Leading biblical scholars from Liberty University offer a thorough survey of the complete Old Testament, with book introductions, theological concepts, practical applications, word studies, and more.

Kahlil Gibran's 'Jesus the Son of Man (Illustrated Edition)' delves into the life and teachings of Jesus Christ in a poetic and profound manner. Through beautiful prose and striking illustrations, Gibran captures the essence of Jesus as both a divine figure and a mortal man. The book explores Christ's humanity, his relationships with others, and his ultimate sacrifice, all while offering a unique perspective on his timeless wisdom. In this literary masterpiece, Gibran seamlessly weaves together spirituality, philosophy, and art, creating a truly enlightening reading experience. The book is a must-read for those interested in exploring the deeper meanings behind Jesus' teachings and the profound impact of his life. Gibran's captivating writing style and the stunning illustrations make this edition a treasure for both the mind and the soul.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

This short book resolves the mystery of why Jesus chose to call himself Son of Man. Far earlier, the first Son of Man--the prophet Ezekiel--had met death as a Babylonian substitute king. Professor Simo Parpola's expert exposition about Assyrian substitutes prepares readers for the sacrifice first of Ezekiel and then, far later in time, of Jesus. Ezekiel was the Suffering Servant of Isaiah chapter 53, and had perished as a substitute to redeem the lives of his rebellious countrymen. Understanding Ezekiel's fate, Jesus chose the Son of Man title to exemplify his own redemptive mission. The authors of Mark, Luke, and Matthew subsequently framed their passion accounts so as to describe the suffering, death, and resurrection of Jesus as a latter-day substitute king. Most of this will come as news to students of both testaments of Scripture.

John 13:3132: So, when he had gone out, Jesus said, Now the Son of Man is glorified, and God is glorified in Him. If God is glorified in Him, God will also glorify Him in Himself, and glorify Him immediately. Jesus Christ, the second Adam, the Son of Man, glorified God by His obedience to the cross. This work of redemption is the basis by which all the counsels of God are accomplished. All that God does for man, all that He works out on mankinds behalf, has its foundation upon the death of the Son of Man. God will eventually gather all thingsin heaven and on earthinto the raised and glorified Christ. God will be glorified in all that He does, and He has exalted the resurrected Son of Man to His right hand in glory. This is where it begins. When this Man had finished His work, He forever sat down in regards to a completed redemption (Heb. 10:12). From this point, all Gods counsels begin to unfold. If the believer will read this book, and ask the Spirit of God to teach you, you will never be the same. All of Scripture will open up to you. The believer has been given the Spirit of God that you may know all these things and you have the mind of Christ (I Cor. 2:12,16). Now the Son of Man is glorified

It is essential to understand the origin, meaning, and use of the term "Son of Man" if the Gospels are to be intelligently interpreted, but no phrase has in recent years caused so much scholarly debate and division of opinion. Dr Hooker studies the term and concepts associated with it in the Old Testament, in I Enoch, and in other inter-testamental literature, and then examines the Marcan occurrences in the context of the Gospel as a whole, finding a coherent pattern throughout, in term of which each occurrence has its proper relevance. The book thus offers a challenge to the present trend of interpretation which has recently been strengthened by the studies of A. J. B. Higgins and H. E. Tödt, but its conclusions are reached without conservative presuppositions, and with a thorough study of the evidence. The importance of this book for New Testament studies is assured. --

The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26). This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?