1907--1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study center he founded to house it, rivals those in Britain’s national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Mellon’s extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 148 of the most exquisite and important paintings, watercolors, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center’s collection, including major works by Thomas Gainsborough, Joshua Reynolds, George Stubbs, John Constable, and J. M. W. Turner.

'Brings both house and garden vividly to life... A magnificent achievement' Gardens Illustrated 'A finely crafted work... it is an important record of the history of one of the country's most splendid estates' The English Garden The Palladian house of Stourhead, in Wiltshire, occupies a plateau above the confluence of three valleys. When you cross the south lawn and descend the tree-hung slopes, you glimpse a lake adorned with classical temples. Continue and you will find an allegorical grotto; a gothick hideaway; a Pantheon of demi-gods and, on high, a deserted temple to Apollo. To the west Alfred's Tower commands views over three counties, a gaunt landmark to English monarchy and patriotism. This is how in Georgian times Henry Hoare – known as Henry the Magnificent – would have explored the garden he designed. Generations of the Hoare family, bankers who combined service with enlightened patronage and philanthropy, have developed and cultivated the garden at Stourhead, and for many its breathtaking vistas are paradise. Dudley Dodd charts the owners of Stourhead and the history of the landscape, house and art collection. He describes how flights of folly, individual flair, taste and careful stewardship have nurtured a national treasure, which is among the finest English landscape gardens and, since 1946, a jewel of The National Trust. The stunning new pictures by the renowned photographer Marianne Majerus provide an up to date record of this enduring Elysium.

Looks at painting and sculpture throughout history to examine the role and presentation of the horse in ancient, Oriental, medieval, Renaissance, Baroque, and modern art.

Set high on a ridge in historic parkland less than five miles from Trafalgar Square, Kenwood is London's favourite 'country house'. Remodelled by Robert Adam in the eighteenth century, in 1928 it became the home of the Iveagh Bequest, a superb collection of old master paintings that includes Rembrandt's most celebrated self-portrait, the only Vermeer in England outside the National Gallery and the Royal Collection, Gainsborough's Countess Howe, and classic works by Reynolds, Romney, Lawrence and Turner. The collection was formed between 1887 and 1891 by Edward Cecil Guinness, 1st Earl of Iveagh, Chairman of the world's leading brewery, who gave it to the nation with the house and estate. This book is published to mark the seventy-fifth anniversary of the opening of the Iveagh Bequest and is the first new catalogue of the collection to be produced in fifty years. It discusses each work, revealing the personalities behind the faces in the portraits, the social circumstances of each commission, and the way that art met the ambitions of artists, patrons, sitters and collectors. There are also two introductory essays that provide context for the house and discuss the ways in which Lord Iveagh was a pioneer collector. Beautifully produced, this catalogue of paintings is the essential book on Kenwood.

This work explores the British country house between 1700-1830 and looks at the lives of the noblemen and the servants who inhabited them. Reference is made to the whole of the British Isles and there is a discussion of their political significance.

This is Nicholas Storeys third book in the series, following History of Mens Fashion: What The Well Dressed Man Is Wearing (2008), and History of Mens Accessories: A Short Guide For Men About Town (2011) and is called History of the Sporting Life: A Short Guide to Some Sports and Pursuits For The Man of The World. This book, also with historical and social background, covers: the conduct of sporting events, including recommendations for a selection of sporting equipment, being all the necessary equipment for: shooting, fishing, hunting, tennis, badminton, squash and golf; something of members sports clubs; town and country living; town and country national and international sporting and social events and festivals; road, rail and sea travel; as well as exciting or unusual Christmas holiday destinations. In line with the first two books, this one is also packed with quirky facts and interesting digressions; including an account of the peculiar facts surrounding the last recorded civilian duel in England; a sketch of the life and death of Regency figure Robert Curricle Coates; even how to build a rose garden; to all of which is once more brought a humorous approach. World experts on the technicalities of certain topics covered have again been sought out to check over the draft to ensure that this book is not just amusing but soundly backed by authority. The book ends with an account of a memorable night spent in London.

This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.