Compellingly addressing long-standing questions of whether the White House had become isolated from public opinion and whether Johnson was hardened to the voices raised against the war, Vandiver shows the president as a man who agonized, raged, and grew in response to crises in Vietnam and at home.

Isaacs talks to the veterans unable to forget the war no one wanted to talk about. He explores the class divisions deepened by a conflict in which the privileged avoided service that an earlier generation had embraced as a duty. And he shows how the "Vietnam Syndrome" continues to affect nearly every major U.S. foreign policy decision, from the Persion Gulf to Somalia, Bosnia, and Haiti.

In Shadows and Wind, Robert Templer paints a fascinating and fresh picture of a country usually viewed with hazy nostalgia or deep suspicion. Here is Hanoi, an increasingly tense and troubled city approaching its millennium but uncertain of its direction. Here are people emerging from a long wilderness of malnutrition, discovering a new lifestyle of leisure and luxury. And everywhere are the anomalies that burst the bubble of optimism: a vastly expensive luxury hotel sitting empty in an unknown town six hours from an international airport; museums crammed with fake exhibits. And there remains the one-party Communist state, still wrapped in secrecy and corruption, and making for an uneasy bedfellow with the rapacious capitalism it now encourages.Drawing on hundreds of interviews in Vietnam and years of research, Robert Templer has produced the first in-depth examination of the problems facing modern Vietnam. Shadows and Wind is essential reading for anyone who wants to understand the Vietnam that now has emerged from a century of conflict with both foreign powers and with itself.

The author arrived at the Marine Corps Recruit Depot in San Diego ill-prepared for the training and abuse that awaited him in boot camp. At the time, he would have done anything to escape; only upon reflection years later did he realize that the self-confidence instilled in him by his drill instructors had probably saved his life in Vietnam. A few months after boot camp, Private Ball was shipped out to Vietnam, joining F Company, 2nd Battalion, 3rd Marines, near Khe Sanh. As a grunt, in the vernacular of the Corps, Ball, like the other youths of F Company, did a difficult and deadly job in such places as the A Shau Valley, Leatherneck Square, the DMZ and other obscure but critical I Corps locales. His--their--fear of death mingled with homesickness. Little did they realize that the horrors of the Vietnam War--horrors that while in-country they often claimed did not even exist--would haunt them for the rest of their lives.

In Experiments in Skin Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.

He faced the dilemmas of maintaining the cohesion of the alliance, especially with the French withdrawal from NATO, while trying to reduce tensions between eastern and western Europe, managing bitter conflicts over international monetary and trade policies, and prosecuting an escalating war in Southeast Asia."--BOOK JACKET.

Harry Truman's administration began searching for an American response to the clash in Indochina between Frech colonialism and Vietminh communism in 1945. Thirty years and five administrations later, Gerald Ford and his aides tried unsuccessfully to solicit additional aid for South Vietnam from a reluctant Congress. For Truman, Ford, and every American leader in between, the dilemma in Vietnam hung ominously over the presidency. In Shadow on the White House, seven prominent historians examine how the leadership of six presidents and an issue that grew into a difficult and often unpopular war shaped each other. Focusing on the personalities, politics, priorities, and actions of the presidents as they confronted Vietnam, the authors consider the expansion of presidential power in foreign-policy formulation since World War II. In their analyses, they chronicle the history of executive leadership as it related to Vietnam, assess presidential prerogatives and motives on war and peace issues, and clarify the interconnection between the modern presidency and the nation's frustrating, tragic, and humiliating failure in Southeast Asia. Although other histories have been written about the Vietnam experience, this book is the first systematic and comparative survey on presidential leadership as it relates to the war issue. It is organized by presidential administrations, giving a detailed examination of each president's decisions and policies. Based on the most recently opened archival sources, the essays provide a framework on which to hang the kaleidoscopic events of the war. -- Amazon.com.

James F. Dunnigan and Albert A. Nofi's Dirty Little Secrets of the Vietnam War allows us to see what really happened to American forces in Southeast Asia, separating popular myth from explosive reality in a clear, concise manner. Containing more than two hundred examinations of different aspects of the war, the book questions why the American military ignored the lessons taught by previous encounters with insurgency forces; probes the use of group think and mind control by the North Vietnamese; and explores the role technology played in shaping the way the war was fought. Of course, the book also reveals the "dirty little secrets," the truth behind such aspects of the conflict as the rise of the Montagnard mercenaries--the most feared group of soldiers participating in the secret war in Laos-and the details of the hidden struggle for the Ho Chi Minh Trail. With its unique and perceptive examination of the conflict, Dirty Little Secrets of the Vietnam War by James F. Dunnigan & Albert A. Nofi offers a critical addition to the library of Vietnam War history.

Shadows of Saigon is a work of fiction based upon real people and factual events during the Vietnam War. The book covers the time period from the American Invasion of Cambodia in May 1970 to May 1971 when Vietnamization and U. S. troop withdrawals are well underway. During this time, the Vietnam War takes a major swing westward into the neighboring country of Cambodia. Shadows of Saigon is a compelling story of a young man who for various reasons leaves his chosen profession and the woman he loves to volunteer for service in the U. S. Air Force. The setting of the story revolves around Tan Son Nhut Air Base in Saigon, Republic of Vietnam. Former teacher, Lieutenant Paul Knight is fresh from officer's school and pilot training in Texas. He volunteers for Air Commando duty in the AC-119 Shadow gunship. Reporting for duty with the 17th Special Operations Squadron in Vietnam, he is assigned to Fighting C Flight at Tan Son Nhut Air Base in Saigon. It is not long after American ground troops are withdrawn from Cambodia that Charlie Flight with its five fixed-wing gunships is assigned the task of providing twenty-four hour air support for the Cambodian Army. Flying antiquated, propeller-driven transport planes converted to attack-gunships, the Air Commandos are designated with the radio call sign "Shadow". The Shadows are accustomed to hiding in the darkness of night on combat missions, but now they must also operate during the day. The big black warplane becomes a most inviting target for enemy gunners as it flies low and slow to encircle the enemy with four side-firing Gatling guns that rain death. Knight and his fellow Air Commandos deal with the increased dangers of flying missions eye-to-eye with the enemy in broad daylight. Knight's chances of surviving his twelve-month tour of duty in Southeast Asia lessen with each combat mission. He soon learns that the gunship he pilots is not always reliable and that the monsoon season creates extremely hazardous combat flying conditions. No larger than the State of Missouri, Cambodia is a hotbed for U. S. air operations. Twenty-four hours a day, Shadow gunships from Saigon rotate every four hours to provide continual close fire support for the Cambodians. From the provincial capitals of Prey Veng, Kampong Cham, Kampong Thom, Siem Reap and the ancient ruins of Angkor to the nation's capital city of Phnom Penh and the nation's major seaport at Kompong Som, Shadows of Saigon are hell-bent to provide uninterrupted direct air support for the newly formed Republic of Cambodia. Knight's world of war ranges from sheer boredom to stark terror. It constantly transitions back and forth between the relatively safe sanctum of Tan Son Nhut and the dangerous combat environment over hostile enemy territory in Cambodia and Laos. Laying his life on the line for an unpopular and seemingly never-ending war, Knight struggles with his convictions that motivated him to volunteer for service. He wrestles with fears of getting killed or captured. With the enticement of Saigon just outside the gates of Tan Son Nhut, Knight takes advantage of the city to escape the rigors of war. Knight meets and eventually falls in love with a Eurasian war correspondent from Paris. She hates the Americans and what they have done to Vietnam. Three of Knight's pilot training buddies are also stationed in Vietnam. Their paths cross frequently as they too face the realities of war and the possibility of never returning home alive. Killer Dameron pilots AC-119G Shadow gunships along with Knight at Tan Son Nhut. He rejects his past life to become a renegade obsessed with killing the enemy. Joseph Eric Thomas, better known as JET, flies AC-119K Stinger gunships that carry much greater firepower than its sister-ship, Shadow. Youngblood is stationed at Phan Rang where he flies F-100 fighter/bombe

A photographer's unnerving and poetic odyssey through modern-day Vietnam. Mitch Epstein's evocative pictures reveal a complicated Vietnam that few Americans have ever seen. This is not a document about the war, nor is it the pastoral idyll other photographers have portrayed. Vietnam, through Epstein's eyes, is a disturbing and sublime palimpsest. Vietnam: A Book of Changes interprets a culture and landscape largely cut off from the West for the last thirty years, and now open to a market economy and a new relationship to America. The photographs are suffused with the rawness of Vietnamese life lived on the economic and political edge. Under the layer of friendship lies the tension of politics; under beauty lies violence; under the stark faces of remote villagers is the entrepreneurial momentum drawing them to the city; and under the remnants of war is an artistic bohemia grappling with new freedoms and continued censorship. Epstein's groundbreaking art photography addresses our senses and intellect equally. These pictures bring us into the heart of Vietnam.