A brief history of Irish art masterpieces offers many fine illustrations.

From the snug of the 'Shaky Man' (probably the nearest pub to Guinness Brewery in Dublin) Brendan Behan take us on a tour of his native country. Not very much topographical information is imparted perhaps and even the Georgian architecture for which Dublin is deservedly famous is scarcely mentioned: 'Good architecture, ' Mr. Behan reports as architect friend as saying 'is invisible.' Mr Behan is less interested in things than in people and a galaxy of characters and stories about the inhabitants of that Augustan city cross his pages. But Brendan has been outside Dublin from time to time as London, Paris, Berlin, New York, Montreal, San Francisco and Mexico City can well witness. His investigations among the aborigines of those famed cities are not his concern in this book, however: those anthropological investigations must await another occasion for the telling. Here he regales us with his views on Dublin, the North of Ireland, Galway and the Aran Islands and the counties of the south - always with an eye on the people and their habits rather than on the places themselves. He was accompanied on many expeditions by Paul Hogarth, whose drawings complement the spirit of the text as no other artist's could have done. Intellectuality stimulating, Mr. Behan discourses on the evils of drinking potheen, the mores of Limerick girls, storytellers in the last bastion of Gaelic culture on the Aran Islands, the Irish middle-classes and what he calls 'the Anglo-Irish Horse-Protestants.' Enlivened with song, poem, story, and Paul Hogarth's drawings, this book tells a lot about Ireland but tells us even more about that fascinating human Behan.

Ireland's incredible artistic heritage is celebrated in this entertaining, enlightening book. From the Newgrange kerbstone to Francis Bacon's studio, Bhreathnach-Lynch takes us through a history of Irish art in 50 works, celebrating each along the way.

This humorous take on Irish erotic art is a book of completely blank pages. The spine and cover are also blank.

This book, comprised of interviews with Irish individuals significant in the world of Irish art between 1960 and 2000, is an oral history of the visual arts in late twentieth-century Ireland. The interviewees - writers, administrators, curators, politicians and collectors - range from C.J. Haughey to Michael D. Higgins, the first Minister for Arts and Culture in Ireland. These penetrating interviews offer a fascinating combination of serious insight and anecdote valuable to both specialist and general readers.

Ireland stood at the forefront of Westem European artistic culture in antiquity, when great passage graves were built; during the 7th and 8th centuries AD, when the Irish produced masterpieces of metalwork and manuscript illumination; and during the 18th century, an age of classical elegance. The achievements of these periods and others survive largely intact. This survey describes the whole sequence of Irish art and architecture.