Painstakingly researched and illuminating account of the making of the Fred C. Robie home. Revealing family documents, excerpts from a 1958 interview with Fred Robie, and 160 black-and-white illustrations.

Chicago's first skyscrapers are famous for projecting the city's modernity around the world. But what did they mean at home, to the Chicagoans who designed and built them, worked inside their walls, and gazed up at their façades? Answering this multifaceted question, Chicago 1890 reveals that early skyscrapers offered hotly debated solutions to the city's toughest problems and, in the process, fostered an urban culture that spread across the country. An ambitious reinterpretation of the works of Louis Sullivan, Daniel Burnham, and John Wellborn Root, this volume uses their towering achievements as a lens through which to view late nineteenth-century urban history. Joanna Merwood-Salisbury sheds new light on many of Chicago's defining events--including violent building trade strikes, the Haymarket bombing, the World's Columbian Exposition, and Burnham's Plan of Chicago--by situating the Masonic Temple, the Monadnock Building, and the Reliance Building at the center of the city's cultural and political crosscurrents. While architects and property owners saw these pioneering structures as manifestations of a robust American identity, immigrant laborers and social reformers viewed them as symbols of capitalism's inequity. Illuminated by rich material from the period's popular press and professional journals, Merwood-Salisbury's chronicle of this contentious history reveals that the skyscraper's vaunted status was never as inevitable as today's skylines suggest.

The untold history of how Chicago served as an important site of innovation in environmental thought as America transitioned to modern, industrial capitalism. In Nature's Laboratory, Elizabeth Grennan Browning argues that Chicago—a city characterized by rapid growth, severe labor unrest, and its position as a gateway to the West—offers the clearest lens for analyzing the history of the intellectual divide between countryside and city in the United States at the end of the nineteenth century. By examining both the material and intellectual underpinnings of Gilded Age and Progressive Era environmental theories, Browning shows how Chicago served as an urban laboratory where public intellectuals and industrial workers experimented with various strains of environmental thinking to resolve conflicts between capital and labor, between citizens and their governments, and between immigrants and long-term residents. Chicago, she argues, became the taproot of two intellectual strands of American environmentalism, both emerging in the late nineteenth century: first, the conservation movement and the discipline of ecology; and second, the sociological and anthropological study of human societies as "natural" communities where human behavior was shaped in part by environmental conditions. Integrating environmental, labor, and intellectual history, Nature's Laboratory turns to the workplace to explore the surprising ways in which the natural environment and ideas about nature made their way into factories and offices—places that appeared the most removed from the natural world within the modernizing city. As industrialization, urbanization, and immigration transformed Chicago into a microcosm of the nation's transition to modern, industrial capitalism, environmental thought became a protean tool that everyone from anarchists and industrial workers to social scientists and business managers looked to in order to stake their claims within the democratic capitalist order. Across political and class divides, Chicagoans puzzled over what relationship the city should have with nature in order to advance as a modern nation. Browning shows how historical understandings of the complex interconnections between human nature and the natural world both reinforced and empowered resistance against the stratification of social and political power in the city.

The first authoritative and illustrated survey of the life and work of one Chicago's most acclaimed architects and preservationists, John Vinci is a comprehensive and richly illustrated guide that readers interested in architecture, urban design, and historic preservation will prize.

Publisher Description

Daniel Burnham was the man who is largely responsible for the appearance of Chicago today, particularly the lake front parks. With his partner, John W. Root, he designed and built the first skyscrapers and the World's Columbian Exposition.--Publisher description.