Horses are one of the many unsung heroes of the American Civil War. These majestic animals were impressed into service, trained, prepared for battle, and turned into expendable implements of war. There is more to this story, however. When an army’s means and survival is predicated upon an animal whose instincts are to flee rather than fight, a bond of mutual trust and respect between handler and horse must be forged. Ultimately, the Battle of Gettysburg resulted in thousands of horses killed and wounded. Their story deserves telling, from a time not so far removed.

Animals mattered in the Civil War. Horses and mules powered the Union and Confederate armies, providing mobility for wagons, pulling artillery pieces, and serving as fighting platforms for cavalrymen. Drafted to support the war effort, horses often died or suffered terrible wounds on the battlefield. Raging diseases also swept through army herds and killed tens of thousands of other equines. In addition to weaponized animals such as horses, pets of all kinds accompanied nearly every regiment during the war. Dogs commonly served as unit mascots and were also used in combat against the enemy. Living and fighting in the natural environment, soldiers often encountered a variety of wild animals. They were pestered by many types of insects, marveled at exotic fish while being transported along the coasts, and took shots at alligators in the swamps along the lower Mississippi River basin. Animal Histories of the Civil War Era charts a path to understanding how the animal world became deeply involved in the most divisive moment in American history. In addition to discussions on the dominant role of horses in the war, one essay describes the use of camels by individuals attempting to spread slavery in the American Southwest in the antebellum period. Another explores how smaller wildlife, including bees and other insects, affected soldiers and were in turn affected by them. One piece focuses on the congressional debate surrounding the creation of a national zoo, while another tells the story of how the famous show horse Beautiful Jim Key and his owner, a former slave, exposed sectional and racial fault lines after the war. Other topics include canines, hogs, vegetarianism, and animals as veterans in post–Civil War America. The contributors to this volume—scholars of animal history and Civil War historians—argue for an animal-centered narrative to complement the human-centered accounts of the war. Animal Histories of the Civil War Era reveals that warfare had a poignant effect on animals. It also argues that animals played a vital role as participants in the most consequential conflict in American history. It is time to recognize and appreciate the animal experience of the Civil War period.

"This book takes a comprehensive look at the use of horses across the Confederate military, including differences between horses in the North and in the South, why particular breeds or colors were chosen for specific tasks, the life expectancy of military horses and common causes of death, and the distinct challenges of caring for horses in wartime conditions. Anecdotes about wartime adventures are included, as well as chapters about specific horses and their lineages if known, the stories behind their names, how they were acquired by their owners, and ways in which they were immortalized. Robert E. Lee's Traveller, Stonewall Jackson's Little Sorrel, Forrest's thirty horses, Ashby's Tom Telegraph, and many more are featured here"--Provided by publisher.

There were 7,500,000 horses in the United States in 1861 and only fifty known graduate veterinarians, all of whom were schooled abroad and most were foreign born. That's the way it was on April 12, 1861, when the country split apart and the two nations embarked on programs of animal procurement, management, and medical care, the dimensions of which had never before been seen. As the rebellion raged, hundreds of thousands of horses and mules were processed through the remount systems of both sides. Demands on quartermasters, impressment officers, and medical care givers were staggering. Through all of this, the lack of an efficient veterinary service contributed significantly to the tragic loss of well over a million animals, most of which died in service from sickness and disease.

A new American journey.

The soldier-horse relationship was nurtured by The British Army because it made the soldier and his horse into an effective fighting unit. Soldiers and their Horses explores a complex relationship forged between horses and humans in extreme conditions. As both a social history of Britain in the early twentieth century and a history of the British Army, Soldiers and their Horses reconciles the hard pragmatism of war with the imaginative and emotional. By carefully overlapping the civilian and the military, by juxtaposing "sense" and "sentimentality," and by considering institutional policy alongside individual experience, the soldier and his horse are re-instated as co-participators in The Great War. Soldiers and their Horses provides a valuable contribution to current thinking about the role of horses in history.

'From the first shot fired at Fort Sumter on April 12, 1861, to the last shot fired at Appomattox, food played a crucial role in the Civil War. In Starving the South, culinary historian Andrew Smith takes a fascinating gastronomical look at the war and its aftermath. At the time, the North mobilized its agricultural resources, fed its civilians and military, and still had massive amounts of food to export to Europe. The South did not; while people starved, the morale of their soldiers waned and desertions from the Army of the Confederacy increased.....' (Book Jacket)

This sweeping new history recognizes that the Civil War was not just a military conflict but also a moment of profound transformation in Americans' relationship to the natural world. To be sure, environmental factors such as topography and weather powerfully shaped the outcomes of battles and campaigns, and the war could not have been fought without the horses, cattle, and other animals that were essential to both armies. But here Judkin Browning and Timothy Silver weave a far richer story, combining military and environmental history to forge a comprehensive new narrative of the war's significance and impact. As they reveal, the conflict created a new disease environment by fostering the spread of microbes among vulnerable soldiers, civilians, and animals; led to large-scale modifications of the landscape across several states; sparked new thinking about the human relationship to the natural world; and demanded a reckoning with disability and death on an ecological scale. And as the guns fell silent, the change continued; Browning and Silver show how the war influenced the future of weather forecasting, veterinary medicine, the birth of the conservation movement, and the establishment of the first national parks. In considering human efforts to find military and political advantage by reshaping the natural world, Browning and Silver show not only that the environment influenced the Civil War's outcome but also that the war was a watershed event in the history of the environment itself.

During the Civil War and throughout the rest of the nineteenth century there was no star that shone brighter than that of a small red horse who was known as Stonewall Jackson’s Little Sorrel. Robert E. Lee’s Traveller eventually became more familiar but he was mostly famous for his looks. Not so with the little sorrel. Early in the war he became known as a horse of great personality and charm, an eccentric animal with an intriguing background. Like Traveller, his enduring fame was due initially to the prominence of his owner and the uncanny similarities between the two of them. The little red horse long survived Jackson and developed a following of his own. In fact, he lived longer than almost all horses who survived the Civil War as well as many thousands of human veterans. His death in 1886 drew attention worthy of a deceased general, his mounted remains have been admired by hundreds of thousands of people since 1887, and the final burial of his bones (after a cross-country, multi-century odyssey) in 1997 was the occasion for an event that could only be described as a funeral, and a well-attended one at that. Stonewall Jackson’s Little Sorrel is the story of that horse.

Greene argues for recognition of horses’ critical contribution to the history of American energy and the rise of American industrial power, and a new understanding of the reasons for their replacement as prime movers.