Packed with real-life tales of adventure, breathtaking illustrations, and hands-on STEAM activities, this handbook is an inspiring guide for the next generation of climate activists, conservationists, and nature lovers. The wonder of the natural world surrounds us—from the Amazon rainforest to the snowy peaks of Mount Everest to the green spaces in big cities. And as the threat of climate change grows, it’s more important than ever to show appreciation for our planet by taking action. The first book in a middle grade series for young environmental activists and nature lovers, The Wild World Handbook: Habitats offers a roadmap for change and an invitation to explore the outdoors, alongside surprising facts and hands-on STEAM activities. Featuring nine habitats from around the globe, each section includes diverse biographies of outdoor adventurers, scientists, and artists who used their passion and skills to become bold allies for Earth’s natural diversity and resiliency. Inside you will find: • Nine Amazing Habitats • Eighteen Inspiring Biographies • Nine Kid-Friendly DIY Activities • Nine Fun Field Trips • And much more! It’s up to us to protect this beautiful, awe-inspiring planet we call home! Perfect for fans of Explorer Academy, Planet Earth, and National Geographic Kids.

A stunning tribute to our eternal fascination with the human body - and the latest in the bestselling 'Explorer' Collection Anatomy: Exploring the Human Body is a visually compelling survey of more than 5,000 years of image-making. Through 300 remarkable works, selected and curated by an international panel of anatomists, curators, academics, and specialists, the book chronicles the intriguing visual history of human anatomy, showcasing its amazing complexity and our ongoing fascination with the systems and functions of our bodies. Exploring individual parts of the human body from head to toe, and revealing the intricate functions of body systems, such as the nerves, muscles, organs, digestive system, brain, and senses, this authoritative book presents iconic examples alongside rarely seen, breathtaking works. The 300 entries are arranged with juxtapositions of contrasting and complementary illustrations to allow for thought-provoking, lively, and stimulating reading.

Give your peanut a little encouragemint with this deliciously punderful board book for babies and toddlers, the perfect graduation gift! Show your little one you're berry proud of them with a sweet read aloud you'll love to share together again and again! Filled with adorable food illustrations, funny wordplay, and a heartfelt message of positivity and encouragement, Donut Give Up introduces growth mindset to little ones and inspires them to believe in themselves. It's never too early to taco 'bout dreaming big and never giving up with your child! For fans of the USA Today bestseller I Love You Like No Otter, this is a pearfect self esteem and encouragement book for kids ages 0-3—made just for their little hands! This punny treat makes a wonderful gift for baby showers, birthdays, graduation, Valentine's Day, Easter basket and holiday stocking stuffers, or other special moments all year long! Remember, donut give up when what you're doing gets tough. And here's the inside scoop: You'll always be enough. More charming stories from Punderland, the perfect gift for any occasion I Love You Like No Otter You Make My Heart Go Vroom! I Love You More, Babysaur Somebunny Loves You Let's Get This Potty Started! and more!

How do we create new ways of looking at the world? Join award-winning data storyteller RJ Andrews as he pushes beyond the usual how-to, and takes you on an adventure into the rich art of informing. Creating Info We Trust is a craft that puts the world into forms that are strong and true. It begins with maps, diagrams, and charts — but must push further than dry defaults to be truly effective. How do we attract attention? How can we offer audiences valuable experiences worth their time? How can we help people access complexity? Dark and mysterious, but full of potential, data is the raw material from which new understanding can emerge. Become a hero of the information age as you learn how to dip into the chaos of data and emerge with new understanding that can entertain, improve, and inspire. Whether you call the craft data storytelling, data visualization, data journalism, dashboard design, or infographic creation — what matters is that you are courageously confronting the chaos of it all in order to improve how people see the world. Info We Trust is written for everyone who straddles the domains of data and people: data visualization professionals, analysts, and all who are enthusiastic for seeing the world in new ways. This book draws from the entirety of human experience, quantitative and poetic. It teaches advanced techniques, such as visual metaphor and data transformations, in order to create more human presentations of data. It also shows how we can learn from print advertising, engineering, museum curation, and mythology archetypes. This human-centered approach works with machines to design information for people. Advance your understanding beyond by learning from a broad tradition of putting things “in formation” to create new and wonderful ways of opening our eyes to the world. Info We Trust takes a thoroughly original point of attack on the art of informing. It builds on decades of best practices and adds the creative enthusiasm of a world-class data storyteller. Info We Trust is lavishly illustrated with hundreds of original compositions designed to illuminate the craft, delight the reader, and inspire a generation of data storytellers.

347 detailed — often humorous — cuts from rare turn-of-the-century sources depict men, women, children reading at desks, the beach, in libraries, under trees; writing with varied implements. Also spots of ornate fountain pens, inkwells, leather-bound books, more; plus gallery of 20 distinguished literary figures.

Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. He’s in the country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him-and why. Chris’ inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of Saddam’s police force-and probably the last real investigator left in Baghdad. United by death but divided by conflicting loyalties, the three must help each other navigate the treacherous landscape of post-invasion Iraq in order to hunt down the killers. But are their efforts really serving justice-or a much darker agenda? Inspired by his real-life experiences as a CIA operations officer in Iraq, writer Tom King (BATMAN) teams with artist Mitch Gerads to deliver a wartime crime thriller like no other in THE SHERIFF OF BABYLON VOL. 1: BANG. BANG. BANG., collecting issues #1-6 of their groundbreaking Vertigo series.

Acceding to the wish of my Publishers that the following pages should be included in a certain well-known series, I have termed them "Chats on Old Miniatures," but confess that I consider the title somewhat of a misnomer, inasmuch as I have been accustomed to regard "a chat" as a conversation between two or more persons interested in a given subject; whereas in this little volume it is obvious that I have done all the talking. In the interval which has elapsed since my larger works appeared the most important event in connection with the subject of Miniatures is, in my opinion, the Exhibition of Works of Art of the Eighteenth Century at the French National Library in 1906. The concluding chapter of this book gives the impressions afforded by that extremely interesting and instructive Exhibition. In the hope that they will be of use to the general reader, I have amplified my references to the public collections of Miniatures in this country, especially those at Hertford House and the Jones Collection, so rich in the works of Petitot. Miss E. M. Foster has been of much service in revising the proofs and passing this work through the press. I have only to add one word, and that relates to the illustrations. I am fortunate in being able to put before my readers so large a selection of choice examples of the art of miniature painting. This I owe to the generosity of the owners of the originals, to whom I desire once again to express my indebtedness and thanks.

This carefully crafted ebook: "Jerusalem (Illuminated Manuscript with the Original Illustrations of William Blake)" is formatted for your eReader with a functional and detailed table of contents. The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, has long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. In the most common interpretation of the poem, Blake implies that a visit by Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Blake's poem asks questions rather than asserting the historical truth of Christ's visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.