Winner of the Believer Book Award The triumphant follow-up collection to The Game of Boxes, winner of the James Laughlin Award Catherine Barnett’s tragicomic third collection, Human Hours, shuttles between a Whitmanian embrace of others and a kind of rapacious solitude. Barnett speaks from the middle of hope and confusion, carrying philosophy into the everyday. Watching a son become a young man, a father become a restless beloved shell, and a country betray its democratic ideals, the speakers try to make sense of such departures. Four lyric essays investigate the essential urge and appeal of questions that are “accursed,” that are limited—and unanswered—by answers. What are we to do with the endangered human hours that remain to us? Across the leaps and swerves of this collection, the fevered mind tries to slow—or at least measure—time with quiet bravura: by counting a lover’s breaths; by remembering a father’s space-age watch; by envisioning the apocalyptic future while bedding down on a hard, cold floor, head resting on a dictionary. Human Hours pulses with the absurd, with humor that accompanies the precariousness of the human condition.

A Boston Globe Best Poetry Book of 2011 Winner of the 2011 Griffin Poetry Prize Winner of the 2011 Poetry Now Award Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other "hermit songs" that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled "Route 101" plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular. Human Chain also includes a poetic "herbal" adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.

The poems in Human Looking speak with the voices of the disabled and the disfigured, in ways which are confronting, but also illuminating and tender. They speak of surgical interventions, and of the different kinds of disability which they seek to 'correct'. They range widely, finding figures to identify with in mythology and history, art and photography, poetry and fiction. A number of poems deal with unsettling extremes of embodiment, and with violence against disabled people. Others emerge out of everyday life, and the effects of illness, pain and prejudice. The strength of the speaking voice is remarkable, as is its capacity for empathy and love. 'I, this wonderful catastrophe', the poet has Mary Shelley's monstrous figure declare. The use of unusual and disjunctive - or 'deformed' - poetic forms, adds to the emotional impact of the poems.

In Human Nature, Olson joins the novelist's art to the poet's through remembrances of friends and events in times gone by."--BOOK JACKET.

Over a quarter-century's work from the 2003 winner of the Arrell Gibson Award for Lifetime Achievement. This collection gathers poems from throughout Joy Harjo's twenty-eight-year career, beginning in 1973 in the age marked by the takeover at Wounded Knee and the rejuvenation of indigenous cultures in the world through poetry and music. How We Became Human explores its title question in poems of sustaining grace. To view text with line endings as poet intended, please set font size to the smallest size on your device.

In this new collection of poetry, written after retirement from his scientific career, author Nirander M. Safaya portrays the thrills and challenges of life in general and of love in particular. Reflections on Being Human shows how our ordinary needs and experiences lead us to the light of self-knowledge. Divided into three thematic sectionsLife, Love, and Lightthese verses provide a thought-provoking panoramic view of the pragmatic, romantic, and spiritual aspirations that lie at the core of human nature. In parts I and II, Safaya seeks to capture the feelings, moods, and perplexing questions invoked by the fundamental conditions of our being. In part III, he reflects on the philosophical and spiritual underpinnings of human nature and experience, necessary aspects of the search for true peace and happiness. Appealing and uplifting, this collection presents 152 poems reminiscent of classical poetry and expressing the joys and sorrows of life and love and the saving grace of light.

Poetry. African & African American Studies. Women's Studies. Art. "HUMAN ACHIEVEMENTS is full of friends, aching, bleeding, feeling fine, the city, and listening. You know the right song can change everything, and can be a conduit for energy or rage? 'I look the day right in the eye and tell it to go fuck itself.' The right song can also turn you into a ghost." -- Amy Lawless "I feel so happy about this book of poetry by Lauren Hunter, 'this unremarkable bloom' whose key words are 'human' and 'achievement.' At a time when human is being cast as 'without anything,' Hunter's poems remind us that efforts toward beauty, toward imperfect and beautiful thinking, is to be in an actual 'human' place, and that the reason one goes there is in order to love. HUMAN ACHIEVEMENTS and the poetry writing it will inspire in me and others will be a barricade against the rapid loss of the human I crave, the human that I've taken pleasure in, a human that, without the defense of poets like Lauren Hunter, is ever, in every nanosecond, accelerating toward extinction." --Rachel Levitsky

This book is an anthology of my past 2 years of poem writing. It includes some of my well known poems as well as those that are lesser known, all from my website thepoeticunderground.tumblr.com.

A selection of poems by celebrated poet Gillian Conoley that spans her arresting body of work: from the idiosyncrasies of Texas girlhood toward an encompassing inquiry into spirit and matter, individual and state.