Bath Township was sculpted from the Western Reserve after Native Americans ceded the land to the United States at the 1805 Treaty of Fort Industry. Captured here in over 200 vintage photographs is the development of the area into Bath Township, through the trials and triumphs of its earliest settlers. Originally named Hammondsburgh after one of the first families to settle in the area, Bath Township was formally organized in 1818. Industry sprang up in the form of grist, flour, saw, and woolen mills along the Yellow Creek in Ghent Village. Gradually, a handful of small population centers or "corners" came into existence within the township. Names like Hammond's Corners, Stony Hill, Ghent, and Ira are still used today, while the names of Hurd's Corners, Little Germany, and Farley's Corners are seldom spoken. Pictured here are the buggy works, blacksmith shops, cheese factories, general stores, and post offices, and the residents that operated them, creating the inviting area that residents cherish today.

This interdisciplinary study explores the evolution, structure, and uses of the image of Georgian Bath, from its genesis in the eighteenth century to its renaissance in the twentieth century. In recent decades there has been both a popular resurgence of interest in heritage and tradition, and a growing academic awareness of the power of imagery in shaping the lives of individuals and societies. There is perhaps no city in Britain so saturated in history and layered with historic imagery as Bath. It therefore provides an ideal case-study to investigate the dynamic fusion and impact of the forces of past and representation. The dominant perception of Bath today is that of a classical and particularly Georgian city. In this stimulating and scholarly study, Peter Borsay examines the construction and development of this image. Its principal components, biography and architecture, are explored, together with the media through which it was constructed and transmitted, as well as its commercial, social, political, and psychological uses. Dr Borsay concludes by relating the findings for Bath to current debates on towns, heritage, and the nature of history.

Perfect for fans of Five Little Monkeys Jump in the Bath, this fun and educational picture book brings together adorable baby animals and bathtime. How do YOU take a bath? Does your mama comb your fur? Do you shake off all your dirt? Do you splash and flap and quack? Do the birdies peck your back? No! Follow elephants, pigs, monkeys, hippos, and more in this charming rhyming picture book from veteran author Kate McMullan. How does a pig take a bath? It sinks in the mud! What about a chicken? It thrashes about in dust! And a cat? Why, it licks itself clean, of course! Sydney Hanson's adorable illustrations toggle neatly between animals in nature grooming themselves and humorous depictions of children attempting the animals' bathing tactics. By the end of the book, the child finally makes his way to the bathtub, no mud baths or lick baths about it!

This book argues that in the works of Degas, Mondrian, Bacon, Schiele and Warhol, serial iteration articulates a process of free, constructive becoming which they interpret in different ways. Not only does the serially iterative structure of the images show that activity and novelty are primary concerns, but it involves the viewer in the activity presented in the images. For these reasons, serial iteration is fundamentally connected both to modernist aspects of the work and to other concerns such as the structure of subjectivity and the movement of history. Serially iterative structure opens up the meaning of these five artists images by relating them to concerns in contemporary art and thought.

Bathe the floor? Sweep the dishes? This riotous romp of a picture book follows a frantic family as they try to get some chores done—with no help from the family cat, who keeps scrambling the list of chores with hilarious effects. Get ready for a rollicking read-aloud with a truly purrfect ending. It's cleaning day, but the family cat will do anything to avoid getting a bath. So instead of mopping the floor or feeding the fish, the family is soon busy rocking the rug, vacuuming the lawn, and sweeping the dishes. Bouncy rhyme carries the story headlong into the growing hilarity, until finally Dad restores some kind of order—but will the cat avoid getting his whiskers wet? HILARIOUS READ-ALOUD: Word scrambles are a delight in this silly rhyming picture book! Kids will love the accessible rhyming text, and emerging readers will be able to anticipate words after repeated reads, making for an engaging and interactive read-aloud experience. CATNIP FOR CAT LOVERS: This sweet and sneaky feline will do anything to get out of having a bath! Ample cat antics and scenes of increasing mischief (and increasing chaos!) will tickle young readers and entice parents—particularly those with a furry feline member of their own households. TWO DADS LEAD THE WAY: Dad and Papa are the heads of this large and loving biracial family, mirroring illustrator David Robert's own orientation and providing picture book readers with a positive depiction of LGBTQ+ characters in a fun and funny family story. WINNING AUTHOR-ILLUSTRATOR TEAM: Alice McGinty is a prolific author of books for children, and David Roberts is well-known for his work on the popular Questioneers series. Together, their upbeat text and energetic art with pops of neon color make for a standout picture book, just right for gifting and enjoying together at storytime. Perfect for: • Parents • Gift-givers • Cat lovers

Certain bizarre spaces, where disruption or disarray rule, leave us estranged and 'out of place'. This book examines such spaces, highlighting the emotional and mediated geographies of uncertainty and the state of being 'in-between'; of cognitive displacement, loss, fear, or exhilaration. It expands on why space is sometimes estranging and for whom it is strange. It is the first book to link strangeness and spatial production, as well as empirical explorations of strange spaces within a profound theoretical discussion of 'what is strange about strange spaces' and how they evolve in a modern media age.

Inspired by a true anecdote, this larger-than-life tale of a presidential mishap is brimming with humor and over-the-top illustrations. "Blast!" said Taft. "This could be bad." George Washington crossed the Delaware in the dead of night. Abraham Lincoln saved the Union. And President William Howard Taft, a man of great stature -- well, he got stuck in a bathtub. Now how did he get unstuck? Author Mac Barnett and illustrator Chris Van Dusen bring their full comedic weight to this legendary story, imagining a parade of clueless cabinet members advising the exasperated president, leading up to a hugely satisfying, hilarious finale.

Sir John Soane?s Influence on Architecture from 1791: A Continuing Legacy is the first in-depth study of this eighteenth-century British architect?s impact on the work of others, extending globally and still indeed the case over 200 years later. Author Oliver Bradbury presents a compelling argument that the influence of Soane (1753-1837) has persevered through the centuries, rather than waning around the time of his death. Through examinations of internationally-renowned architects from Benjamin Henry Latrobe to Philip Johnson, as well as a number of not so well known Soanean disciples, Bradbury posits that Soane is perhaps second only to Palladio in terms of the longevity of his influence on architecture through the course of more than two centuries, from the early 1790s to today, concluding with the recent return to pure revivalism. Previous investigations have been limited to focusing on Soane?s late-Georgian and then post-modern influence; this is the first in-depth study of his impact over the course of two centuries. Through this survey, Bradbury demonstrates that Soane?s influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane?s is a continuing, not negated, legacy in architecture.