The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.

Wars of Words is the first comprehensive survey of the politics of language in Ireland during the colonial and post-colonial periods. Challenging received notions, Tony Crowley presents a complex, fascinating, and often surprising history which has suffered greatly in the past from over-simplification. Beginning with Henry VIII's Act for English Order, Habit, and Language (1537) and ending with the Republic of Ireland's Official Languages Act (2003) andthe introduction of language rights under the legislation proposed by the Northern Ireland Human Rights Commission (2004), this clear and accessible narrative follows the continuities and discontinuities of Irish history over the past five hundred years.The major issues that have both united and divided Ireland are considered with regard to language, including ethnicity, cultural identity, religion, sovereignty, propriety, purity, memory, and authenticity. But rather than simply presenting the accepted wisdom on many of the language debates, this book re-visits the material and considers previously little-known evidence in order to offer new insights and to contest earlier accounts. The materials range from colonial state papers to thewritings of Irish revolutionaries, from the work of Irish priest historians to contemporary loyalist politicians, from Gaelic dictionaries to Ulster-Scots poetry.Wars of Words offers a reading of the crucial role language has played in Ireland's political history. It concludes by arguing that the Belfast Agreement's recognition that languages are 'part of the cultural wealth of the island of Ireland', will be central to the social development of the Republic and Northern Ireland. The final chapter analyses the way in which contemporary poets have used Gaelic, Hiberno-English, Ulster-English, and Ulster-Scots, as vehicles for the various voicesthat demand to be heard in the new societies on both sides of the border.

Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.

Based primarily on Irish archival sources, parliamentary debates, EU, UN and Israeli documents as well as the Irish media, this work is the first attempt to examine Ireland's evolving policy towards the Palestine question since the birth of Israel in 1948. Beginning with an analysis of Ireland's approach to the issue both prior to and following its entry into the UN in the mid-1950s it then focuses on Ireland's increasing involvement in the Israel-Palestine conflict since its accession to the EEC in the early 1970s. Specifically it deals with four distinct phases: 1973-1980 when the issue of Palestine and the role of the Palestine Liberation Organisation (PLO), came to the fore in UN and EU discussions on the Middle East; 1980-1988, when the EEC's support for Palestinian aspirations placed the Community increasingly at odds with Israel; 1988-1996, when the PLO's acceptance of a negotiated settlement to its conflict with Israel was followed by the Madrid and Oslo peace processes; and 1996-2004, a time during which the optimism of the early Oslo years has disappeared.

In 1949, Ireland left the Commonwealth and the British Empire began its long fragmentation. The relationship between the new Republic of Ireland and Britain was a complex one however, and the traditional assumption that the Republic would universally support self-determination overseas and object to 'imperialism' does not hold up to historical scrutiny. In reality, for economic and geopolitical reasons, the Republic of Ireland played an important role in supporting the Empire- demonstrated clearly in Ireland's active involvement in the Cyprus Emergency of the 1950s. As Helen O'Shea reveals, while the IRA formed immediate links with EOKA and the Cypriot rebels, the Irish government and the Irish Church supported the British line- which was to retain Cyprus as the Middle-Eastern base of the British Empire following the loss of Egypt. Ireland and the End of the British Empire challenges the received historiography of the period and constitutes a valuable addition to our understanding of Ireland and the British Empire.

In the 1920s Germany and Ireland were new European democracies operating in adverse international, political and economic conditions. This book places the bilateral Irish-German relationship in the context of the professionalization of the Irish Foreign Service and the Irish Free State's progressive carving out of an independent foreign policy. It assesses the key Irish personalities involved in Irish-German relations. These include the successive Irish representatives in Berlin, the eminent scholar Dr Daniel A. Binchy, Leo T. McCauley, and the contentious Charles Bewley. Eamon de Valera and Joseph Walshe (Secretary of the Department of Foreign Affairs) also played a crucial role. Irish responses to the Wall Street Crash, the rise of the Nazis, and Hitler's policies (domestic and foreign) are all analysed. Did Irish officials foresee the fall of Weimar and the rise of Nazism? How did they view the unfolding nature of the Nazi regime? The clashes between Bewley's apologetic justifications of Nazism after 1935 and de Valera's critical attitudes towards domestic Nazi policies are examined. The ineffective efforts to expand Irish-German trade during the Anglo-Irish Economic War shed light on Irish attempts at export market diversification in the emerging protectionist world economic environment. The analysis places Irish-German relations within the maturation of events in Europe in the 1930s, taking account of the League of Nations' failure, the popularity of Fascism, the Blueshirts, the fraught international atmosphere, and Hitler's revisionist foreign policy. De Valera's support of Chamberlain's 'appeasement' of Hitler before March 1939 is located in the framework of de Valera's attitudes towards collective security, neutrality and Hibernia Irredenta.

The Event and its Terrors undertakes a critical reimagining of one of the major events of Irish history—the Great Famine of the 1840s—and of its subsequent legacies. Drawing on a wide range of sources, past and present, it considers the emergence of the Famine as an object of historical knowledge and controversy with reference both to the experience of modernity and to the production of academic and nationalist histories in colonial and post-independence Ireland. In doing so, it explores the possibility of alternative modes of engagement with the past via contemporary eyewitness accounts, oral histories, literature, folklore, and present-day commemorative events.