The internationally acclaimed last work by the legendary Latin American writer Master storyteller Eduardo Galeano was unique among his contemporaries (Gabriel Garcia Marquez and Mario Vargas Llosa among them) for his commitment to retelling our many histories, including the stories of those who were disenfranchised. A philosopher poet, his nonfiction is infused with such passion and imagination that it matches the intensity and the appeal of Latin America's very best fiction. Comprised of all new material, published here for the first time in a wonderful English translation by longtime collaborator Mark Fried, Hunter of Stories is a deeply considered collection of Galeano's final musings and stories on history, memory, humor, and tragedy. Written in his signature style -- vignettes that fluidly combine dialogue, fables, and anecdotes -- every page displays the original thinking and compassion that has earned Galeano decades and continents of renown.

Join Hunter Huntsman, son of the heroic Huntsman, for a day in the woods. What happens when he has to hide his real feelings about hunting in the forest-and about a forest maiden, too? Read all about it in this exclusive Ever After High short story by Newbery Honor author Shannon Hale.

The road to hell is paved with good intentions…and tequila, guns, and cocaine in this “rambunctiously entertaining” (Teddy Wayne) debut novel inspired by the author’s time as Hunter S. Thompson’s assistant. Alley Russo is a recent college grad desperately trying to make it in the grueling world of New York publishing, but like so many who have come before her, she has no connections and has settled for an unpaid magazine internship while slinging drinks on Bleecker Street just to make ends meet. That’s when she hears the infamous Walker Reade is looking for an assistant to replace the eight others who have recently quit. Hungry for a chance to get her manuscript onto the desk of an experienced editor, Alley jumps at the opportunity to help Reade finish his latest novel. After surviving an absurd three-day “trial period” involving a .44 magnum, purple-pyramid acid, violent verbal outbursts, brushes with fame and the law, a bevy of peacocks, and a whole lot of cocaine, Alley is invited to stay at the compound where Reade works. For months Alley attempts to coax the novel out of Walker page-by-page, all while battling his endless procrastination, vampiric schedule, Herculean substance abuse, mounting debt, and casual gunplay. But as the job begins to take a toll on her psyche, Alley realizes she’s alone in the Colorado Rockies at the mercy of a drug-addicted literary icon who may never produce another novel—and her fate may already be sealed. “A margarita-fueled, miniskirt-clad cautionary tale of lost literary innocence” (Vogue), Gonzo Girl is a loving fictional portrait of a larger-than-life literary icon.

Teach self-control to your third and fourth grade children by using their buttons on their remote controls. The book contains an activity guide and an illustrated storybook.

PICTURE STORYBOOKS. One day while playing hunters in the hot dry African bush, Jamina finds a baby elephant whimpering besides its dead mother. As Jamina bravely helps the little orphaned elephant, she vows that she will never be a real hunter.Ages 5+.

"Travel back 12,000 years and learn of Eyr, a youngster who saved his tribe from a woolly mammoth as they traveled from Siberia to Alaska . . . well told in metered verse that flows smoothly throughout...Realistic sketches in burnished colored pencil show details of clothing, family life, and geography." --Children's Literature In this tale, a young Ice-Age boy plays a key role in the survival of his band more than twelve thousand years ago. Eyr ­s band is hungry and in need of new skins. The old seer predicts a coming snow, and without a good supply ofmeat, the band may starve or die of cold. Eyr walks over meadows and hills with the other hunters looking for tracks, but they return with little game. That night Eyr dreams of killing the great woolly mammoth with his sharp spear. He imagines how his band would dance and feast, with food to last them through the dark winter. The next morning the band­s hunter-leader wakes him. Having reached the age that he can hunt alone, Eyr is sent to scout the large beaststhat roam the tundra, especially the woolly mammoths. Taking only his cape, his knife, his spear, and a smoldering ember, Eyr sets out to become a man and save his band.Told in rhyming couplets, just as many ancient storytellers told the epic tales of the past, Eyr the Hunter: A Story of Ice-Age America is based upon many facts. Margaret Zehmer Searcy is a cultural anthropologist who has taught classes about Native Americans and their customs for more than two decades in the Department of Anthropology at the University of Alabama. She has visited archaeological sites and is familiar with the kinds of animals that existed in the Ice-Age landscape. Joyce Haynes has won numerous local, state, and national awards for her illustrations. She has illustrated more than a dozen books and is the author of Drawing Wild Animals . She lives in Southwest Missouri.A story both involving and entertaining, Eyr the Hunter: A Story of Ice-Age America is made all the more moving by its wonderful rhythms and use of vivid detail. A children­s book that can be likened to the Clan of the Cave Bear series, this book can also be useful for explaining how the earliest Americans led their lives. It is a wonderful tie-in to any discussion about native cultures around the world as well.

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .

An almost unnaturally poignant love story from the father of “Gonzo” journalism and Fear and Loathing in Las Vegas Hunter S. Thompson. What makes the romantic short story Screwjack so touching, for all its queerness, is the aching melancholy in its depiction of the modern man's burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Hunter S. Thompson’s most searing and unnaturally poignant love story, Screwjack is simultaneously eerie and feverish, debauched and affecting. Never before—and perhaps never since—has modern man’s melancholia been so vividly revealed in one powerful story.

The first in a series of classic texts reimagined in the modern day. Stolen as a baby and taken in by a pack of street dogs, Mowgli grows up in the jungle of urban Mumbai. As he grows into a man, his life is threatened by the tiger Shere Khan. With the help of Bagheera the panther and Baloo the bear, Mowgli learns that he must become the master of his own fate. This stunning retelling brings Rudyard Kipling's tale to a new audience, and its publication coincides with the release of a new feature length animation of the Jungle Book.

An anthology of eighteen short stories includes a number of previously unpublished pieces as well as early screen treatments for "On the Make" and "The Kiss-Off."