Shedding new light on an important part of India's history, Lambert-Hurley skillfully examines the emergence of a Muslim women's movement in India.

Few polities were more instrumental to the rise of the East India Company and the advent of British colonial rule in South Asia than the Mughal successor state of Awadh (c. 1722–1856). And few individuals influenced the making of the Awadh regime and its pivotal relationship with the Company more than the chief consorts (begams) of its ruling dynasty. Drawing on previously unexamined Persian sources, this book centres the begams of Awadh within a revised history of state-formation and conceptual change in pre- and early colonial India. In so doing, it posits the begams as essential, if contested, builders of both the Awadh regime and the Company state, and as ambivalent partners in forging evolving political economies and emerging conceptual languages of statehood and sovereignty in early colonial India.

‘People say that I am a quarrelsome woman...’ TARABAI, MARATHA QUEEN (1675–1761) The history of India, more often than not, is a history of the men who were in charge. Largely forgotten are the women who, even centuries earlier, shaped the fates of entire kingdoms. In The Women Who Ruled India, writer and researcher Archana Garodia Gupta revives 20 such powerful figures from the archives, offering us a glimpse of their fascinating lives. Among them are Begum Samru, a courtesan who went on to become the head of a mercenary army and the ruler of Sardhana; Didda of Kashmir, known for her keen political instinct and a ruthlessness that spared no one; Rani Abbakka of Ullal, the fearless queen who took on Portuguese colonizers in their heyday; and Rani Mangammal of Madurai, the famed administrator who built alliances at a time when going to war was the order of the day. These women and others like them built roads, instituted laws and were generous patrons of the arts and sciences. Their stories of valour and diplomacy, leadership and wit continue to inspire today. Peppered with anecdotes that showcase little-known facets of their personalities, the accounts in this book celebrate heroic rulers who – ‘quarrelsome’ though they might have been – were iconoclasts: unafraid to forge new paths.

The reciprocal relationship between colonialists and the colonised people of India, during the crucial period from 1760 to 1860, provides fascinating study material. This edited volume explores cultural colonialism by focussing on the ambivalent processes of reciprocal perceptions.

Long popular with a general readership, travel writing has, in the past three decades or so, become firmly established as an object of serious and multi-disciplinary academic inquiry. Few of the scholarly and popular publications that have focused on the nineteenth century have regarded the century as a whole. This broad volume examines the cultural and social aspects of travel writing on Africa, Asia, America, the Balkans and Australasia.

With independence, India experienced a dramatic social rupture but also a recuperation of political autonomy and a new sense of optimism that promised opportunities. The country became a crucible for experimentation in modern and utopian architecture with new buildings, cities and museums giving public face to the nation. Indian architects and architectural projects claimed international attention, and a generation of women entered professions such as architecture and design that had previously been closed to them. They emerged as a pronounced political force, and important patrons of art, architecture and public space. The mid-19th and 20th centuries saw a significant increase in women acting as arbiters of taste and shapers of the built environment. The emerging groups of female designers and female patrons were enabled by new norms for women. The essays in this volume address these developments, posing the important question: did, and do, women produce art and architecture that reflect a feminine perspective? How did women, otherwise invisible and denied attention in the public sphere, gain voice? The writers look at these questions through both the political frame of gender as well as through family lineage and dynastic connections, and their importance in women’s patronage of the arts. Published by Zubaan.

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A landmark volume on the lives of Muslim women across a century of rapid change, restoring lost voices and enriching our picture of British society.