Ernest Hemingway witnessed many of the seminal conflicts of the twentieth century—from his post as a Red Cross ambulance driver during World War I to his nearly twenty-five years as a war correspondent for The Toronto Star—and he recorded them with matchless power. This landmark volume brings together Hemingway’s most important and timeless writings about the nature of human combat. Passages from his beloved World War I novel, A Farewell to Arms, and For Whom the Bell Tolls, about the Spanish Civil War, offer an unparalleled portrayal of the physical and psychological impact of war and its aftermath. Selections from Across the River and into the Trees vividly evoke an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as “In Another Country” and “The Butterfly and the Tank,” stand alongside excerpts from Hemingway’s first book of short stories, In Our Time, and his only full-length play, The Fifth Column. With captivating selections from Hemingway’s journalism—from his coverage of the Greco-Turkish War of 1919–22 to a legendary early interview with Mussolini to his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944—Hemingway on War collects the author’s most penetrating chronicles of perseverance and defeat, courage and fear, and love and loss in the midst of modern warfare.

''A Farewell to Arms'' is Hemingway's classic set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a Lieutenant ("Tenente") in the ambulance corps of the Italian Army. It's about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of the First World War, cynical soldiers, fighting and the displacement of populations. The publication of ''A Farewell to Arms'' cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle World War I."

In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject. Drawing on primary sources, Alex Vernon provides a thorough account of Hemingway’s involvement in the Spanish Civil War, a messy, complicated, brutal precursor to World War II that inspired Hemingway’s great novel For Whom the Bell Tolls. Vernon also offers the most sustained history and consideration to date of The Spanish Earth. Directed by Joris Ivens, this film was a landmark work in the development of war documentaries, for which Hemingway served as screenwriter and narrator. Contributing factual, textual, and contextual information to Hemingway studies in general and his participation in the war specifically, Vernon has written a critical biography for Hemingway’s experiences during the Spanish Civil War that includes discussion of the left-wing politics of the era and the execution of José Robles Pazos. Finally, the book provides readings ofFor Whom the Bell Tollsboth in historical context and on its own terms. Marked by both impressive breadth and accessibility, Hemingway’s Second War will be an indispensible resource for students of literature, film, journalism, and European history and a landmark work for readers of Ernest Hemingway.

Ernest Hemingway, literary giant of the 20th century, was renowned as a hard-drinking man of action. As the fighting reached its climax in the closing ten months of World War II, he spent time as a US war correspondent based in London, Paris and Luxembourg. It was during that period, by his own account, that he participated in the D-Day landings and saw action in the frontline at the Battle of the Bulge with the US Army. He also claimed to have flown on bombing raids with the Royal Air Force. This text examines Hemingway's trail through war-torn Europe during World War II, chronicling his tangled personal life and assessing the impact that first-hand experience of war had on him both as a writer and as a man.

Includes war stories by Leo Tolstoy, Lawrence of Arabia, William Faulkner, Winston Churchill, John W. Thomason, Marquis James, Richard Aldington, Rudyard Kipling, James Hilton, Ernest Hemingway, C.S. Forester, Stephen Crane, Walter D. Edmonds, Alexander Woollcott, and others.

Evoking the spirit—and danger—of the early American West, this is the story of the Battle of Beecher Island, pitting an outnumbered United States Army patrol against six hundred Native warriors, where heroism on both sides of the conflict captures the vital themes at play on the American frontier. In September 1868, the undermanned United States Army was struggling to address attacks by Cheyenne and Sioux warriors against the Kansas settlements, the stagecoach routes, and the transcontinental railroad. General Sheridan hired fifty frontiersmen and scouts to supplement his limited forces. He placed them under the command of Major George Forsyth and Lieutenant Frederick Beecher. Both men were army officers and Civil War veterans with outstanding records. Their orders were to find the Cheyenne raiders and, if practicable, to attack them. Their patrol left Fort Wallace, the westernmost post in Kansas, and headed northwest into Colorado. After a week or so of following various trails, they were at the limit of their supplies—for both men and horses. They camped along the narrow Arikaree Fork of the Republican River. In the early morning they were surprised and attacked by a force of Cheyenne and Sioux warriors. The scouts hurried to a small, sandy island in the shallow river and dug in. Eventually they were surrounded by as many as six hundred warriors, led for a time by the famous Cheyenne, Roman Nose. The fighting lasted four days. Half the scouts were killed or wounded. The Cheyenne lost nine warriors, including Roman Nose. Forsyth asked for volunteers to go for help. Two pairs of men set out at night for Fort Wallace—one hundred miles away. They were on foot and managed to slip through the Cheyenne lines. The rest of the scouts held out on the island for nine days. All their horses had been killed. Their food was gone and the meat from the horses was spoiled by the intense heat of the plains. The wounded were suffering from lack of medical supplies, and all were on the verge of starvation when they were rescued by elements of the Tenth Cavalry—the famous Buffalo Soldiers. Although the battle of Beecher Island was a small incident in the history of western conflict, the story brings together all of the important elements of the Western frontier—most notably the political and economic factors that led to the clash with the Natives and the cultural imperatives that motivated the Cheyenne, the white settlers, and the regular soldiers, both white and black. More fundamentally, it is a story of human heroism exhibited by warriors on both sides of the dramatic conflict.

Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it. He provides unique insight into how the city itself and the people within it functioned during this time of war. Through love, hate, fear, and brutality, Hemingway explores the complexities that times of war contain in his famed powerful prose.

During the 1930s, no event was more absorbing or galvanizing to Ernest Hemingway than the Spanish Civil War. Hemingway was passionately devoted to the cause of the democratically elected Spanish Republic and he spent much of the war reporting from its front lines, producing a deeply political body of work that illuminated the conflict and presaged the world war to come. In the end, his immersive journey into the turbulent world of the Spanish Civil War resulted in For Whom the Bell Tolls, a landmark in American political fiction. This book offers a fresh account of Hemingway’s adventures in Spain during the Civil War, stressing his embrace of radical political action and discourse in defense of the Republic against the forces of Fascism. On the eightieth anniversary of For Whom the Bell Tolls, Gilbert H. Muller reconsiders Hemingway as an engaged artist, political actor, and visionary.

Including rare documentary photographs, this epic, real-life love story offers a unique account of an event that shaped the life and work of one of the century's most charismatic and important authors and serves as an invaluable companion to the major motion picture it inspired. Original. Movie tie-in.

From the summer of 1942 until the end of 1943, Ernest Hemingway spent much of his time patrolling the Gulf Stream and the waters off Cuba’s north shore in his fishing boat, Pilar. He was looking for German submarines. These patrols were sanctioned and managed by the US Navy and were a small but useful part of anti-submarine warfare at a time when U boat attacks against merchant shipping in the Gulf and the Caribbean were taking horrific tolls. While almost no attention has been paid to these patrols, other than casual mention in biographies, they were a useful military contribution as well as a central event (to Hemingway) around which important historical, literary, and biographical themes revolve.