This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.

This is a presentation of beautiful colored mosaics. They originate from buildings in the oasis of Jericho and all date from the first half of the eighth century, during the time of Umayyad caliphate of the early Islamic period. Many visitors have had the privilege of seeing the mosaics revealed, but no one has experienced the impact of all these pavements since they were first excavated in the 1930s and 1940s. A few have been published, but the presentation in Hamilton and Grabar (Khirbat al Mafjar: An Arabian Mansion in the Jordan Valley, 1959) is only very fine aquarelle paintings from the originals. In 2010 the Department of Antiquities and Cultural Heritage uncovered, cleaned, and assessed the state of conservation of these mosaics. A series of high-quality digital photographs was prepared by a team from the Department, composed of M. Diab, N. Khatib, Said Ghazal, Rafaat Sharaia, and I. Hamdan, under the direction of ?. Taha, from which the present selection is offered for study and appreciation of this triumph in early Islamic art. These images speak for themselves.

DIVDIVIn Edward Whittemore’s masterful and surreal alternate history, a man’s search for answers about his vanished parents propels him on an odyssey from the present into the past, from a bar in the Bronx to Tokyo and Shanghai during the Second World War /divDIV Quin, born in China and raised in the Bronx, is orphaned in the closing days of the Second World War when his parents go missing and are presumed dead in Shanghai. Years later, in a Bronx bar, Quin encounters a stranger who hints that he can uncover the secrets of his past by accompanying Big Gobi, an adult orphan too simpleminded to travel alone, on a journey to meet his guardian in Tokyo. Quin arrives in Japan determined to uncover the truth about his parents’ past, but his search soon raises more questions than answers. What are the connections between a Russian anarchist, a one-eyed baron who is head of the Japanese secret service known as the Kempeitai, and the atrocities committed during the rape of Nanking? And what does any of it have to do with Quin’s parents?/divDIV Part espionage novel and part surreal fantasy, Quin’s Shanghai Circus, the first novel by Edward Whittemore, is a remarkable and audacious literary feat. Alive with a fascinating cast of characters and equally enthralling turns of events, former CIA officer Whittemore offers readers a mesmerizing glimpse at a secret history of the twentieth century./divDIV/div/div

The designs of synagogues and churches are acknowledged to be very alike. But the designers' procedure was confidential, and so far standard explanations have been unsatisfactory. A synagogue should express heavenly values with earthly materials. This combination was in fact expressed in numbers, for, as Plato said, they linked heaven and earth. Scripture described both the Jewish Tabernacle and Temple with a wealth of numbers. Proportions based on these numbers were used to design synagogues. Only a few Jewish documents survive, but they reveal a symbolism, which Christians sometimes repeat. The synagogue sanctuary was designed to contain the 'Holy Ark', and the mosaic floors reveal the point 'Before the Ark' for the prayers and readings. These places faced each other, with the idea that God was facing his people. The synagogue was seen as facing heaven and in church buildings Christians repeated the same proportions. This was a joint tradition among Jews and Christians. It was easy to design, was carried out secretly and accurately, and - without a computer - was extremely hard to unravel. This book, for the first time, does just that.

An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.

This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.

Appraises the early periods of Islamic art within its own cultural framework and according to Islamic esthetics

Every age that has produced literary epics has also produced variations on the elements that constitute the epic. 'Twentieth-Century Epic Novels' examines the most popular 20th-century manifestations of epic sensibilities by looking closely at five major examples of the 20th-century epic novel.

Mosaik - Konservierung - Restaurierung.