What brought the ape out of the trees, and so the man out of the ape, was a taste for blood. This is how the story went, when a few fossils found in Africa in the 1920s seemed to point to hunting as the first human activity among our simian forebears—the force behind our upright posture, skill with tools, domestic arrangements, and warlike ways. Why, on such slim evidence, did the theory take hold? In this engrossing book Matt Cartmill searches out the origins, and the strange allure, of the myth of Man the Hunter. An exhilarating foray into cultural history, A View to a Death in the Morning shows us how hunting has figured in the western imagination from the myth of Artemis to the tale of Bambi—and how its evolving image has reflected our own view of ourselves. A leading biological anthropologist, Cartmill brings remarkable wit and wisdom to his story. Beginning with the killer-ape theory in its post–World War II version, he takes us back through literature and history to other versions of the hunting hypothesis. Earlier accounts of Man the Hunter, drafted in the Renaissance, reveal a growing uneasiness with humanity’s supposed dominion over nature. By delving further into the history of hunting, from its promotion as a maker of men and builder of character to its image as an aristocratic pastime, charged with ritual and eroticism, Cartmill shows us how the hunter has always stood between the human domain and the wild, his status changing with cultural conceptions of that boundary. Cartmill’s inquiry leads us through classical antiquity and Christian tradition, medieval history, Renaissance thought, and the Romantic movement to the most recent controversies over wilderness management and animal rights. Modern ideas about human dominion find their expression in everything from scientific theories and philosophical assertions to Disney movies and sporting magazines. Cartmill’s survey of these sources offers fascinating insight into the significance of hunting as a mythic metaphor in recent times, particularly after the savagery of the world wars reawakened grievous doubts about man’s place in nature. A masterpiece of humanistic science, A View to a Death in the Morning is also a thoughtful meditation on what it means to be human, to stand uncertainly between the wilderness of beast and prey and the peaceable kingdom. This richly illustrated book will captivate readers on every side of the dilemma, from the most avid hunters to their most vehement opponents to those who simply wonder about the import of hunting in human nature.

As thrilling as any novel, as taut and exciting as any adventure story, Peter Hathaway Capstick’s Death in the Long Grass takes us deep into the heart of darkness to view Africa through the eyes of one of the most renowned professional hunters. Few men can say they have known Africa as Capstick has known it—leading safaris through lion country; tracking man-eating leopards along tangled jungle paths; running for cover as fear-maddened elephants stampede in all directions. And of the few who have known this dangerous way of life, fewer still can recount their adventures with the flair of this former professional hunter-turned-writer. Based on Capstick’s own experiences and the personal accounts of his colleagues, Death in the Long Grassportrays the great killers of the African bush—not only the lion, leopard, and elephant, but the primitive rhino and the crocodile waiting for its unsuspecting prey, the titanic hippo and the Cape buffalo charging like an express train out of control. Capstick was a born raconteur whose colorful descriptions and eye for exciting, authentic detail bring us face to face with some of the most ferocious killers in the world—underrated killers like the surprisingly brave and cunning hyena, silent killers such as the lightning-fast black mamba snake, collective killers like the wild dog. Readers can lean back in a chair, sip a tall, iced drink, and revel in the kinds of hunting stories Hemingway and Ruark used to hear in hotel bars from Nairobi to Johannesburg, as veteran hunters would tell of what they heard beyond the campfire and saw through the sights of an express rifle.

An illuminating cultural analysis of hunting in rural America.

Averalaan—the most ancient of cities, had long been the home of magics both dark and bright. For the site where this most civilized city of mortals now stood had once been a dread place indeed, a citadel of evil ruled by the Lord of the Hells. Only through the greatest of sacrifices had he been contained and cast back into his own dimension. And though the passing centuries had all but obliterated the memories of that terrible time, trouble was once again stirring in the hidden byways of Averalaan. The first warning that the Dark Lord’s minions were at work came from a pack of street rats led by a young woman gifted with the ability to see the truth even when it was hidden behind carefully spell-crafted illusions. And as she carried her warning to The Terafin, head of one of the most powerful families in the land, others, too, were rallying to Averalaan’s aid. Blessed or cursed by their Hunter God and gifted with his most unique creation, the Hunter Lord Gilliam and his huntbrother Stephen were about to do the unthinkable. Guided by the seer Evayne, they would journey beyond the borders of their kingdom, something no Hunter Lord had ever done. For only in Averalaan could they find their true destiny, even if it meant facing the Dark Lord himself…

This is the classic treatise on hunting, written by Spain's leading philosopher of the 20th century. Reprinted with permission from Scribner, this edition features handsome new illustrations. The author explains the reason why humans hunt, as well as the ethics of hunting.

This is the tell-all tale of hunting with the same crossbow for a decade. Detailed exploits of Bunjie, the crossbow, and lessons learned by the hunter who carried him make this book an enjoyable and informative reading experience. You will be a better hunter if you read this book! Well, at least you will be happier one. Although some of the stories in this book will be familiar to Friends of Bunjie who follow the YouTube channel, Death by Bunjie, there are plenty of surprises in this book to make it a must-read. Will you even learn how Bunjie got its name? There is only one way to find out. Read this book!

From the author of Last Horizons, Peter Hathaway Capstick now presents Death in a Lonely Land, a second volume of his hunting, fishing, and shooting adventures on five continents—stories collected from such magazines as Outdoor Life, NRA’s American Hunter, Guns & Ammo, and Petersen’s Hunting. The stockbroker-turned-outdoorsman recalls his days as an African pro hunter in “The Killer Baboons of Vlackfontein.” “Four Fangs in a Treetop” records a foray into British Honduras for the jaguar, “a gold-dappled teardrop of motion.” Capstick narrowly escapes the Yellow Beard, Central America’s deadly tree-climbing snake, and cows “The Black Death” (Cape buffalo) in the kind of article that makes this author “the guru of American hunting fans” (New York Newsday). On Brazil’s forsaken Marajo Island, he bags the pugnacious red buffalo, which has the “temperament of a constipated Sumo wrestler and the tenacity of an IRS man.” The author discusses 12- and 20-gauge shotgun loads; recalls the pleasures of “biltong” (African beef jerky); describes the irresistible homemade lures of snook fishing expert John Gorbatch; and kills a genteel take of Atlantic salmon with the brilliantly simple tube fly. Featuring more than thirty gorgeous drawings by famous wildlife artist Dino Paravano, Death in a Lonely Landis another collector’s item by a writer who “keeps the tradition of great safari adventure alive in each of his books” (African Expedition Gazette).

Previously published as "The Sweater Letter," this book tells the riveting true story of a ruthless husband who tried to get away with murder in Michigan's Upper Peninsula, and the relentless police sergeant who was determined to bring him to justice.

Salem witchcraft will always have a magnetic pull on the American psyche. During the 1692 witch trials, more than 150 people were arrested. An estimated 25 million Americans—including author Diane Foulds—are descended from the twenty individuals executed. What happened to our ancestors? Death in Salem is the first book to take a clear-eyed look at this complex time, by examining the lives of the witch trial participants from a personal perspective. Massachusetts settlers led difficult lives; every player in the Salem drama endured hardships barely imaginable today. Mercy Short, one of the “bewitched” girls, watched as Indians butchered her parents; Puritan minister Cotton Mather outlived all but three of his fifteen children. Such tragedies shaped behavior and, as Foulds argues, ultimately played a part in the witch hunt’s outcome. A compelling “who’s who” to Salem witchcraft, Death in Salem profiles each of these historical personalities as it asks: Why was this person targeted?

Long before the English became involved in the African slave trade, they imagined Africans as monstrous and deformed beings. The English drew on pre-existing European ideas about monstrosity and deformity to argue that Africans were a monstrous race, suspended between human and animal, and as such only fit for servitude. Joining blackness to disability transformed English ideas about defective bodies and minds. It also influenced understandings of race and ability even as it shaped the embodied reality of people enslaved in the British Caribbean. Stefanie Hunt-Kennedy provides a three-pronged analysis of disability in the context of Atlantic slavery. First, she examines the connections of enslavement and representations of disability and the parallel development of English anti-black racism. From there, she moves from realms of representation to reality in order to illuminate the physical, emotional, and psychological impairments inflicted by slavery and endured by the enslaved. Finally, she looks at slave law as a system of enforced disablement. Audacious and powerful, Between Fitness and Death is a groundbreaking journey into the entwined histories of racism and ableism.