Offers detailed information on every bird family in the world, including their physical characteristics, behaviors, conservation status, taxonomy, and photographs of individual species.

Introduces two hundred birds from six continents with brief descriptions, color illustrations, and audio recordings of songs and calls which can be played with the attached digital audio player.

Stolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs. Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history. Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.

The new poems in this collection reflect Cashman's sense of place and of the spiritual groundings of daily life characteristic of his early poems.

This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book s thirty-two contributors constitute an international "who s who" of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.

Two thousand years before Dante, Michelangelo and the Medici of the Renaissance, the extraordinary Etruscans civilized central Italy. 3 generations of the ambitious Porenna-Laris clan 2 powerful rival cities threaten to tear apart this noble family 1 mysterious Flutist guides their journey to the afterlife. Meanwhile, The Great Prediction heralds doom. Amidst pestilence, tyranny, deceit and murder, sophisticated Etruria prospers. Magnificent temples, sumptuous dwellings and roads with arched bridges dot the land. Men revere women. Women own property. Couples eat together at banquets wearing fashionable tunics and stylish leather shoes, while the rest of the cosmos goes barefoot. Wealth, wisdom and artistic beauty abound. Opulent tombs provide for eternal contentment. Praise the gods! Glory to the Etruscans! Rosalind Burgundy brings the unique Etruscans to life in the stirring epic Song of The Flutist