Describes 139 incunabula from c. 40 presses of which some 2.000 copies are recorded in 153 collections. Preceded by an extensive Introduction. Fully indexed; concordances.

Incunabula of the Low Countries (ILC) is a census of fifteenth-century books printed in the area of the present-day Netherlands and Belgium. It lists 2,229 editions in more than 14,300 copies preserved in hundreds of libraries, museums, and archives all over the world, but mainly in Europe and the USA. The entries for this census have been derived from the Incunabula Short Title Catalogue (ISTC), the database of incunabula compiled at the British Library. They combine research on Low Countries incunabula carried out by Gerard van Thienen, curator at the Koninklijke Bibliotheek in The Hague, with data assembled by ISTC form other sources. ISTC entries were further edited, indexed and prepared for publication by John Goldfinch at the British Library. Campbell's Annales of 1874, the first bibliography of incunabula printed in the Low Countries with 1794 entries, was followed by a number of supplements of increasing complexity, the most extensive being published by M.E. Kronenberg in 1956. All the former additions and emendations, together with additions not otherwise listed before are now brought together and included in one sequence in ILC.

First multi-year cumulation covers six years: 1965-70.

Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.

Dr Korsten provides a biographical sketch of Thomas Baker and reconstructs his library of 4300 titles.

"A splendid piece of work . . . fascinating for bibliographers, musicologists, liturgical specialists, and Renaissance historians."--D. W. Krummel, University of Illinois "A splendid piece of work . . . fascinating for bibliographers, musicologists, liturgical specialists, and Renaissance historians."--D. W. Krummel, University of Illinois

An in-depth examination of Plantin's large-scale production of books of hours, comprising a survey of their illustration as well as accounts of the general process by which they were printed. A pioneer study of great interest both from the art-historical and from the bibliographical point of view. Contains inter alia many additions and corrections's to Voet's The Plantin Press.