This book explores a central question of moral philosophy, addressing whether we are morally responsible for certain kinds of actions, intentional omissions, and the consequences deriving therefrom. Haji distinguishes between moral responsibility and a more restrictive category, moral appraisability. To say that a person is appraisable for an action is to say that he or she is deserving either of praise or blame for that action. One of Haji's principal aims is to uncover conditions sufficient for appraisability of actions. He begins with a number of puzzles that serve to structure and organize the issues, each one of which motivates a condition required for appraisability. The core of Haji's analysis involves his examination of three primary types of conditions. According to a control condition, a person must control the action in an appropriate way in order to be appraisable. An autonomy condition permits moral appraisability for an action only if it ultimately derives from a person's authentic evaluative scheme. On Haji's epistemic requirement, moral praiseworthiness or blameworthiness demands belief on the part of the agent in the rightness or wrongness of an action. Haji concludes this portion of his argument by incorporating these conditions into a general principle which outlines sufficient conditions for appraisability. Haji offers a fascinating discussion of the implications of his analysis. He demonstrates that his appraisability concept is applicable to a variety of non-moral kinds of appraisal, such as those involving legal, prudential and etiquette considerations. He looks at crosscultural attributions of blameworthiness and argues that such attributions are frequently mistaken. He considers the case of addicts and suggests that they may not be morally responsible for actions their addictions are said to cause. He even takes up the intriguing question of whether we can be blamed for the thoughts of our dream selves. Engaging with a central metaphysical question in his conclusion, Haji argues that the conditions of moral responsibility he defends are neither undermined by determinism nor threatened by certain varieties of incompatibilism. Addressing a range of little-discussed topics and forging crucial connections between moral theory and moral responsibility, Moral Appraisability is vital reading for students and scholars of moral philosophy, metaphysics, and the philosophy of law.

The adventures and antics of James Bond have provided the world with many of the most gripping story lines of the last half-century. Fleming?s novels were bestsellers in their day, and the Bond films have been even more popular, becoming the most enduring and successful film franchise in history. By some estimates, half of the world?s population has seen a James Bond movie. A fascinating and accessible account of this global phenomenon, The Politics of James Bond uses the plots and characterizations in the novels and the blockbuster films to place Bond in a historical, cultural, and political context. ø Jeremy Black charts and explores how the settings and the dynamics of the Bond adventures have changed over time in response to shifts in the real-world environment in which the fictional Bond operates. Sex, race, class, and violence are each important factors, as Agent 007 evolves from Cold War warrior to foe of SPECTRE and eventually to world defender pitted against megalomaniacal foes. The development of Bond, his leading ladies, and the major plots all shed light on world political attitudes and reflect elements of the real espionage history of the period. This analysis of Bond?s world and his lasting legacy offers an insightful look at both cultural history and popular entertainment.

Amid diverse theoretical debates about the canon in the media and in academia, in English Inside and Out leading proponents of literary studies take a close look at the discipline and the profession and envisage its future.

"Despite the persistent, unparalleled popularity of the romance fiction genre, good biographical information for its authors is neither abundant nor easily accessible ... this source provides both biographical and up-to-date bibliographical information for more than 100 American romance writers"--Foreword.

Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

In Lisa Jones Baker’s heartwarming series, precious hand-carved chests hold treasured dreams—and bring blessings to a new generation ... Anna King has a talent—and a secret. Like the birth mother she never knew, Anna is gifted at sketching and longs to study and teach art one day. Unbeknownst to her beloved adoptive family, she’s even entered a contest to win a full scholarship to art college. Sketching isn’t a desirable vocation in her community, so Anna does her work in a remote spot by Pebble Creek and stores it in her beautiful hope chest. Only her family’s farmhand, Jesse Beiler, knows her plans—and that’s by accident ... The bishop’s son, Jessie is surprised to discover Anna’s contest entry form. He can’t imagine wanting a life beyond having his own farm and raising a family. Still, he admires Anna’s spirit and promises to keep her secret, despite their differences. Yet the better he and Anna get to know each other, the more they find their personalities—and their hearts—complement one another. With Gott’s guidance, can they forge the futures they desire—together? “The heart of this romance goes far beyond stereotypes ... providing an unusual and welcome level of insight into the characters’ inner lives.” —Publishers Weekly on Rebecca’s Bouquet, STARRED REVIEW “A sweet tale. . . . Forgiveness is a key theme, as is the concept that life is a combination of good and bad situations that make us who we are.” —RT Book Reviews on Annie’s Recipe