Italy’s greatest novel and a masterpiece of world literature, The Betrothed chronicles the unforgettable romance of Renzo and Lucia, who endure tyranny, war, famine, and plague to be together. Published in 1827 but set two centuries earlier, against the tumultuous backdrop of seventeenth-century Lombardy during the Thirty Years’ War, The Betrothed is the story of two peasant lovers who want nothing more than to marry. Their region of northern Italy is under Spanish occupation, and when the vicious Spaniard Don Rodrigo blocks their union in an attempt to take Lucia for himself, the couple must struggle to persevere against his plots—which include false charges against Renzo and the kidnapping of Lucia by a robber baron called the Unnamed—while beset by the hazards of war, bread riots, and a terrifying outbreak of bubonic plague. First and foremost a love story, the novel also weaves issues of faith, justice, power, and truth into a sweeping epic in the tradition of Ivanhoe, Les Misérables, and War and Peace. Groundbreakingly populist in its day and hugely influential to succeeding generations, Alessandro Manzoni’s masterwork has long been considered one of Italy’s national treasures. Translated by Archibald Colquhoun

"This marriage is not supposed to happen." Lombardy, 1628, a time of oppressive Spanish occupation of Northern Italy, and of the Thirty Years' War. The young lovers Lorenzo and Lucia, both from peasant families, are planning their wedding. However, the villainous Don Rodrigo has designs on Lucia, and the lovers are forced to flee their village. Their dangerous journey in exile takes them through one of the most dramatic epochs in Italian history, filled with war, famine and plague - will they ever be able to find happiness together? Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed."

Alessandro Manzoni was a giant of nineteenth-century European literature whose I promessi sposi (The Betrothed, 1928) is ranked with War and Peace as marking the summit of the historical novel. Manzoni wrote “Del romanzo storico” (“On the Historical Novel”) during the twenty years he spent revising I promessi sposi. This first English translation of On the Historical Novel reflects the insights of a great craftsman and the misgivings of a profound thinker. It brings up to the nineteenth century the long war between poetry and history, tracing the idea of the historical novel from its origins in classical antiquity. It declares the historical novel—and presumably I promessi sposi itself—dead as a genre. Or perhaps it justifies I promessi sposi as the climax of a genre and the end of a stage of human consciousness. Its importance lies both in its prospective and in its retrospective contributions to literary debate.

The Betrothed ("I Promessi Sposi") is one of the greatest European historical novels. As its title impies, it an epic love story in Lombardy on the late 1620s. It is no spoiler to say, and you will be relieved to know, that the two young lovers eventually marry. But it is what happens along that way that makes The Betrothed so engaging and instructive. The Betrothed fictionalizes in great detail the historical realities of the Thirty Years War and the Great Plague that struck Milan around 1630. "They heard with a smile of incredulity and contempt any who hazarded a word on the danger, or who even mentioned the plague. The same incredulity, the same blindness, the same obstinacy, prevailed in the senate, the council of ten, and in all the judicial bodies. Cardinal Frederick alone enjoined his curates to impress upon the people the importance of declaring every case, and of sequestrating all infected or suspected goods. The Tribunal of Health, prompted by the two physicians, who fully apprehended the danger, did take some tardy measures; but in vain. A proclamation to prevent the entrance of strangers into the city was not published until the 29th of November. This was too late; the plague was already in Milan."

When Alessandro Marchese strides into the headquarters of his latest business acquisition, one person is particularly struck by his awesome presence…. The tingling of Cassie's skin lets her know her new boss is the man who left her pregnant with twins! And now it seems he's forgotten her altogether. But the formidable Italian is more affected by Cassie than he lets on. The darkness in his memory is lifting. Now Alessandro needs just one more thing to complete the picture—Cassie, with his wedding ring on her finger….

Godfather to Mussolini, national hero of Italy and the WWI irredentist movement, literary icon of Joyce and Pound, lover of actress Eleonora Duse: here is Lucy Hughes-Hallett’s extraordinary biography of Gabriele d’Annunzio, poet, bon vivant, harbinger of Italian fascism. Gabriele d’Annunzio was Italy’s premier poet at a time when poetry mattered enough to trigger riots. A brilliant self-publicist in the first age of mass media, he used his fame to sell his work, seduce women, and promote his extreme nationalism. In 1915 d’Annunzio’s incendiary oratory helped drive Italy to enter the First World War, in which he achieved heroic status as an aviator. In 1919 he led a troop of mutineers into the Croatian port of Fiume and there a delinquent city-state. Futurists, anarchists, communists, and proto-fascists descended on the city. So did literati and thrill seekers, drug dealers, and prostitutes. After fifteen months an Italian gunship brought the regime to an end, but the adventure had its sequel: three years later, the fascists marched on Rome, belting out anthems they’d learned in Fiume, as Mussolini consciously modeled himself after the great poet. At once an aesthete and a militarist, d’Annunzio wrote with equal enthusiasm about Fortuny gowns and torpedoes, and enjoyed making love on beds strewn with rose petals as much as risking death as an aviator. Lucy Hughes-Hallett’s stunning biography vividly re-creates his flamboyant life and dramatic times, tracing the early twentieth century’s trajectory from Romantic idealism to world war and fascist aggression.