We are all climbing where we are and with the gear we use in no small part due to Tony Howard's quest for adventure. Tony Howard rose to fame in 1965 as a member of a group of young climbers from northern England who made the first British ascent of Norway's Troll Wall; a climb described by Joe Brown as, 'One of the greatest ever achievements by British rock climbers'. Tony went on to design the modern sit harness, now used worldwide by most climbers. He founded the company Troll Climbing Equipment but never stopped exploring. Quest into the Unknown is his story. Tony has dedicated his life to travelling the world in search of unclimbed rock faces and remote trekking adventures. The scale of his travels is vast: he has visited all of the North African countries, much of the Arab land of the Middle East, the mountainous regions of Scandinavia, Canada and the rocky spine of the Americas, the Himalaya, remote Indian provinces, South East Asia, Madagascar, South Georgia and Antarctica. This book, the last word in adventure travel, takes the reader from Tony's youth spent developing the crags of the English Peak District, via whaling ships in the Southern Ocean, thousand-mile canoe trips in the Canadian Arctic, living amongst the Bedouin in the rocky mountains of Jordan, to the isolated opium tribes of Thailand. Tony Howard's Quest into the Unknown is the jaw-dropping account of a life of adventure that is the very definition of true exploration.

Since the Gilded Age, social scientists, middle-class reformers, and writers have left the comforts of their offices to "pass" as steel workers, coal miners, assembly-line laborers, waitresses, hoboes, and other working and poor people in an attempt to gain a fuller and more authentic understanding of the lives of the working class and the poor. In this first, sweeping study of undercover investigations of work and poverty in America, award-winning historian Mark Pittenger examines how intellectuals were shaped by their experiences with the poor, and how despite their sympathy toward working-class people, they unintentionally helped to develop the contemporary concept of a degraded and "other" American underclass. While contributing to our understanding of the history of American social thought, Class Unknown offers a new perspective on contemporary debates over how we understand and represent our own society and its class divisions.

Reproduction of the original: In Unfamiliar England by Thomas Dowler Murphy

Join acclaimed illustrator Stephen Biesty and popular children's history writer Stewart Ross, as they themselves explore some of the boldest, most daring expeditions of all time, using fold-out pages, cross-section drawings and dramatic storytelling.

Edwardian Romance and History Gains a Twist of Suspense Rosemary Gresham has no family beyond the band of former urchins that helped her survive as a girl in the mean streets of London. Grown now, they concentrate on stealing high-value items and have learned how to blend into upper-class society. But when Rosemary must determine whether a certain wealthy gentleman is loyal to Britain or to Germany, she is in for the challenge of a lifetime. How does one steal a family's history, their very name? Peter Holstein, given his family's German blood, writes his popular series of adventure novels under a pen name. With European politics boiling and his own neighbors suspicious of him, Peter debates whether it might be best to change his name for good. When Rosemary shows up at his door pretending to be a historian and offering to help him trace his family history, his question might be answered. But as the two work together and Rosemary sees his gracious reaction to his neighbors' scornful attacks, she wonders if her assignment is going down the wrong path. Is it too late to help him prove that he's more than his name?

In the inter-war years there was much debate in Britain as to whether the best path to post-World War I regeneration would be found in the promises of science and technology, in continued and increased efficiency, in specialization and professionalization or whether the future of the nation depended on a rediscovery of older (and more authentic) ways of doing things, on a defiant anti-modernism. This debate on Britain's future was often conducted in terms of Englishness and the rebirth of a lost, more spiritual, village England. However, 'Englishness' also entered inter-war social thinking through eclectic assimilations of diverse traditions. Prominent themes in the discourses on Britain's post-war regeneration include national character, citizenship, fitness, education, utopia, community and so on. The chapters in the present volume address these themes and break new ground by examining debates well known in political and literary history through their relations to science, medicine, architecture and ideas of social and political 'health'.

From Pytheas the Greek, who sailed to the Arctic Circle without a compass, to Neil Armstrong landing on the moon, here are 14 extraordinary journeys by land, sea and air - each remarkable for the way it was made, for the technology behind it, and for the inspiration it gave to future generations. Storytelling, fold-out cross sections, detailed maps and technical drawings enable readers to experience the excitement of exploration.

Come on Down represents an introduction to popular media culture in Britain since 1945. It discusses the ways in which popular culture can be studied, understood and appreciated, and covers its key analytical issues and some of its most important forms and processes. The contributors analyse some of popular culture's leading and most representative expressions such as TV soaps, quizzes and game shows, TV for children, media treatment of the monarchy, Pop Music, Comedy, Advertising, Consumerism and Americanization. The diversity of both subject matter and argument is the most distinctive feature of the collection, making it a much-needed and extremely accessible, interdisciplinary introduction to the study of popular media culture. The contributors, many of them leading figures in their respective areas of study, represent a number of different approaches which themselves reflect the diversity and promise of contemporary theoretical debates. Their studies encompass issues such as the economics of popular culture, its textual complexity and its interpretations by audiences, as well as concepts such as ideology, material culture and postmodernism.