When seventeen-year-old Jorie picks the wrong corpse to scavenge from the Ice Flats, she and Cody, a gentle Southern boy, find themselves at the center of a centuries-old secret.

In the first book in the epic Lamb among the Stars series, author Chris Walley weaves the worlds of science and the spirit, technology and supernatural into something unique in science fiction. Twelve thousand years into the future, the human race has spread across the galaxy to hundreds of terraformed worlds. The effects of the Fall have been diminished by the Great Intervention, and peace and contentment reign under the gentle rule of the Assembly. But suddenly, almost imperceptibly, things begin to change. On the remotest planet of Farholme, Forester Merral D’Avanos hears one simple . . . lie. Slowly a handful of men and women begin to realize that evil has returned and must be fought. What will this mean for a people to whom war and evil are ancient history? Thus begins the epic that has been described as “If C. S. Lewis and Tolkien had written Star Wars.” The Shadow and Night was previously published in two volumes: The Shadow at Evening and The Power of the Night.

"Doug Peacock, as ever, walks point for all of us. Not since Bill McKibben’s The End of Nature has a book of such import been presented to readers. Peacock’s intelligence defies measure. His is a beautiful, feral heart, always robust, relentless with its love and desire for the human race to survive, and be sculpted by the coming hard times: to learn a magnificent humility, even so late in the game. Doug Peacock’s mind is a marvel—there could be no more generous act than the writing of this book. It is a crowning achievement in a long career sent in service of beauty and the dignity of life."—Rick Bass, author of Why I Came West and The Lives of Rocks Our climate is changing fast. The future is uncertain, probably fiery, and likely terrifying. Yet shifting weather patterns have threatened humans before, right here in North America, when people first colonized this continent. About 15,000 years ago, the weather began to warm, melting the huge glaciers of the Late Pleistocene. In this brand new landscape, humans managed to adapt to unfamiliar habitats and dangerous creatures in the midst of a wildly fluctuating climate. What was it like to live with huge pack-hunting lions, saber-toothed cats, dire wolves, and gigantic short-faced bears, to hunt now extinct horses, camels, and mammoth? Are there lessons for modern people lingering along this ancient trail? The shifting weather patterns of today—what we call "global warming"—will far exceed anything our ancestors previously faced. Doug Peacock's latest narrative explores the full circle of climate change, from the death of the megafauna to the depletion of the ozone, in a deeply personal story that takes readers from Peacock's participation in an archeological dig for early Clovis remains in Livingston, MT, near his home, to the death of the local whitebark pine trees in the same region, as a result of changes in the migration pattern of pine beetles with the warming seasons. Writer and adventurer Doug Peacock has spent the past fifty years wandering the earth's wildest places, studying grizzly bears and advocating for the preservation of wilderness. He is the author of Grizzly Years; Baja; and Walking It Off and co-author of The Essential Grizzly. Peacock was named a 2007 Guggenheim Fellow, and a 2011 Lannan Fellow.

The undisputed master of the tough thriller, New York Times bestselling author Stephen Hunter delivers an “exciting and intelligent” (The Wall Street Journal) masterpiece set in 1940s Arkansas, where law and corruption ricochet like slugs from a .45 automatic. Earl Swagger is tough as hell. But even tough guys have their secrets. Plagued by the memory of his abusive father, apprehensive about his own impending parenthood, Earl is a decorated ex-Marine of absolute integrity—and overwhelming melancholy. Now he’s about to face his biggest, bloodiest challenge yet. It is the summer of 1946, organized crime’s garish golden age, when American justice seems to have gone to seed for good. Nowhere is this truer than in Hot Springs, Arkansas, the reigning capital of corruption. When the district attorney vows to bring down the mob, Earl is recruited to run the show. As casino raids erupt into nerve-shattering combat amid screaming prostitutes and fleeing johns, the body count mounts—along with the suspense in this “riveting” (Los Angeles Times), “richly told tale” (The San Francisco Examiner).

This mesmerizing novel draws the reader into the creative, erotic, and exiled minds of authors Paul and Jane Bowles. Set in Morocco in the 1940s, the story weaves around two well-known writers: Paul, a composer and the author of The Sheltering Sky, and Jane, the author of Two Serious Ladies. Through an impressive amount of research Adair recreates the lives of these literary giants, addressing themes of narcissism, betrayal, moral confusion, and love. Their struggles to write and to love, both each other and others, creates an unusually rich reading experience that proposes lingering questions about art, power, relationships, politics, and ethics.

Since its debut in 1990, The Wheel of Time(R) by Robert Jordan has captivated millions of readers around the globe with its scope, originality, and compelling characters. The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. For three days battle has raged in the snow around the great city of Tar Valon. In the city, a Foretelling of the future is uttered. On the slopes of Dragonmount, the immense mountain that looms over the city, is born an infant prophesied to change the world. That child must be found before the forces of the Shadow have an opportunity to kill him. Moiraine Damodred, a young Accepted soon to be raised to Aes Sedai, and Lan Mandragoran, a soldier fighting in the battle, are set on paths that will bind their lives together. But those paths are filled with complications and dangers, for Moiraine, of the Royal House of Cairhien, whose king has just died, and Lan, considered the uncrowned king of a nation long dead, find their lives threatened by the plots of those seeking power. "New Spring" related some of these events, in compressed form; New Spring: The Novel tells the whole story. The Wheel of Time(R) New Spring: The Novel #1 The Eye of the World #2 The Great Hunt #3 The Dragon Reborn #4 The Shadow Rising #5 The Fires of Heaven #6 Lord of Chaos #7 A Crown of Swords #8 The Path of Daggers #9 Winter's Heart #10 Crossroads of Twilight #11 Knife of Dreams By Robert Jordan and Brandon Sanderson #12 The Gathering Storm #13 Towers of Midnight #14 A Memory of Light By Robert Jordan and Teresa Patterson The World of Robert Jordan's The Wheel of Time By Robert Jordan, Harriet McDougal, Alan Romanczuk, and Maria Simons The Wheel of Time Companion

The authors of Ice Age “present a well-documented argument that [Newton] owed more to the ideas of others than he admitted” (Kirkus Reviews). Robert Hooke and Edmond Halley, whose place in history has been overshadowed by the giant figure of Newton, were pioneering scientists within their own right, and instrumental in establishing the Royal Society. Although Newton is widely regarded as one of the greatest scientists of all time and the father of the English scientific revolution, John and Mary Gribbin uncover the fascinating story of Robert Hooke and Edmond Halley, whose scientific achievements neatly embrace the hundred years or so during which science as we know it became established. They argue persuasively that, even without Newton, science would have made a great leap forward in the second half of the seventeenth century, headed by two extraordinary figures, Hooke and Halley. “Science readers will thank the Gribbins for restoring Hooke and Halley to the prominence that they deserve.”—Publishers Weekly “Engaging . . . They offer proof that Hooke was an important scientist in his own right, and often had physical insights that were borrowed (usually without acknowledgement) by Newton.”—Choice

A man is travelling to Africa from Europe. And yet it is also about waiting - waiting for Africa. Volker, a German, leaves his home in Frankfurt for Windhoek. He leaves a lover, he is leaving for a long time, and he does not have a return ticket. He does not know anything about Africa, to him it is one country, not a continent, neither does he really know where he is going to; he just knows that he wants to leave Europe. Lufthansa, the airline that carries him stops at Charles de Gaulle airport and here he waits and waits and waits. And in the airport he observes and describes and thinks. The text is a stream of consciousness, Volker's thoughts. Interspersed with this are stories of people he encounters in the airport; a murderer, a terrorist, a person with dwarfism, a trans woman, a porn star, a terrorist, a child trafficker, a paedophile. All are connected, with each other, with Volker and with us, the readers. Adair's novel is innovative in form, self-conscious and self-critical; it challenges conventional Western assumptions that all good novels have a clear story line, a good plot and fully rounded characters.

The legendary Spartacus is recast as a fierce female warrior in this action-packed tale of a 17-year-old princess and a handsome gladiator who dared take on the Roman Republic.

War brought them together. Love will tear them apart. Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . . CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land. Praise for Falling Kingdoms “From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist “[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen “This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series. Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series! Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring. RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration? MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few. RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1? MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits. RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite? MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline! RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters? MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer! RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot. MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences. RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring? MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels. RM: Okay, ultimate personality test: Are you a Cleo or a Lucia? MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :) RM: Lastly, can you talk a little bit about your writing process? MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.