This work offers an original insight into the profound relationship between architecture and asceticism. It convincingly traces the influences from early Indian asceticism to Zen Buddhism to the Japanese teahouse. The protagonist of the narrative is the hermit's hut. The author provides a complex narrative that stems from this simple structure, showing how the significance of the hut resonates widely and how the question of dwelling is central to ascetic imagination.

The Hermit’s Hut offers an original insight into the profound relationship between architecture and asceticism. Although architecture continually responds to ascetic compulsions, as in its frequent encounter with the question of excess and less, it is typically considered separate from asceticism. In contrast, this innovative book explores the rich and mutual ways in which asceticism and architecture are played out in each other’s practices. The question of asceticism is also considered—as neither a religious discourse nor a specific cultural tradition but as a perennial issue in the practice of culture. The work convincingly traces the influences from early Indian asceticism to Zen Buddhism to the Japanese teahouse—the latter opening the door to modern minimalism. As the book’s title suggests, the protagonist of the narrative is the nondescript hermit’s hut. Relying primarily on Buddhist materials, the author provides a complex narrative that stems from this simple structure, showing how the significance of the hut resonates widely and how the question of dwelling is central to ascetic imagination. In exploring the conjunctions of architecture and asceticism, he breaks new ground by presenting ascetic practice as fundamentally an architectural project, namely the fabrication of a “last” hut. Through the conception of the last hut, he looks at the ascetic challenge of arriving at the edge of civilization and its echoes in the architectural quest for minimalism. The most vivid example comes from a well-known Buddhist text where the Buddha describes the ultimate ascetic moment, or nirvana, in cataclysmic terms using architectural metaphors: “The roof-rafters will be shattered,” the Buddha declares, and the architect will “no longer build the house again.” As the book compellingly shows, the physiological and spiritual transformation of the body is deeply intertwined with the art of building. The Hermit’s Hut weaves together the fields of architecture, anthropology, religion, and philosophy to offer multidisciplinary and historical insights. Written in an engaging and accessible manner, it will appeal to readers with diverse interests and in a variety of disciplines—whether one is interested in the history of ascetic architecture in India, the concept of “home” in ancient India, or the theme of the body as building.

When their usual travel plans fall though, Lee Su Lin and her little brother, Su Yang, reluctantly spend their school holidays on Pulau Ubin instead. Along with their new friends, the sensible and smart Zizi, and the perpetually hungry Bus, they form the Sengkang Snoopers and discover a mysterious hut at the top of a quarry hill, where a hermit is rumoured to live. When they hear strange sounds coming from the hut, they just can't keep away, but what will they find there?

In 1925, Henry Stuart leaves his home and grown sons in Idaho to move to the woods on the eastern shore of Mobile Bay, Alabama, where he builds a round house and lives for more than two decades on the property he names after Leo Tolstoy.

In One Hundred Days of Solitude: Losing My Self and Finding Grace on a Zen Retreat, American teacher of Korean Zen Jane Dobisz (Zen Master Bon Yeon), recalls her first solitary meditation stint in the woods. Luckily, this is not just a recounting of a winter's worth of cabin fever. Instead, Dobisz takes us into her cabin, and into her mind, as she tries--at least temporarily--to live a Walden-like existence. All the bowing and meditating and wood-chopping that is part and parcel of her retreat is hardly first nature, but the good-humored and tenacious Dobisz is able to adapt, and to relate her hundred days with moving insight and humanity. Her Solitude in fact offers us all a chance to commune with her and to look inside and rediscover our own grace.

American Aurora explores the impact of climate change on early modern radical religious groups during the height of the Little Ice Age in the seventeenth century. Focusing on the life and legacy of Johannes Kelpius (1667-1707), an enormously influential but comprehensively misunderstood theologian who settled outside of Philadelphia from 1604 to 1707, Timothy Grieve-Carlson explores the Hermetic and alchemical dimensions of Kelpius's Christianity before turning to his legacy in American religion and literature. This engaging analysis showcases Kelpius's forgotten theological intricacies, spiritual revelations, and cosmic observations, illuminating the complexity and foresight of an important colonial mystic. As radical Protestants during Kelpius's lifetime struggled to understand their changing climate and a seemingly eschatological cosmos, esoteric texts became crucial sources of meaning. Grieve-Carlson presents original translations of Kelpius's university writings, which have never been published in English, along with analyses and translations of other important sources from the period in German and Latin. Ultimately, American Aurora points toward a time and place when climate change caused an eruption of esoteric thought and practice-and how this moment has been largely forgotten.

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The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.

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