A classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the "Top 100 Works of U.S. Journalism of the Twentieth Century." Lillian Ross worked at The New Yorker for more than half a century, and might be described not only as an outstanding practitioner of modern long-form journalism but also as one of its inventors. Picture, originally published in 1952, is her most celebrated piece of reportage, a closely observed and completely absorbing story of how studio politics and misguided commercialism turn a promising movie into an all-around disaster. The charismatic and hard-bitten director and actor John Huston is at the center of the book, determined to make Stephen Crane’s The Red Badge of Courage—one of the great and defining works of American literature, the first modern war novel, a book whose vivid imagistic style invites the description of cinematic—into a movie that is worthy of it. At first all goes well, as Huston shoots and puts together a two-hour film that is, he feels, the best he’s ever made. Then the studio bosses step in and the audience previews begin, conferences are held, and the movie is taken out of Huston’s hands, cut down by a third, and finally released—with results that please no one and certainly not the public: It was an expensive flop. In Picture, which Charlie Chaplin aptly described as “brilliant and sagacious,” Ross is a gadfly on the wall taking note of the operations of a system designed to crank out mediocrity.

Molly Bang's brilliant, insightful, and accessible treatise is now revised and expanded for its 25th anniversary. Bang's powerful ideas—about how the visual composition of images works to engage the emotions, and how the elements of an artwork can give it the power to tell a story—remain unparalleled in their simplicity and genius. Why are diagonals dramatic? Why are curves calming? Why does red feel hot and blue feel cold? First published in 1991, Picture This has changed the way artists, illustrators, reviewers, critics, and readers look at and understand art.

"A dark and addictive mystery that had me flying through the pages: best read late at night under the covers with the doors locked!"—Kara Thomas, author ofThe Darkest Corners One dead body, one photograph, one comprimising secret. Everyone's a suspect in this classic "whodunit" murder mystery from Timeless author, Alexandra Monir. Nicole Morgan has been labeled many things—the geeky music girl, the shy sidekick of Miss Popularity, and the girl with the scar. Now only one name haunts her through the halls of Oyster Bay Prep. The girl in the picture. After heartthrob Chace Porter is found dead in the woods near the school, the police search for the girl snuggled up next to him in a picture discovered among his personal effects. A girl no one knew was even close to him—and whose best friend, Lana Rivera, was his girlfriend. Nicole is that girl, and now she’s the primary suspect in his murder. What happened that night? Were Nicole and Chace dating behind Lana’s back? Were he and Lana over? Could either of the girls have killed him? In alternating points of view—that of suspect Nicole Morgan and that of Lana Rivera—and weaving between present-day, flashbacks, and the characters' surreal subconscious, The Girl in the Picture is a unique tale of teen friendship, romance, and deadly secrets. "This is a murder mystery with tightly tucked-in clues. Perfect for readers who enjoy fancy prep-school tales or mysteries."--Booklist "Monir effectively keeps readers guessing until nearly the end. VERDICT Teens will enjoy the cleverly crafted ride of this whodunit."--SLJ "Mystery lovers will find Oyster Bay Prep just to their liking."--The Bulletin

A #1 New York Times bestseller, this innovative and wildly funny read-aloud by award-winning humorist/actor B.J. Novak will turn any reader into a comedian—a perfect gift for any special occasion! You might think a book with no pictures seems boring and serious. Except . . . here’s how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say . . . BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY. Cleverly irreverent and irresistibly silly, The Book with No Pictures is one that kids will beg to hear again and again. (And parents will be happy to oblige.)

From the New York Times bestselling author of The Swans of Fifth Avenue and The Aviator’s Wife, a “rich exploration of two Hollywood friends who shaped the movies” (USA Today)—screenwriter Frances Marion and superstar Mary Pickford “Full of Old Hollywood glamour and true details about the pair’s historic careers . . . a captivating ode to a legendary bond.”—Real Simple NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE It is 1914, and twenty-five-year-old Frances Marion has left her (second) husband and her Northern California home for the lure of Los Angeles, where she is determined to live independently as an artist. But the word on everyone’s lips these days is “flickers”—the silent moving pictures enthralling theatergoers. Turn any corner in this burgeoning town and you’ll find made-up actors running around, as a movie camera captures it all. In this fledgling industry, Frances finds her true calling: writing stories for this wondrous new medium. She also makes the acquaintance of actress Mary Pickford, whose signature golden curls and lively spirit have earned her the title “America’s Sweetheart.” The two ambitious young women hit it off instantly, their kinship fomented by their mutual fever to create, to move audiences to a frenzy, to start a revolution. But their ambitions are challenged by both the men around them and the limitations imposed on their gender—and their astronomical success could come at a price. As Mary, the world’s highest paid and most beloved actress, struggles to live her life under the spotlight, she also wonders if it is possible to find love, even with the dashing actor Douglas Fairbanks. Frances, too, longs to share her life with someone. As in any good Hollywood story, dramas will play out, personalities will clash, and even the deepest friendships might be shattered. With cameos from such notables as Charlie Chaplin, Louis B. Mayer, Rudolph Valentino, and Lillian Gish, The Girls in the Picture is, at its heart, a story of friendship and forgiveness. Melanie Benjamin brilliantly captures the dawn of a glittering new era—its myths and icons, its possibilities and potential, and its seduction and heartbreak. “A boffo production . . . Inspiration is a rare and unexpected gift in a book filled with the fluff of Hollywood, but Benjamin provides it with The Girls in the Picture.”—NPR “Profoundly resonant, The Girls in the Picture is at its core, an empowering and fascinating tale of sisterhood.”—Bryce Dallas Howard

The page-turning sequel to THE CRIMSON ROOMS by the author of bestselling Richard & Judy Book Club pick, THE ROSE OF SEBASTOPOL. London, 1926. Evie Gifford, one of the first female lawyers in Britain, is not a woman who lets convention get in her way. She has left her family home following a devastating love affair, much to her mother's disapproval. London is tense in the days leading up to the General Strike and Evelyn throws herself into two very different cases - one involving a family with links to the unions and the other a rich man who claims not to be the father of his wife's child. Evie is confronting the hardest challenge of her career when she is faced with an unexpected proposal - just as her former lover returns. How can she possibly choose between security with a man she admires and passion for the man who betrayed her?

Exploring the profound impact of the experience of reading to children, Spitz discusses well-known children's books and reveals how they transmit psychological wisdom, convey moral lessons, shape tastes, and implant subtle prejudices. 23 illustrations.

We have entitled the work “The Picture in the Puzzle.” This new and original work is the culmination of an effort to help adult Bible students understand the entire Bible using a holistic Christ centered approach. There are over 100 original diagrams that show the many ways that the Bible can be understood as an overall, consistent and expanding story.

New York Times Bestseller Named one of the Best Gift Books of the Year by Entertainment Weekly, InStyle, House Beautiful, T: The New York Times Style Magazine, Better Homes & Gardens, Luxe Interiors + Design, People StyleWatch, Garden & Gun, The Los Angeles Times, The Chicago Tribune, New York Magazine, and more John Derian’s home goods empire reaches far and wide—in addition to the four John Derian stores he owns in New York and Massachussetts, his products are sold by more than 600 retailers worldwide, including Neiman Marcus, ABC, and Gump’s in the United States; Conran and Liberty in the UK; and Astier de Villatte in Paris. It all started with his now-iconic collectible plates decoupaged with 19th-century artwork sourced from old and rare books, a process that credited him with elevating the decoupage technique into fine art. Over the past 25 years, the brand has expanded greatly to include home and general design gifts and products. Now, for the first time ever, comes the book John Derian fans have been waiting for. Culled from the thousands of images that have appeared in his biannual collections, here is an astoundingly beautiful assortment of nearly 300 full-bleed images in their original form. From intensely colored flowers and birds to curious portraits, hand-drawn letters, and breathtaking landscapes, the best of John Derian is here. The result is an oversized object of desire, a work of art in and of itself, that brilliantly walks the line between commerce and art, and that is destined to become the gift book of the season.

The act of including bystanders within the scene of an artwork has marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the "public" in the picture could be seen as a mediating between different times, people, and contents.With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of t.