Popular hunting/fishing personalities Jason Cruise and Jimmy Sites, also pastors, take outdoor enthusiasts deeper into God’s Word with this rugged devotional that draws comparisons between hunting seasons and the spiritual seasons of the soul. Into the High Country includes truth-revealing stories of adventure and space for writing down one’s own thoughts and experiences.

In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing--beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists--and in fact, it is more crucial than ever.

Feuding families must join forces to survive a series of murders and blood thirsty attacks.

Winner of the 2020 Reading the West Advocacy Award Winner of the 2020 Colorado Book Award for Creative Nonfiction "This is a book for all of us, right now." —Cheryl Strayed, author of Wild On her 120-acre homestead high in the Colorado Rockies, beloved writer Pam Houston learns what it means to care for a piece of land and the creatures on it. Elk calves and bluebirds mark the changing seasons, winter temperatures drop to 35 below, and lightning sparks a 110,000-acre wildfire, threatening her century-old barn and all its inhabitants. Through her travels from the Gulf of Mexico to Alaska, she explores what ties her to the earth, the ranch most of all. Alongside her devoted Irish wolfhounds and a spirited troupe of horses, donkeys, and Icelandic sheep, the ranch becomes Houston’s sanctuary, a place where she discovers how the natural world has mothered and healed her after a childhood of horrific parental abuse and neglect. In essays as lucid and invigorating as mountain air, Deep Creek delivers Houston’s most profound meditations yet on how “to live simultaneously inside the wonder and the grief… to love the damaged world and do what I can to help it thrive.”

Director Sam Peckinpah was just starting out when MGM released Ride the High Country in 1962. He was a new kind of director: young, brash, and in a hurry to help the Western "grow up" by treating it with adult themes. Ride the High Country was something new and different, a changing Western to match a changing West. Stars Randolph Scott and Joel McCrea were old hands at this sort of thing. Ride the High Country gave the two veteran actors one last job to do and a chance to go out with some dignity. Ride the High Country helped the genre mature and adapt to turbulent, changing times. It launched Peckinpah's career by invoking the themes of honor, loyalty, and compromised ideals, the destruction of the West and its heroes, and the difficulty of doing right in an unjust world--themes developed to their pinnacle in Peckinpah's later masterpiece, The Wild Bunch.

Horns and Hair of the High Country is a fictionalized presentation of the author's extensive understanding of elk, grizzly bear, mountain goat, sheep, and the caribou, written from the animal's point of view. He inserts informative information about nature into each story, and at the end, he shares with the reader some real-life experiences from the human point of view. For Lloyd Antypowich, going into the mountains for three weeks at a time was far more than a hunting trip. It was like going back to school where he could learn the language of the animals of the wild and the untamed country, where he could get in tune with Mother Nature. That is why he preferred to use horses. The quietness in which he traveled allowed him to hear and see animals that he would otherwise have missed. When one enters into the domain of the wild, the first thing one must learn is to read the signs; it is like reading a book. It tells you what the animals have been doing. Learning that gives one a better understanding of the animals. No, they don't greet you in the morning and ask you if you had your breakfast yet, but they give you a sign, and if you can understand it, you will know what they are telling you. Remember they too have a brain; and everything that they see, smell, or hear puts that body in motion. If you wear aftershave and scented soap, they will smell you long before you will have seen them. In time, one can gain their trust and learn a whole lot more about them, and that to me is a whole lot more rewarding than overpowering them with a high-powered scope.

In the heart of Australia's rugged high country, three generations of the MacLeod family battle to make a living on the land. As a young married couple, Andrew and Anne work together to make the very best of their property, High Peaks, but at what cost to their happiness? In time, the property will pass to their son, David. Handsome and hardwork...

Tracking a fugitive takes Slocum straight into no-man's land... Bismarck, North Dakota, is no place to be in the middle of winter. So when a young beauty bedecked in jewels shows up in the local saloon looking for a card game, Slocum can't help but be intrigued. Especially when she turns out to be the worst poker player he's ever seen. The woman is Ginny Garfield, daughter of Gilbert G. Garfield of the Garfield Coal, Trains, and Shipping dynasty, and she's hard on the trail of the man who killed her brother. But if Slocum wants her to survive the winter, he's going to have to take over the hunt for Delbert Calkins--even if it means tailing him clear across the country. Because there's one thing he knows about a man like Delbert: He was born bad, he lives bad, and he'll die bad--as long as Slocum gets his way...