This inventory, with its more than 580 titles, is the most comprehensive inventory to date of Yiddish books printed in the Netherlands, spanning the full period of active Yiddish printing in the region (from 1644 to the 1950s). This varied collection of Yiddish prints ranges from narrative prose, plays and humorous literature, to textbooks, grammars, religious literature, and regulations of local Ashkenazic Jewish communities. With its extensive indices and bibliographical references, the inventory serves as an invaluable tool for both qualitative and quantitative research into Yiddish language, literature, and printing. The accompanying reproductions of select pages from the included books provide the readers with a first glimpse into some of these treasures.

Printing the Talmud: Complete Editions, Tractates and Other Works, and the Associated Presses from the Mid-17th Century through the 18th Century is a profusely illustrated major work describing the complete editions of the Talmud printed from about 1650 to slightly after 1800. Apart from the intrinsic value of those editions, their publication was often contentious due to disputes, often bitter, between rival publishers, embroiling rabbis and communities throughout Europe. The cities and editions encompassed include Amsterdam, Frankfort am Main, Frankfurt on the Oder, Prague, and Sulzbach. This edition of Printing the Talmud addresses these editions as an opening to discuss the history of the subject presses, their other titles and their general context in Jewish history.

This collection of historical studies deals with the multiple connections between the history and culture of the Jews of the Netherlands from the beginning of the seventeenth century until the period after the Holocaust, and phenomena and processes that distinguish the history of the Jewish people in the modern period. The Jews of the Netherlands were not only nourished by the cultural creativity of the great Sephardi and Ashkenazi centers, East and West, but also at various stages they served as a source of inspiration for Jews elsewhere in the Jewish Diaspora. The articles of this volume examin the influence of general Jewish history on that of the Jews of the Netherlands and focus on events and processes that highlight the significance of of Dutch Jewry for modern Jewish culture.

Jewish Books and their Readers discusses the transformative effect of the circulation and readership of sacred and secular texts written by Jews on Christian as well as Jewish readers in early modern Europe. Its twelve essays challenge traditional paradigms of Christian Hebraism and undermine simplistic visions of the unchanging nature of Jewish cultural life.They ask what constituted a ‘Jewish’ book: how it was presented, disseminated, and understood within both Jewish and Christian environments (and how its meanings were contested), and what effect such understanding had on contemporary views of Jews and their intellectual heritage. They demonstrate how the involvement of Christians in the production and dissemination of Jewish books played a role in the shaping of the intellectual life of Jews and Christians. Contributors are: Michela Andreatta, Andrew Berns, Theodor Dunkelgrün, Federica Francesconi, Anthony Grafton Alessandro Guetta, William Horbury, Yosef Kaplan, Scott Mandelbrote, Piet van Boxel, Joanna Weinberg Benjamin Williams.

Drawing from diverse multilingual sources, Krzemień delves into Solomon Dubno's life (1738–1813), unraveling complexities of the Haskalah movement's ties to Eastern European Jewish culture. Dubno, a devout Polish Jew and adept Hebrew grammarian, played a pivotal role in Moses Mendelssohn's endeavor to translate the Bible into German with a modern commentary (Biur). The book explores Dubno's library, mapping the intellectual realm of a Polish Maskil in Western Europe. It assesses his influence on Mendelssohn's project and the reasons behind their divergence. Additionally, it analyzes Dubno's poetry, designed to captivate peers with the Bible's linguistic beauty. The outcome portrays early Haskalah as a polyvocal, polycentric creation shaped by diverse, occasionally conflicting, visions, personalities, and egos.