Watercolor is a magical and often challenging medium. Once mastered, it will reward you with the pleasure of creating striking works of art of infinite variety. This book is a culmination of many years of teaching. Through it, I set out to clear up widespread misconceptions about painting with watercolors. These common confusions hold watercolor artists back from achieving their full potential. Full of practical advice and techniques, my aim is to simplify watercolor painting to assist you in your personal watercolor adventure. Enjoy the journey!

"Why on earth do you want to marry me?" Jane Garston had only known Guy Rexford for a short while when he proposed. He was all a woman could wish for—rich, successful, handsome—and she loved him enough to push aside the niggling worry that he had never admitted his love for her. So, then, why had Guy married her? Did he just want control of her father's company—or was there something more?

Lift flaps in this luxury edition to find out who's making that noise.

"I'd like to introduce you to my future wife!" When Livvy decided to confront Leon in his boardroom, she didn't expect him to turn the tables on her and announce their engagement to his colleagues! Of course, she couldn't possibly accept his outrageous proposal—or could she? After all, if she married Leon, Livvy's dreams had every chance of coming true. But then she started to live with him…and Livvy wondered if she could afford to pay the price Leon demanded!

It is 1958, and as Laika, the Sputnik dog is launched into space, Golly Murray, the Cullymore barber's wife, finds herself oddly obsessing about the canine cosmonaut. Meanwhile, Fonsey 'Teddy' O'Neill, is returning, like the prodigal son, from overseas, with brylcream in his hair, and a Cuban-heeled swagger to his step, having experienced his coming-of-age in Butlin's, Skegness. Father Augustus Hand is working on a bold new theatrical production for Easter, which he, for one, knows will put Cullymore on the map. And, as the Manchester United football team prepare to take off from Munich airport, James A Reilly sits in his hovel by the lake outside town, with his pet fox and his father's gun, feeling the weight of an insidious and inscrutable presence pressing down upon him.From the closed terraces and back lanes of rural Ireland to the information highway and global separations of our own time, The Stray Sod Country is at once an homage to what we think we may have lost and a chilling reminder that the past has never really passed.With echoes of Peyton Place, and Fellinni's Amarcord, and with a sinister, diabolical narrator at its heart, this is at once a story of a small town - with its secrets, fears, friendships and betrayals - and a sweeping, grand guignol of theatrical extravagance from one of the finest writers of his generation.

Through engaging case studies and clear explanations of the underlying science, this book makes the social impacts and ethical consequences of recent advances in biomedicine understandable for general readers. Recent biomedical discoveries promise considerable improvement in the quality of human life, but they also hold the potential to permanently alter society. Are the anticipated benefits worth the price we would have to pay for them? In Where Science and Ethics Meet: Dilemmas at the Frontiers of Medicine and Biology, a biochemist and a biomedical researcher who are highly experienced in explaining ethics for lay audiences present the most innovative advances in biomedicine and enable readers to develop their own opinions about the ethical and social consequences these technologies will bring. Each controversial topic in modern medicine and ethics is introduced through a hypothetical case study that highlights thorny ethical issues before explaining the key aspects of the science and technology involved and addressing the associated ethical considerations in detail. The interdisciplinary treatment of the topics makes the book relevant to students of science, medicine, ethics, law, and sociology as well as health care professionals.