The Botsotso Jesters poetry performance group was founded in 1994. After a few member changes, it solidified in 1996 with the line up that published this first Botsotso book. The collectively written poems that provided such powerful performance material are followed by individual collections of each of the five. Anna Varney's graphics set the tone for many future books in which the combination of written and visual images becomes a striking factor.

This is a novel (potboiler) about a relationship between a middle-aged writer named Alexander Cassidy, and Tosca, a young female student at Santa Barbara City College, which overlooks the harbor. Living on a Chinese junk in the harbor, Cassidy is a disciplined writer who finds himself experiencing the most voluptuous lifestyle imaginable. Central to the story is a Greek restaurant/taberna near the harbor where the proprietor, Satyri Papanikolas, dances with dinner tables clamped in his teeth, sucks up ouzo and retsina, and has a Zorba-like love affair with all of his dancing customers. Lurking in the background is the dark secret of a forbidden past relationship which threatens to destroy Alexander Cassidy and all those around him.

In January 2020 a revolution in partner dance emerged. Normally men lead the women, but we can share the lead, swapping mid dance. I set out to do something about the sexist nature of dancing and discovered that lead sharing makes dancing much more fun. More fun, more enjoyable, more interesting. This is the story of how it came about and the remarkable result.

The Routledge Dictionary of Modern American Slang offers the ultimate record of modern, post WW2 American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. In terms of content, the cultural transformations since 1945 are astounding. Television, computers, drugs, music, unpopular wars, youth movements, changing racial sensitivities and attitudes towards sex and sexuality are all substantial factors that have shaped culture and language. This new edition includes over 500 new headwords collected with citations from the last five years, a period of immense change in the English language, as well as revised existing entries with new dating and citations. No term is excluded on the grounds that it might be considered offensive as a racial, ethnic, religious, sexual or any kind of slur. This dictionary contains many entries and citations that will, and should, offend. Rich, scholarly and informative, The Routledge Dictionary of Modern American Slang and Unconventional English is an indispensable resource for language researchers, lexicographers and translators.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.

It All Begins is a collection of poems in English by over fifty South African poets (and some Zimbabweans), with several contemporary translations from /Xam, Afrikaans, Xhosa, Xitsonga and Zulu. All the poems were published in the poetry journal New Coin between 1989 and 1999. These poems were written over a period which included the brutal last years of apartheid, the release of Mandela, the country's first democratic elections, and the disturbing trends of the post-Mandela era. During this time the violence of previous decades continued, although in different forms, while the poor became poorer. For poets, it was a time of innovation. Music, street rhythms, and international influences were opening up the vocabulary. Groundbreaking poems were being written - many of them unnoticed when they were first published. Collected in this anthology, they demonstrate the aesthetic diversity and truth-telling power of South African poetry. Poets include Lionel Abrahams, Tatamkhulu Afrika, Lisa Combrinck, Michael Cope, Jeremy Cronin, Ingrid de Kok, Angifi Dladla, Antjie Krog, Mazisi Kunene, Don Maclennan, Joan Metelerkamp, Kobus Moolman, Khulile Nxumalo, Mxolisi Nyezwa, Andries Oliphant, Karen Press, Lesego Rampolokeng, Ari Sitas, Kelwyn Sole and Stephen Watson.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.