A collection of hymns and tunes for use in Christian worship, including well-known classics and lesser-known gems. This book is a valuable resource for musicians, choirs, and anyone interested in the history and diversity of Christian worship music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

T. Tertius Noble presents here a collection of free organ accompaniments similar to "Fifty Free Organ Accompaniments to Well-Known Hymn Tunes." These two books taken together cover the hymn repertoire common to all types of American churches. Each hymn tune is arranged with the hymn melody on a separate staff above Noble's original accompaniment arrangement notated on the grand staff (without a separate pedal staff). These are perfect for accompanying choirs, soloists, or in congregational settings.

Tracing the course of various hymns and hymn tunes through Christian history, this book is intended for use by students of English hymnody, ministers of music and Christians interested in the songs they sing.

This hymn book contains a collection of traditional Christian hymns for use in church services and personal worship. It covers themes such as redemption, love, and faith, providing readers with a powerful tool for spiritual reflection and worship. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For centuries, the voices of diverse Christian congregations have been empowered by shared, ecumenical hymns. In Let the People Sing: Hymn Tunes in Perspective, Paul Westermeyer provides a broad overview of selected hymn tunes, analyzing each for genre, earliest sources, creativity, and congregational appeal. Westermeyer completed a survey of 14 modern, multi--denominational English-language hymnals to find the tunes most representative of those sung in today's church. Organized chronologically, this study moves from the earliest tunes to those of the late 20th century. Although not encyclopedic in nature, Let the People Saying was inspired by Erik Routley's comprehensive work The Music of Christian Hymns, to which reference is often made. The author includes perspectives on various topics throughout, including the role of instruments in congregational singing, rote singing, the importance of appropriate tempo, and threats to the people's song. Thoroughly annotated, Let the People Saying also includes an appendix with Tune of the Day suggestions and an extensive bibliography for those desiring further study. This landmark book is a journey worth taking for church musicians, pastors, teachers, and anyone interested in enhancing congregational song. - Jacket flap.