William Penn's promise of religious freedom brought many diverse religious groups to Pennsylvania in the 17th and 18th centuries. Each brought pre-existing hymns and hymn tunes, but many also wrote original texts and music. This book examines the hymns of the 1694 Wissahickon settlement under Johannes Kelpius, the 18th century Ephrata Cloister of Conrad Beissel, and the hymn life of the Bethlehem Moravian Unitas Fratrum. Among the later writers of hymn text or music selected for this study are William Kirkpatrick, John Wyeth, William Gustavus Fischer, Francis Hopkinson, Eleanor C. Donnelly, and many more. Sample texts are included for many hymns, and six musical scores are reproduced. Of special interest are the earliest texts and music from the Wissahickon and Ephrata communities. Pennsylvania's hymn background is unique and compelling. The stories of the writers and their hymns should appeal to anyone interested in hymns, theology, music, or American history. Dr. Lucy E. Carroll is currently organist and choir director at the Carmelite Monastery in Philadelphia, and Adjunct Associate Professor at Westminster Choir College in Princeton NJ. She was appointed Scholar in Residence by the PHMC for the Ephrata Cloister site, and she has served as a PHC Commonwealth Speaker. She is Research Chair for the Kelpius Society of Philadelphia. Her articles on music have appeared in many journals and periodicals, and her Churchmouse Squeaks cartoons appear monthly in the Adoremus Bulletin. The recipient of numerous awards and honors, Dr. Carroll has served as organist, conductor, theatre director, educator, music coordinator, clinician and guest speaker. She chaired the music segment of the 1992 International Conference on Arts and Communication at St. John's College, Cambridge, England and was awarded the International Order of Merit.

Reprint of the original, first published in 1900.

Reprint of the original, first published in 1864. Of the sixteenth, seventeenth, eighteenth, and nineteenth centuries. In three volumes.

Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.

This is an innovative biography about an adventurous, game-changing traveller in Africa during the West’s ‘Enlightenment’ period (when the American and French Revolutions occurred). James Bruce was not what he seemed to be. I can now reveal that although he was notorious in his own day for a variety of interesting reasons (including his alleged theft of his assistant’s art-work), he was basically an espionage agent working with a clique of powerful, mostly British, persons whose secret agenda was: to eradicate slaving. Bruce undertook a ‘subversive’ mission to investigate slave trafficking across the Mediterranean and Red Seas as well as the Atlantic in order to support his friends’ drive to destroy the principal source of their own country’s wealth. This was achieved in 1807. Like Bruce himself, in my book I address neglected aspects of the ancient habit of slavery and the related abuse of —particularly —women. Bruce’s Travels (1790) is a delightful —although massive —read. Therefore I sketch the geo-historical and faith background to Bruce’s work, convey the ‘feel’ of his book, and add to the known facts of his life a great deal of newly discovered material. This includes the international range of Bruce’s friends and collaborators, from Rome to Cairo to Bethlehem in the newly constituted U.S.A. Change is agonisingly slow to take hold. It was possibly because Bruce ‘only’ wrote about Africa that he has been trivialised, and his biography has never previously been fully responsibly researched.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)