A promising young athlete struggles to keep the streets from claiming his dreams in this first book in the Flint series.

Includes Manchester bibliography for 1880-85 by Charles William Sutton.

Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

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Walk with Halleigh and Malek as they introduce you to a new struggle in a new city . . . a place called Flint, Michigan, one of the roughest little cities in America. It's a place where the good die young, loyalty is a rarity, and everybody has a hustle. In Flint Book 1: Choosing Sides, Malek became affiliated with the North Side's biggest kingpin, and Halleigh was manipulated into the streets by his South Side adversary. North versus South, love versus loyalty, and lies versus truth. Now the saga continues in Flint Book 2: Working Girls, as we are introduced to the Manolo Mamis, the baddest chicks in the game. They're playin' for keeps, and their services come with a price, an expensive one. Halleigh is knee-deep in the game. She has become lost, turned out at the hands of her pimp, Manolo. Will she and Malek ever meet again? And if they do, will they share the same love that they once had, or is it too late? Welcome to Flint Book 2: Working Girls. The saga continues.