Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.

Everyone who reads the Bible must admit that it tells us to do things that we never have done and cannot do in our fleshly bodies. One reason is that God our Creator is telling us what He wants us to be and do as created in His image and likeness. Our purpose is in our image and likeness of God our Creator, not like the dust of the ground or the flesh of our parents. Most children dont know that they are created in the image and likeness of God, and their parents have not asked God for His spirit for their children so they can be taught this vital truth. The reason parents dont ask God for His spirit for their children is because they dont recognize the need for Him. There are several things mankind cannot do in the flesh, and they must recognize their origin in the image and likeness of God. Mankind must recognize being in the image and likeness of God to, first, love God with all their being and love his neighbors as himself; second, to obey God and his parents as required in Gods word; third, to trust God with all his heart; fourth, to worship God in spirit and in truth; and fifth, to glorify God in his body and spirit, which are God. The devil does not want mankind to know that he is created in the image and likeness of God because man will always defeat Satan and fulfill God's will.

Vladimir Lossky established himself as one of the most brilliant Orthodox scholars in the years between his departure from Russia in 1923 and his death in 1958. His uncompromising faithfulness to scriptural and patristic tradition, coupled with his constant concern for an articulate Orthodox witness in the West, are indispensable for understanding the theology of the Eastern Church. Here, in twelve essays, he explores the implications of the Orthodox understanding of the human being's destiny--communion in love with the true God.

The human body is a likeness of God, its design revealing insights into the church, the “body of Christ” For bestselling author Philip Yancey, the late Dr. Paul Brand—the brilliant hand surgeon who devoted his life to the poorest people of India and Louisiana—was also a likeness of God, living the kind of Christian life that exemplified what God must have had in mind. In the Likeness of God combines the complete texts of Fearfully and Wonderfully Made and In His Image—both Gold Medallion Award–winners which together have sold more than half a million copies—into one volume. Also included for the first time are eight beautiful litanies of praise on the human body by Dr. Brand. In Fearfully and Wonderfully Made, Dr. Paul Brand and bestselling writer Philip Yancey explore the wonder of the human body and uncover the eternal statements that God has made in the very structure of our bodies. Their remarkable journey through inner space—the world of cells, systems, and chemistry—points to a still deeper unseen reality of God’s work in our lives. In His Image takes up where the first book leaves off. In five sections—Image, Blood, Head, Spirit, and Pain—the authors unlock the remarkable living lessons contained in our physical makeup.

This highly anticipated two-book fourth volume in N. T. Wright's magisterial series, Christian Origins and the Question of God, is destined to become the standard reference point on the subject for all serious students of the Bible and theology. The mature summation of a lifetime's study, this landmark book pays a rich tribute to the breadth and depth of the apostle's vision, and offers an unparalleled wealth of detailed insights into his life, times, and enduring impact.

Skeptics like to point out the apparent contradictions that exist in the Creation Account to prove the biblical text is not reliable. Here, for the first time since the Early Church lost The Apostolic Teaching, is an explanation of that account that not only makes sense; it also agrees completely with things the Early Church Father Irenæus wrote in his monumental second-century work, "Against Heresies."

What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person.

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover