Oldenburg argues that dowry murder is not about dowry per se nor is it rooted in an Indian culture or caste system that encourages violence against women. Rather, dowry murder can be traced directly to the influences of the British colonial era.

This book investigates Rammohun Roy as a transnational celebrity. It examines the role of religious heterodoxy - particularly Christian Unitarianism - in transforming a colonial outsider into an imagined member of the emerging Victorian social order It uses his fame to shed fresh light on nineteenth-century British reformers, including advocates of liberty of the press, early feminists, free trade imperialists, and constitutional reformers such as Jeremy Bentham. Rammohun Roy's intellectual agendas are also interrogated, particularly how he employed Unitarianism and the British satiric tradition to undermine colonial rule in Bengal and provincialize England as a laggard nation in the progress towards rational religion and political liberty.

This book examines fictional representations of India in novels, plays and poetry produced between the years 1772 to 1823 as historical source material. It uses literary texts as case studies to investigate how Britons residing both in the metropole and in India justified, confronted and imagined the colonial encounter during this period.