“The tongue is the pen of the heart/Di tsung iz der feder fun di hartz” and more sayings that sum up Jewish character and culture from generations past. Decade after decade, Yiddish proverbs continue to capture the humor, warmth, and traditions of Jewish life. Now, the beloved Yiddish Wisdom has been expanded with even more proverbs and fresh illustrations to be cherished by a new generation. With more than 150 folk sayings translated in Yiddish and English—from the whimsical and witty (Dress up a broom and it will also look nice/Az men batziert a bezem iz er oich shain) to the poignant (When one must, one can/Az me muz, ken men) and practical (When you look to the heights, hold on to your hat/Az du kukst oif hoicheh zachen, halt tsu dos hitl)—this treasured volume is the perfect gift for any celebration.

A collection of short stories of rural Ireland in the classic Irish mode: full of love (and sex), melancholy and magic, bedecked in some of the most gorgeous prose being written today—from the author of the wildly acclaimed Night Boat to Tangier. With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

In this terrifyingly twisted thriller, a young couple discovers the horror held within their newly purchased dream house. It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome. That is, until their nearest neighbors, Dan and Lucy Steiner, come bearing more than housewarming gifts. Dan and Lucy warn Harry and Sasha of a malevolent spirit that lives in the valley, one that with every season will haunt them in fresh, ever-more-diabolical ways. At first, it seems like an old wives’ tale. But when spring arrives, so does the first evil manifestation, challenging everything Harry and Sasha thought they knew about the world. As each season passes, the spirit grows stronger, the land more sinister, and each encounter more dangerous. Will Harry and Sasha learn the true meaning of a forever home before it’s too late? Haunting and bone-chilling, Old Country is a spellbinding debut in the horror genre.

“[Written] with a poet’s verve. . . . This memoir’s beauty is in its fierce intimacy.” —Roy Hoffman, The New York Times Book Review Native Country of the Heart: A Memoir is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where a relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother’s journey—from impressionable young girl to battle-tested matriarch to, later on, an old woman suffering under the yoke of Alzheimer’s—she traces her own self-discovery of her gender-queer body and Lesbian identity. As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a US Mexican diaspora, and an American story of cultural loss. Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to her mother. “A masterpiece of literary art.” —Michael Nava, Los Angeles Review of Books “Poignant, beautifully written.” —Kirkus Reviews, starred review “A defiant, deep and soulful book about all our mothers, mother cultures, motherlands and languages.” —Julia Alvarez, national bestselling author of In the Time of the Butterflies

“A masterpiece. . . . An unforgettable character . . . who proceeds to take you on a roller-coaster ride through his tawdrily tumultuous life.” —Chicago Tribune At the age of fifty-seven—living a life riddled with ex-wives, one night stands, and daily diet of Jack Daniels—Bad Blake is on his last legs. His ticker, his liver, even his pick-up truck are all giving him trouble. A renowned songwriter and “picker” who hasn’t recorded in five years, Bad now travels the countryside on gigs that take him mostly to motels and bowling alleys. Enter Jean Craddock, a young journalist sent to interview him after a beautiful concert, and a tentative romance blooms. Can Bad stop living the life of a country-western song and tie a rope around his crazy heart? “A measure of Thomas Cobb’s talent is that he can make Bad Blake’s story amusing even as we watch him fall.” —New York Times Book Review “[Cobb’s] picture of the scraggly underside of Western music is brutally convincing.” —The New Yorker “Crazy Heart just might be the finest country-western novel ever written, bar none.” —Houston Post “[A] moving, respectful evocation of the world of country music.” —Boston Herald “Thomas Cobb’s marvelous first novel doesn’t just play on your heartstrings, it breaks them.” —San Francisco Examiner “A piercing, keenly observed chronicle of modern Americana.” —Los Angeles Times “Heartfelt.” —Houston Chronicle “A beautiful book. . . . Bad Blake is a man you will not soon forget.” —Washington Times

In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.

An Economist and Sunday Times Best Book of the Year “Deserves to be hailed as a magnum opus.” —Tom Holland, The Telegraph “Ambitious...seeks to rehabilitate the Holy Roman Empire’s reputation by re-examining its place within the larger sweep of European history...Succeeds splendidly in rescuing the empire from its critics.” —Wall Street Journal Massive, ancient, and powerful, the Holy Roman Empire formed the heart of Europe from its founding by Charlemagne to its destruction by Napoleon a millennium later. An engine for inventions and ideas, with no fixed capital and no common language or culture, it derived its legitimacy from the ideal of a unified Christian civilization—though this did not prevent emperors from clashing with the pope for supremacy. In this strikingly ambitious book, Peter H. Wilson explains how the Holy Roman Empire worked, why it was so important, and how it changed over the course of its existence. The result is a tour de force that raises countless questions about the nature of political and military power and the legacy of its offspring, from Nazi Germany to the European Union. “Engrossing...Wilson is to be congratulated on writing the only English-language work that deals with the empire from start to finish...A book that is relevant to our own times.” —Brendan Simms, The Times “The culmination of a lifetime of research and thought...an astonishing scholarly achievement.” —The Spectator “Remarkable...Wilson has set himself a staggering task, but it is one at which he succeeds heroically.” —Times Literary Supplement

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.