For years, Todd Snider has been one of the most beloved country-folk singers in the United States, compared to Bob Dylan, Tom Petty, John Prine, and dozens of others. He's become not only a new-century Dylan but a modern-day Will Rogers, an everyman whose intelligence, self-deprecation, experience, and sense of humor make him a uniquely American character. In live performance, Snider's monologues are cheered as much as his songs. But never before has he told the whole story. Running the gamut from personal memoir to shaggy-dog comedy to rueful memories of his troubles and triumphs with drugs and alcohol to sharp-eyed observations from years on the road, I Never Met a Story I Didn't Like is for fans of Snider's music, but also for fans of America itself: the broad, wild country that has produced figures of folk wisdom like Will Rogers, Mark Twain, Ambrose Bierce, Tonya Harding, Garrison Keillor, and more. There are storytellers and there are performers and there are stand-up comedians. And then there's Todd Snider, who is all three in one, and something else entirely.

Three men's lives, told through the story of one song. Jerry Jeff Walker, the singer and writer behind the classic hit "Mr. Bojangles," never would have expected that his song, inspired by an experience in a New Orleans jail cell, would make Richard Nixon cry, or that it would be covered by Sammy Davis, Jr., the entertainment giant and, controversially, a supporter of Nixon. This work, told through the perspective of writer, performer and listener, traces these three men's overlapping journeys through the American consciousness. Chapters discuss the history of Walker's song, Davis's rise from rags to riches, Nixon's journey from grocer's son to president, and more.

Clairmont explores 32 different qualities, including graciousness and hospitality, unique to women, and tells women how to better understand their emotional strengths.

An intimate series of portraits of and visits with musicians who are part of the musical genre known as Americana, or alternative country.

Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a "Hayloft Jamboree" hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the ‘60’s folk music boom. He soon moved to the Newport Folk Festival as talent coordinator and director where he had a front row seat to Dylan "going electric." In the 1970s Rooney's odyssey continued in Nashville where he began engineering and producing records. His work helped alternative country music gain a foothold in Music City and culminated in Grammy nominations for singer-songwriters John Prine, Iris Dement, and Nanci Griffith. Later in his career he was a key link connecting Nashville to Ireland's folk music scene. Writing songs or writing his memoir, Jim Rooney is the consummate storyteller. In It for the Long Run: A Musical Odyssey is his singular chronicle from the heart of Americana.

Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2014 During the early 1970s, the nation’s turbulence was keenly reflected in Austin’s kaleidoscopic cultural movements, particularly in the city’s progressive country music scene. Capturing a pivotal chapter in American social history, Progressive Country maps the conflicted iconography of “the Texan” during the ’70s and its impact on the cultural politics of subsequent decades. This richly textured tour spans the notion of the “cosmic cowboy,” the intellectual history of University of Texas folklore and historiography programs, and the complicated political history of late-twentieth-century Texas. Jason Mellard analyzes the complex relationship between Anglo-Texan masculinity and regional and national identities, drawing on cultural studies, American studies, and political science to trace the implications and representations of the multi-faceted personas that shaped the face of powerful social justice movements. From the death of Lyndon Johnson to Willie Nelson’s picnics, from the United Farm Workers’ marches on Austin to the spectacle of Texas Chic on the streets of New York City, Texas mattered in these years not simply as a place, but as a repository of longstanding American myths and symbols at a historic moment in which that mythology was being deeply contested. Delivering a fresh take on the meaning and power of “the Texan” and its repercussions for American history, this detail-rich exploration reframes the implications of a populist moment that continues to inspire progressive change.

This book sets out the history of "The American Experiment" in self-government focusing on its original legal documents, The Declaration of Independence and The Constitution. It discusses how and why such a 'Total Heresy' as self-government ever arose and has survived for nearly 250 years. One focus is on the original genius of the 'Separation of Powers' that has become so muddled since the Framers created the Constitution. The horror of the World Wars and key aspects of the Presidents from Eisenhower through Carter and the two Bushes are summarized. Presidents Reagan, Clinton, Obama, and Trump are discussed in increasing levels of detail. The failures of the Federal Department of Justice and the Federal Bureau of Investigation beginning with the Enron prosecution are summarized. The issues of the appointment of Supreme Court Justices, immigration, and the rise of socialism/communism in America are discussed in some detail. The failed bloodless coup d'etat and impeachment attempts to remove President Trump from office are discussed in depth as are the climate change debate and the Green New Deal. The geopolitical world from Europe, to Russia, the Middle East, China and North Korea are discussed as they are directly affecting future American freedom. One of the last chapters discusses why western man and specifically America arrived at the pinnacle of civilization while others did not. Finally, the author closes with, "The Only Thing That Matters at the End of the Trail" - a summary of his wishes for not only his descendants, but all the World.

In this memorable first book, Behind the Dolphin Smile, Richard O'Barry told the inspiring story of his personal transformation from world-famous dolphin trainer (Flipper was his pupil) to dolphin liberator. Now, in To Free a Dolphin, he passionately recounts the dramatic story of his heart-breaking campaign to release captive dolphins back into the wild. With wit and insight he chronicles the extreme opposition he has faced from bureaucrats, major players in the captive-dolphin industry, rival wildlife groups, and well-meaning sentimentalists. He introduces readers to famous show animals he has helped, including Bogie and Bacall of Key Largo. And, most fascinating, he describes his struggles to deprogram and rehabilitate dolphins emotionally scarred from years of captivity--struggles that become battles for the animals' souls.