Papers presented at a conference held at London in June 2008.

This book explores the complex interactions between imperial expansion, political abolitionism and colonial philanthropy that underpinned the ambivalent attitudes of both British evangelicals and East India company officials towards the existence of slavery in India in the period 1772–1843.

This book examines fictional representations of India in novels, plays and poetry produced between the years 1772 to 1823 as historical source material. It uses literary texts as case studies to investigate how Britons residing both in the metropole and in India justified, confronted and imagined the colonial encounter during this period.

Pennington retells the story of Christian's and Hindu's reception of each other in early 19th century Bengal, giving prominence to the power of the respective worldviews to shape the encounter and to help produce the very religions that colonialism thought it 'discovered'.

Indian writing in English (IWE) is now a widely recognized and awarded genre, boasting of world renowned authors in its ranks. The ‘fathers’ of IWE, Mulk Raj Anand, R.K. Narayan, and Raja Rao, have now been canonized and their works widely studied. Yet, very little scholarly attention has been paid to the pioneering literary contributions of Indian women to analyse their effect on the cultural history of their times. Mothering India addresses this lack and concentrates on early Indian women’s fiction written between 1890 and 1947. It not only evaluates the influence of women authors on the rise of IWE, but also explores how they reassessed and challenged stereotypes about womanhood in India, adding their voice to the larger debate about social reform legislations on women’s rights. Moreover, in choosing to write in the colonizer’s language, they seized the attention of a much wider international readership. In wielding their pens, these trendsetting women stepped into the literary landscape as ‘speaking subjects’, refusing the passivity of being ‘spoken-of objects’, and thereby ‘mothering’ India by redefining her image.

What happens to our understanding of 'orientalism' and imperialism when we consider British-Chinese relations during the nineteenth century, rather than focusing on India, Africa or the Caribbean? This book explores China's centrality to British imperial aspirations and literary production, underscoring the heterogeneous, interconnected nature of Britain's formal and informal empire. To British eyes, China promised unlimited economic possibilities, but also posed an ominous threat to global hegemony. Surveying anglophone literary production about China across high and low cultures, as well as across time, space and genres, this book demonstrates how important location was to the production, circulation and reception of received ideas about China and the Chinese. In this account, treaty ports matter more than opium. Ross G. Forman challenges our preconceptions about British imperialism, reconceptualizes anglophone literary production in the global and local contexts, and excavates the little-known Victorian history so germane to contemporary debates about China's 'rise'.