From the sixteenth until the twentieth century, British power and influence gradually expanded to cover one quarter of the world’s surface. The common saying was that “the sun never sets on the British Empire”. What began as a largely entrepreneurial enterprise in the early modern period, with privately run joint stock trading companies such as the East India Company driving British commercial expansion, by the nineteenth century had become, especially after 1857, a state-run endeavor, supported by a powerful military and navy. By the Victorian era, Britannia really did rule the waves. Heroes of the British Empire is the story of how British Empire builders such as Robert Clive, General Gordon, and Lord Roberts of Kandahar were represented and idealized in popular culture. The men who built the empire were often portrayed as possessing certain unique abilities which enabled them to serve their country in often inhospitable territories, and spread what imperial ideologues saw as the benefits of the British Empire to supposedly uncivilized peoples in far flung corners of the world. These qualities and abilities were athleticism, a sense of fair play, devotion to God, and a fervent sense of duty and loyalty to the nation and the empire. Through the example of these heroes, people in Britain, and children in particular, were encouraged to sign up and serve the empire or, in the words of Henry Newbolt, “Play up! Play up! And Play the Game!” Yet this was not the whole story: while some writers were paid up imperial propagandists, other writers in England detested the very idea of the British Empire. And in the twentieth century, those who were once considered as heroic military men were condemned as racist rulers and exploitative empire builders.

A selection of Company Lists, scenarios and special rules designed to expand and develop the world of In Her Majesty's Name. The Company Lists will introduce new, fully playable factions to the setting, from the Vatican's monster hunters to revolutionaries and underworld organisations across Europe to Russia's intelligence agents, American rail barons, Asian secret societies, and the inhabitants of darkest Africa. The scenarios and special rules further develop the base game, giving players more variety, and increasing the possibilities!

Over many centuries, the world has been gripped by warfare, and from this chaos there have risen many heroes and villains. This book takes a look at various individuals and their deeds, including the year and place of birth (wherever possible). Their ranks range from the lowliest Private soldier to Field Marshals. They have been decorated in some cases for their actions, and the student of history will be stunned to discover just how they acted. Some of these have included ancient leaders such as Emperors, and their various campaigns covered most of Europe and also the Middle East.

The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds, unpacks many of the issues that surround heroes and villains. It explores the shadows that fall between the traditional black and white definitions of good and evil.

Presenting four books in the popular and exhaustive trivia series. In these Doug Lennox’s brain-teasers focus on famous figures, both real and mythological, dealing with kings and queens, villains, Canada’s heroes, and dastardly pirates. Questions answered include: What is the difference between a pirate and a privateer? What royal family in the world today has ruled the longest? How did Tom Longboat astound the world in 1907? What caused Moses to break the tablets of the Ten Commandments? and hundreds more. Includes Now You Know Pirates Now You Know Royalty Now You Know Canada’s Heroes Now You Know the Bible

A WASHINGTON POST BOOK WORLD NOTABLE BOOK After the American Revolution, the British Empire appeared to be doomed. Yet it grew to become the greatest, most diverse empire the world had seen. Then, within a generation, the mighty structure collapsed, a rapid demise that left an array of dependencies and a contested legacy: at best a sporting spirit, a legal code and a near-universal language; at worst, failed states and internecine strife. The Decline and Fall of the British Empire covers a vast canvas, which Brendon fills with vivid particulars, from brief lives to telling anecdotes to comic episodes to symbolic moments.

A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture--and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history--one with profound implications for global culture in the present day.

Popular culture surrounds us: It is the products we consume, the movies we watch, the music we listen to, and the books we read. It is on our televisions, our phones, and our computers. Popular Culture in the Twenty-First Century engages with these texts and offers a diverse selection of contemporary scholarship from a wide variety of perspectives. These essays, adapted from presentations at the first annual Ray Browne Conference on Popular Culture held at Bowling Green State University in 2012, participate in an ongoing dialogue about popular culture’s importance in both the academy and our everyday lives. This collection honors the diversity, depth, and breadth of popular culture studies by examining contemporary television, film, video games, internet fandom, cultures and subcultures, and gender, sexuality, and identity politics. Popular Culture in the Twenty-First Century reflects the necessity of exploring our common experiences and the many cultural modes that shape our everyday lives.

The British Empire was an astonishingly complex and varied phenomenon, not to be reduced to any of the simple generalisations or theories that are often taken to characterise it. One way of illustrating this, and so conveying some of the subtle flavour of the thing itself, is to descend from the over-arching to the particular, and describe and discuss aspects of it in detail. This book, by the well-known imperial historian Bernard Porter, ranges among a wide range of the events and personalities that shaped or were shaped by British imperialism, or by its decline in the post-war years. These include chapters on science, drugs, battles, proconsuls, an odd assortment of imperialists including Kipling, Lady Hester Stanhope and TE Lawrence, architecture, music, the role of MI6 and the reputation of the Empire since its demise. Together the chapters inform, explain, provoke, and occasionally amuse; but above all they demonstrate the kaleidoscopic variety and ambivalence of Britain s imperial history."

This groundbreaking book challenges standard interpretations of metropolitan strategies of rule in the early nineteenth century. By the 1830s the conviction that personal connections were the best way of exerting influence within the imperial sphere went well beyond the metropolitan government, as lobbyists, settlers and missionaries also developed personal connections to advance their causes.