Grasp the significance behind Jesus' life and ministry in this commentary on the first half of the Gospel of John--and come to know the living Savior like never before.

Waking the Dead—newly revised and updated for these trying times—reveals the secret of finding a full life, identifying the fierce battle over our hearts, and embracing all that God has in store. Jesus said, “I have come that they may have life, and have it to the full.” That’s the offer of Christianity, from God himself. Jesus touched people, and they changed: the blind had sight, the lame walked, the deaf heard, the dead were raised. To be touched by God, in other words, is to be restored, to be made into all God means us to be. That is what Christianity promises to do—make us whole, set us free, bring us fully alive.

Have you sensed it? Chaos. Violence. Confusion. Anxiety. How do we know what's true when there are so many differing voices telling us what to do? After traveling the world for 23 years in a rock band, John L. Cooper has noticed one consistent issue: people are desperately confused. Awake & Alive to Truth tackles the reigning philosophies of our day of post-modernism, relativism, and the popular view of the goodness of man and combats these viewpoints by standing on the absolute truth of the Word of God. Awake & Alive to Truth answers some of the most asked questions in modern culture. Go on a journey through some John Cooper's personal stories, the doctrine of original sin, the authority of Scripture, the danger of trusting your emotions, and end with the greatest news possible: God wants to rescue you from the chaos and the darkness and bring you into His glorious light.

Reprint of the original, first published in 1883.

"Brimming with optimism, John Frohnmayer journeyed to Washington, D.C., in 1989 to serve a cause he believed in deeply: the arts in America. Appointed by President Bush to be chairman of the National Endowment for the Arts, he was abruptly fired two and a half years later in a storm of front-page controversy." "Leaving Town Alive is Frohnmayer's lively and startlingly candid account of his trial by fire in the brutal world of power politics. Taking over the NEA amid the uproar about Robert Mapplethorpe's sexually explicit photographs, Frohnmayer stood at the center of the emotional debate over public funding for the arts. On the left were staunch defenders of free speech and the artists whose confrontational works came under attack. On the right were Jesse Helms and the fundamentalist proponents of traditional values." "At first Frohnmayer assumed that he could negotiate anything and that everyone had the best interests of the country at heart. He was wrong: the White House, for instance, just wanted the problem of "offensive art" to go away, while right-wing fund-raisers wanted to keep the issue alive as long as possible. In the end, Frohnmayer's harrowing education changed him. He entered the fray a First Amendment moderate; he emerged a free-speech radical." "John Frohnmayer had an insider's view of Washington during the Bush years, and he writes with remarkable frankness about the bitter battles over the government's involvement in the arts. Passionate, witty, and wonderfully readable, Leaving Town Alive is, finally, an eloquent plea for the liberation of American culture from the narrow concerns of partisan politics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In a narrative about Jesus, a character like John the Baptist would not be expected to play a role much beyond that of providing a baptism for Jesus. Yet the Matthaean narrator finds several other uses for John in the development of the narrative, not only while he is still alive, but also after he is dead. In examining John's role, Yamasaki deploys an audience-oriented critical methodology, an approach that chronicles the narrator's efforts to influence first-time readers' experience of the narrative as they proceed sequentially through the text. He traces John's characterization as 'forerunner', from a glowing introduction in ch. 3-albeit with a slight flaw in his ideological point of view on Jesus-through a progressive exacerbation of this flaw, to a rehabilitation of John in ch. 11. As a result of this rehabilitation, the narrator is able to continue to use John in his role as forerunner in the second half of the narrative, even after John's death has removed him from the story-line.

Pope Benedict XVI is soon to beatify John Henry Newman, one of the leaders of the Oxford Movement in the Anglican church who was received into the Catholic church in 1845, and later became a cardinal. Rod Strange’s introduction to John Henry Newman’s life and significance is aimed at the student and thoughtful general reader, and draws out Newman’s relevance to issues facing the Church in our own day. John Henry Newman is an authoritative new study of Newman of great economy and elegance that will also appeal to a wider range of readers looking for books about Catholic belief and practice and spirituality, and models of Christian living.

'The godfather of British performance poetry' - Daily Telegraph The Luckiest Guy Alive is the first new book of poetry from Dr John Cooper Clarke for several decades – and a brilliant, scabrous, hilarious collection from one of our most beloved and influential writers and performers. From the ‘Attack of the Fifty Foot Woman’ to a hymn to the seductive properties of the pie – by way of hand-grenade haikus, machine-gun ballads and a meditation on the loss of Bono’s leather pants – The Luckiest Guy Alive collects stunning set pieces and tried-and-tested audience favourites to show Cooper Clarke still effortlessly at the top of his game. Cooper Clarke’s status as the ‘Emperor of Punk Poetry’ is certainly confirmed here, but so is his reputation as a brilliant versifier, a poet of vicious wit and a razor-sharp social satirist. Effortlessly immediate and contemporary, full of hard-won wisdom and expert blindsidings, it’s easy to see why the good Doctor has continued to inspire several new generations of performers from Alex Turner to Plan B: The Luckiest Guy Alive shows one of the most compelling poets of the age on truly exceptional form. 'John Cooper Clarke is one of Britain’s outstanding poets. His anarchic punk poetry has thrilled people for decades . . . long may his slender frame and spiky top produce words and deeds that keep us on our toes and alive to the wonders of the world.' – Sir Paul McCartney