A collection of funny tall tales featuring cowboys, cowgirls, and other characters from the Wild West.

While it is accepted that the pronunciation of English shows wide regional differences, there is a marked tendency to under-estimate the extent of the variation in grammar that exists within the British Isles today. In addressing this problem, Real English brings together the work of a number of experts on the subject to provide a pioneer volume in the field of the grammar of spoken English.

List of members included in most vols.

This second volume of Tales of the West Highlands contains thirty ursgeuln, or tales, fifty riddles plus a few extra stories. As always, these are tales and stories in which something 'Fairy' or magical occurs, something extraordinary --fairies, giants, dwarfs, princes, princesses, kings and queens, speaking animals and the remarkable stupidity of some of the characters. But these aren't just a collection of amusing and entertaining stories. Just 20 years after the Elementary Education Act of 1870 these are the tales that were still being used in those far- flung reaches of the Highlands to teach the young the lessons of life. Also included are Seanachas--those old Highland stories which in their telling resemble no others, whose origins are lost in the mists of the Highlands, if not the midst of time. So take some time out and travel back to a period before television and radio, a time when tales were passed on orally-- at the drying kilns, at the communal well or in homes, where families would gather around a crackling and spitting hearth and granddad or grandma or uncle or auntie would delight and captivate the gathering with stories passed on to them from their parents and grandparents from time immemorial. A proportion of the profit from the sale of this book will be donated towards the education of the underprivileged in Scotland.

Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.

The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.