In the late nineteenth century, Chinese reformers and revolutionaries believed that there was something fundamentally wrong with the Chinese writing system. The Chinese characters, they argued, were too cumbersome to learn, blocking the channels of communication, obstructing mass literacy, and impeding scientific progress. What had sustained a civilization for more than two millennia was suddenly recast as the root cause of an ongoing cultural suicide. China needed a new script to survive in the modern world. Codes of Modernity explores the global history of Chinese script reforms—efforts to alphabetize or simplify the writing system—from the 1890s to the 1980s. Examining the material conditions and political economy underlying attempts to modernize scripts, Uluğ Kuzuoğlu argues that these reforms were at the forefront of an emergent information age. Faced with new communications technologies and infrastructures as well as industrial, educational, and bureaucratic pressures for information management, reformers engineered scripts as tools to increase labor efficiency and create alternate political futures. Kuzuoğlu considers dozens of proposed scripts, including phonetic alphabets, syllabaries, character simplification schemes, latinization, and pinyin. Situating them in a transnational framework, he stretches the geographical boundaries of Chinese script reforms to include American behavioral psychologists, Soviet revolutionaries, and Central Asian typographers, who were all devising new scripts in pursuit of informational efficiency. Codes of Modernity brings these experiments together to offer new ways to understand scripts and rethink the shared experiences of a global information age.

Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world—a process of “worlding” that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present. Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genres—pop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers’ assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture. A vibrant collection of contrasting voices and points of view, A New Literary History of Modern China is essential reading for anyone seeking a deeper understanding of China’s literary and cultural legacy.

Asia Inside Out reveals the dynamic forces that have historically linked regions of the world’s largest continent, stretching from Japan and Korea to the South China Sea, the Indian Ocean, and the Middle East. Connected Places, the second installment in this pioneering three-volume survey, highlights the transregional flows of goods, ideas, and people across natural and political boundaries—sea routes, delta ecologies, and mountain passes, ports and oasis towns, imperial capitals and postmodern cities. It challenges the conventional idea that defines geopolitical regions as land-based, state-centered, and possessing linear histories. Exploring themes of maritime connections, mobile landscapes, and spatial movements, the authors examine significant sites of linkage and disjuncture from the early modern period to the present. Readers discover how eighteenth-century pirates shaped the interregional networks of Vietnam’s Tonkin Gulf, how Kashmiri merchants provided intelligence of remote Himalayan territories to competing empires, and how for centuries a vibrant trade in horses and elephants fueled the Indian Ocean economy. Other topics investigated include cultural formations in the Pearl River delta, global trade in Chittagong’s transformation, gendered homemaking among mobile Samurai families, border zones in Qing China and contemporary Burma, colonial spaces linking India and Mesopotamia, transnational marriages in Oman’s immigrant populations, new cultural spaces in Korean pop, and the unexpected adoption of the Latin script by ethnically Chinese Muslims in Central Asia. Connected Places shows the constant fluctuations over many centuries in the making of Asian territories and illustrates the confluence of factors in the historical construction of place and space.

PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.

"Discover some of the poetry of famed world poets, including: Sin-leqi-unninni, Vyasa, Homer, Du Fu, Omar Khayyam, Rumi, Dante, Bashåo, Shevchenko, Tagore, Ahkmatova, Lorca, Neruda, Walcott, and Cohen"--Provided by publisher.

This volume offers a narrative summary of the history of Islam in China, and provides annotated, topically arranged bibliographic entries for more than four hundred works on this topic.

A world list of books in the English language.