Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.

Genetics seems more popular then ever. DNA technology not only sustains large areas of biomedicine and business, but also prevails in social and legal practices and takes root in cultural products. Since the late 1950s, the public image of genetics metamorphosed from a suspect branch of research into a thriving, well-funded field of biomedicine. Images and imaginations have played a crucial role in the popularization of genetic knowledge. The media played up images of engineered bugs, scientists promoted images of selfish genes and science fiction writers infested the imagination with stories of cloned monsters. Imag e nation examines the role of science, journalism and fiction in the popularization of genetics.

What makes magic so much fun to watch? Is it the compelling story, the sense of wonder it creates, or perhaps even the beautiful ballet of cards that the magician brings to life? To be honest, all of these things are correct. Magic is an art form and like any art form it depends on what kinds of emotions it evokes from its viewers. The ability to make a spectator's imagination run wild as they witness these impossible miracles taking place in the palm of their own hands is what truly makes magic such a wonderful experience. At the end of the day it is how a spectator feels that will make them remember this moment forever. "The Imagine Nation Project" is a collection of 31 close-up magic effects that are designed to evoke a sense of wonder and excitement from your viewers whilst leaving them with an experience that they will be telling their family and friends about for years to come. Join magician Michael O'Brien on a journey through the imagination and discover what it is that makes magic so captivating. Learn some new sleights, techniques and build some new gimmicks that will take your magic to the next level. Deep down we all have a child's sense of wonder just waiting to be discovered. It is your job as the conjurer to inspire your audience to take a step back from reality and truly enjoy this magical experience.

What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these debates on the nature of the nation state are even more urgent. As new nations rise, vying for influence, and old empires decline, we must understand who we are as a community in the face of history, and change.

Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940s and 1950s as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

"The Astonishment Tapes is the edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser, a founding member of the Berkeley contingent of the San Francisco Renaissance in New American Poetry"--

In the globalized world of today, a well-elaborated, long-term oriented nation branding strategy can help nations to improve and to better control of their nation image. Nation branding activities increase the countries’ competitiveness in the global marketplace, and help to foster the tourism arrivals, inward foreign direct investment flows and exports, and further, they help to attract talented workforce and students. Despite its growing importance, most Latin American countries still have not engaged enough in the area of nation branding, and mostly only focus their activities on the tourism promotion. The region’s countries have a good image regarding soft factors such as their people and tourism attractions but have a weak image regarding their products and investment opportunities. Brazil has a relatively good nation image in many dimensions but still has not developed an extensive nation branding strategy. Chile and Colombia are among the Latin American countries which have started to conduct more complete nation branding activities. Although, such advances can be observed, there is still a lot of improvement potential in the nation branding practices of Latin American countries.

This seminal book explores the complex relationship between popular geopolitics and nation branding among the Newly Independent States of Eurasia, and their combined role in shaping contemporary national image and statecraft within and beyond the region. It provides critical perspectives on international relations, nationalism, and national identity through the use of innovative approaches focusing on popular culture, new media, public diplomacy, and alternative "narrators" of the nation. By positing popular geopolitics and nation branding as contentious forces and complementary flows, the study explores the tensions and elisions between national self-image and external perceptions of the nation, and how this complex interplay has become integral to contemporary global affairs.

Phenomenology and the Late Twentieth-Century American Long Poem reads major figures including Charles Olson, Lyn Hejinian, Nathaniel Mackey, Susan Howe and Rachel Blau DuPlessis within a new approach to the long poem tradition. Through a series of contextualised close readings, it explores the ways in which American poets developed their poetic forms by engaging with a variety of European phenomenologists, including Hannah Arendt, Maurice Merleau-Ponty, Martin Heidegger, Emmanuel Levinas and Jacques Derrida. Consolidating recent materials on the role of Continental Philosophy in American poetics, this book explores the theoretical and historical contexts in which avant-garde poets have developed radically new methods of making poems long. Matthew Carbery offers a timely commentary on a number of major works of American poetry whilst providing ground-breaking research into the wider philosophical context of late twentieth-century poetic experimentation.

Looking at the strange, weird, and Sun Wukong and the zombie love affair.This kiss was destined to last for three lifetimes.This staff strike was to prop up the heavens and prop up the earth! The gods and spirits were shocked!That night, it was a stormy night that warmed the hearts of the people ...Sun Wukong once again trespassed into the Underworld, causing chaos in the Heavenly Palace, and overthrowing the rule of the Xuanhe Heavenly Court.