A scholarly edition of works by John Donne. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Originally published in 1923, this book contains an edition of John Donne's Devotions, which were first printed in 1624. Donne wrote these passionate and 'unadorned' meditations during a severe sickness that he feared was life-threatening, and the text consequently provides an intimate portrait of Donne that is lacking from many of his other writings. A brief biography of Donne and a bibliographical note are also provided. This book will be of value to anyone with an interest in the life and spirituality of John Donne or in his contributions to seventeenth-century religious thought.

This meditative prose conveys the essence of the human place in the world -- past and present.

Winner of the 2022 Baillie Gifford Prize for Non-Fiction Winner of the 2022 Slightly Foxed Best First Biography Prize Shortlisted for the 2023 Plutarch Award A Wall Street Journal Top 10 Best Book of 2022 A New York Times Notable Book of the Year Named a Best Book of the Year by The New Yorker, Times Literary Supplement, and Literary Hub From the standout scholar Katherine Rundell, Super-Infinite presents a sparkling and very modern biography of John Donne: the poet of love, sex, and death. Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, a priest, a member of Parliament—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year-old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain. He was a man who suffered from surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love. In Super-Infinite, Katherine Rundell embarks on a fleet-footed act of evangelism, showing us the many sides of Donne’s extraordinary life, his obsessions, his blazing words, and his tempestuous Elizabethan times—unveiling Donne as the most remarkable mind and as a lesson in living.

During the so-called Age of Melancholy, many writers invoked both traditional and new conceptualizations of the disease in order to account for various types of social turbulence, ranging from discontent and factionalism to civil war. Writing about melancholy became a way to explore both the causes and preventions of political disorder, on both specific and abstract levels. Thus, at one and the same moment, a writer could write about melancholy to discuss specific and ongoing political crises and to explore more generally the principles which generate political conflicts in the first place. In the course of developing a traditional discourse of melancholy of its own, English writers appropriated representations of the disease - often ineffectively - in order to account for the political turbulence during the civil war and Interregnum periods

"Songs and Sonnets" from John Donne. English poet, satirist, lawyer and a cleric in the Church of England (1572-1631).

The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct. Part I--Research resources in Donne Studies and why they they matter--emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers. Part II--Donne's genres--begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concerned and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition. Part III--Biographical and historical contexts--creates perspective on what is known about Donne's life, shows how his life and writings epitomized and affected important controversial issues of his day, and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England. Part IV--Problems of literary interpretation that have been traditionally and generally important in Donne Studies--introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.