The airship Alexandria prepares to leave her port in Canston. Aboard are Crown Prince Jovin and his rambunctious younger brother, Merik. Accompanied by the Alexandria’s captain, Captain Greggory Donald, the two princes set out on Prince Jovin’s first multicountry diplomatic mission. But when tragedy strikes the royal family of an allied country, the Alexandria’s occupants realize they are in for more than they bargained for. Join the Alexandria’s crew in their world of airships and adventure, where invention and creativity flow limitlessly and power is something that is paid for the hard way.

The Demon Chernobog¾ Foiled but Not Conquered in The Shadow of the Lion¾ is Back to Conquer Sixteenth-Century Venice! Chernobog had come within a hair of seizing absolute power in Venice, but was thwarted by the guardian Lion-spirit, who awoke to protect his city from the power-mad demon. But the power of the Lion is limited to Venice, and Chernobog has a new ally in the King of Hungary, who has beseiged the island of Corfu to seize control of the Adriatic from Venice. Trapped on the island is the small band of heroes who awoke the Lion and thwarted Chernobog before. Far from the Lion's help, Manfred and Erik lead guerrillas against the foe, and Maria discovers ancient magical powers on the island. If she can make alliance with them, she may be able to repel the invaders¾but not without paying a bitter personal price. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for the Prequel, The Shadow of the Lion: "The prolific Lackey and cohorts Flint and Freer whip up a luscious bouillabaisse of politics, intrigue, love and black magic set in an "Other-worldly, New-Age Venice. . . ." The authors' use of contemporary American vernacular . . . instead of pompous period speech keeps the pages turning fast. . . ." ¾Publishers Weekly "[A] massive concoction of alternate history, high fantasy, and historical romance set in the sixteenth-century Venice of an alternate world . . . rich plotting, vivid characterization, and splendid evocation of Renaissance ethics and culture should make readers turn all the pages." ¾Booklist ". . . a sweeping alternate history. .. .The authors deftly wield the juxtaposition of fantasy and history into a finely crafted story." ¾Romantic Times "[A] top pick . . . fast-paced action and complex, believable settings." ¾The Bookwatch

Fantasy-roman.

NEW FANTASY BY NEW YORK TIMES BEST-SELLING AUTHOR ERIC FLINT. Orkise is loose. The snake-god of plague has been awakened by Lucia del Maino, the bastard daughter of the recently overthrown duke of Milan, Phillipo Visconti. With the venomous magic of Orkise at her command, Lucia plots to marry and then murder the usurper who now rules Milan, the condottiere Carlo Sforza—known to friend and foe alike as the Wolf the North. Other trouble is brewing as well. Sforza has his own bastard, Benito Valdosta, who is returning to Venice after having conquered the Byzantine empire. Benito has a score to settle with his father, and he will have the help of his half-brother Marco, who is the embodiment of ancient Etruria’s mighty Winged Lion of St. Mark. Adding further to Sforza’s predicament, yet another power has entered the fray. The terrifying sorcerer Count Mindaug has decided to settle in Milan. Will he ally with Sforza, or oppose him? Either will bring trouble, for if Mindaug aids the usurper he will arouse the fury of the Holy Roman Empire and the Knights of the Holy Trinity. Both of those great forces have sworn to destroy Mindaug and anyone who shelters him. On his side, Sforza has only the skill and cunning of his physician, Francisco Turner—who is on good terms with the Valdosta brothers and may be able to neutralize Venetian hostility. But even if he can, will that be enough to save the Wolf of the North? For out there in the countryside of northern Italy, Orkise is uncoiling all the plagues of hell. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Eric Flint: “Another engaging alternate history from a master of the genre.”—Booklist “. . . an old-style police-procedural mystery, set in 17th century Germany. . . . the threads . . . spin together . . . to weave an addictively entertaining story. . . . a strong addition to a fun series.”—Daily News of Galveston County “This alternate history series is … a landmark…”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “…reads like a technothriller set in the age of the Medicis…”—Publishers Weekly About Dave Freer: “Dave Freer always delivers compelling, fast-moving and addictive fantasy adventures.”–Garth Nix, New York Times best-selling author of The Keys to the Kingdom series "Dave Freer's stories are always well-plotted, fast-paced and—most of all—a lot of fun to read."—Eric Flint, New York Times best-selling creator of the Ring of Fire series About A Mankind Witch, by Dave Freer: “Good characterization, ripsnorting action and an ingenious plot make this a feast. . .” —Publishers Weekly (Starred Review)

In an alternate 15th century where magic still is part of life, the Holy Roman Empire rules Europe. Constantinople is under siege by the Venetians and their allies. Hekate, Goddess of Crossroads, presides over the conflict and carnage as alternate visions of civilization collide. And since Constantinople is the crossroad city of east and west, and it is here that Italian captain Benito Valdosta must deal with the powerful magical manifestation of the Weeping Woman, a disguised Hekate, in order to save his daughter and to destroy the fleets of the Chernobog assembling in the Black Sea before they can cut into the soft underbelly of Europe. With land battle, naval action, cunning assassinations, and heartbreak aplenty¾not to mention the ongoing conflict between Lord of the Dead Aidonus and Benito for the love of a woman, civilization is at the crossroads and choices must be made that will bring victory and freedom for centuries to come¾or a new Dark Age. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.

From New York Times bestselling historian H. W. Brands comes the riveting story of how, in nineteenth-century America, a new set of political giants battled to complete the unfinished work of the Founding Fathers and decide the future of our democracy In the early 1800s, three young men strode onto the national stage, elected to Congress at a moment when the Founding Fathers were beginning to retire to their farms. Daniel Webster of Massachusetts, a champion orator known for his eloquence, spoke for the North and its business class. Henry Clay of Kentucky, as dashing as he was ambitious, embodied the hopes of the rising West. South Carolina's John Calhoun, with piercing eyes and an even more piercing intellect, defended the South and slavery. Together these heirs of Washington, Jefferson and Adams took the country to war, battled one another for the presidency and set themselves the task of finishing the work the Founders had left undone. Their rise was marked by dramatic duels, fierce debates, scandal and political betrayal. Yet each in his own way sought to remedy the two glaring flaws in the Constitution: its refusal to specify where authority ultimately rested, with the states or the nation, and its unwillingness to address the essential incompatibility of republicanism and slavery. They wrestled with these issues for four decades, arguing bitterly and hammering out political compromises that held the Union together, but only just. Then, in 1850, when California moved to join the Union as a free state, "the immortal trio" had one last chance to save the country from the real risk of civil war. But, by that point, they had never been further apart. Thrillingly and authoritatively, H. W. Brands narrates an epic American rivalry and the little-known drama of the dangerous early years of our democracy.

Beyond Alexandria argues for the existence of a distinctive Seleucid literature, with its own preferred genres and thematic concerns. It proposes new readings of these authors and argues that they can be understood only in the wider political context, especially in relation to the Ptolemies as the Seleucids' main rivals.

The marriage of Athens and Jerusalem: Philo of Alexandria -- Christian philosophy after Philo -- The rabbi and the friar at a glance -- The divine attributes -- In the beginning -- Divine providence -- Natural law -- Prophecy