Reprint of the original, first published in 1870.

From the New York Times bestselling author of Prisoners in the Castle, a dramatic portrait of the master thief of the nineteenth century: Adam Worth “Fascinating . . . a brisk, lively, colorful biography of an amazing criminal.”—The New York Times (Best Books of the Year) The Victorian era’s most infamous and iconic thief, the inspiration for Sherlock Holmes’s Professor Moriarty, Adam Worth was known as the Napoleon of crime. Suave, cunning, and fearless, Worth learned early that the best way to succeed was to steal. And steal he did. Following a strict code of honor, Worth won the respect of Victorian society. He also aroused its fear by becoming a chilling phantom, mingling undetected with the upper classes, whose valuables he brazenly stole. His most celebrated heist: Gainsborough’s grand portrait of the Duchess of Devonshire—ancestor of Diana, Princess of Wales—a painting Worth adored and often slept with for twenty years. With a brilliant gang that included “Piano” Charley, a jewel thief, train robber, and playboy, and “the Scratch” Becker, master forger, Worth secretly ran operations from New York to London, Paris, and South Africa—until betrayal and a Pinkerton man finally brought him down. The Napoleon of Crime is a grand, dazzling tour into the gaslit underworld of the nineteenth century, and into the doomed genius of a criminal mastermind.

Never before has an expert defined the steps toward self-fulfillment and satisfying relationships with such clear, insightful, and easy-to-follow guidelines. In Changes That Heal, Dr. Henry Cloud, a renowned clinical psychologist, combines his expertise, well-developed faith, and keen understanding of human nature in a four-step program of healing and growth. Dr. Cloud's down-to-earth plan shows you how to: bond with others to form truly intimate relationships, separate from others and develop a sense of self, understand the good and bad in yourself and others, and grow emotionally and spiritually toward adulthood. Filled with fascinating case studies and helpful, easy-to-adopt techniques, Changes That Heal offers sound advice that helps you get the most out of your life, heal the wounds of your past, and build lasting, loving relationships.

Examines Abraham Lincoln's relationship with the press, arguing that he used such intimidation and manipulation techniques as closing down dissenting newspapers, pampering favoring newspaper men, and physically moving official telegraph lines.

This book condemns slavery, by appealed to whites' rational self-interest, rather than any altruism towards blacks. Helper claimed that slavery hurt the Southern economy by preventing economic development and industrialization, and that it was the main reason why the South had progressed so much less than the North since the late 18th century.

History of the New York Times from 1851-1921

From the bestselling, two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a novel that is "funny and wise and sumptuously written" (Jonathan Franzen, The New York Times Book Review). Colson Whitehead’s triumphant novel is on one level a multifaceted retelling of the story of John Henry, the black steel-driver who died outracing a machine designed to replace him. On another level it’s the story of a disaffected, middle-aged black journalist on a mission to set a record for junketeering who attends the annual John Henry Days festival. It is also a high-velocity thrill ride through the tunnel where American legend gives way to American pop culture, replete with p. r. flacks, stamp collectors, blues men , and turn-of-the-century song pluggers. John Henry Days is an acrobatic, intellectually dazzling, and laugh-out-loud funny book that will be read and talked about for years to come. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.