This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The third edition of this classic ethnography of social reproduction brings the story of inequality and social mobility into today's dialogue. Now fully updated with thirteen new interviews from the original Hallway Hangers and Brothers, as well as new theoretical analysis and comparison to the original conclusions, Ain't No Makin' It remains an admired and invaluable text.

Zomorod (Cindy) Yousefzadeh is the new kid on the block...for the fourth time. California’s Newport Beach is her family’s latest perch, and she’s determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name—Cindy. It’s the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even puka shell necklaces, pool parties, and flying fish can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the author of the bestselling Funny in Farsi. California Library Association’s John and Patricia Beatty Award Winner Florida Sunshine State Young Readers Award (Grades 6–8) New York Historical Society’s New Americans Book Prize Winner Middle East Book Award for Youth Literature, Honorable Mention Booklist 50 Best Middle Grade Novels of the 21st Century

In the rhythm of a familiar folk song, a child cannot resist adding one more dab of paint in surprising places.

This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South

Sometimes it's fun to act crazy, giddy, and foolish all day long! Full-color illustrations make this well-known children's camp song especially fun to sing. This hardcover library bound book comes with CD and online music access.

From farmer Joel Salatin's point of view, life in the 21st century just ain't normal. In FOLKS, THIS AIN'T NORMAL, he discusses how far removed we are from the simple, sustainable joy that comes from living close to the land and the people we love. Salatin has many thoughts on what normal is and shares practical and philosophical ideas for changing our lives in small ways that have big impact. Salatin, hailed by the New York Times as "Virginia's most multifaceted agrarian since Thomas Jefferson [and] the high priest of the pasture" and profiled in the Academy Award nominated documentary Food, Inc. and the bestselling book The Omnivore's Dilemma, understands what food should be: Wholesome, seasonal, raised naturally, procured locally, prepared lovingly, and eaten with a profound reverence for the circle of life. And his message doesn't stop there. From child-rearing, to creating quality family time, to respecting the environment, Salatin writes with a wicked sense of humor and true storyteller's knack for the revealing anecdote. Salatin's crucial message and distinctive voice--practical, provocative, scientific, and down-home philosophical in equal measure--make FOLKS, THIS AIN'T NORMAL a must-read book.

In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz--and American--history.

Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice will undertake such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a 'late voice'. Lateness here refers to five primary issues: chronology (the stage in an artist's career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices 'look back' or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. There has been recent growth in research on ageing and the experience of later stages of life, focussing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.

From actress, activist, and #1 New York Times bestselling author Marlo Thomas comes a unique, inspirational book “filled with stories of bold and brave women who won’t give up and won’t be held back” (Sheryl Sandberg, bestselling author of Lean In). Anyone who has ever tried to make a big life change knows it can be complicated—and frightening. Especially if you’re feeling stuck. But how do you get up the nerve to actually take the leap? Marlo Thomas’s It Ain’t Over…Till It’s Over introduces us to sixty amazing women who proved that it’s never too late to pull yourself out of a hole or to live out a dream—to launch a business, lose weight, discover a hidden talent, escape a dangerous relationship, find love, or fill a void in life with a challenging new experience. Meet an unemployed saleswoman who fought her way back from bankruptcy by inventing a simple product that earned her millions; a graphic artist who fulfilled a childhood ambition by going to med school at age forty-two; a suburban mom whose snack recipe for her daughter’s lunchbox turned into a successful business; and a middle-aged English teacher who, devastated to learn that her husband was cheating on her, refused to be a victim, filed for divorce, and began the challenging journey of rebuilding her life. From the first page to the last, It Ain’t Over…Till It’s Over speaks to women of all ages with an empowering message: The best is yet to come!

We all know the old adage. You can't believe everything you read. So why do we panic the minute The American Something or the Blah Blah Institute releases a new study proving that millions of Americans will die next year from inhalation of a gas none of us can even pronounce?