Intimate pictures of the top artists in rap music from one of the most influential and culturally relevant photographers of his generation Photographer Gunner Stahl has captured shots of some of the world's most famous rappers including Drake, Migos, Kayne West, A$AP Rocky, Childish Gambino, Gucci Mane, Post Malone, and many others. He started by capturing the burgeoning hip-hop scene in Atlanta with an undeniable raw energy that has led to professional opportunities with magazines like Vogue, Fader, and Highsnobiety as well as brands like Google, Red Bull, Moncler, Adidas, Stella McCartney, PUMA, and Kylie Jenner's Thick clothing collection. In Portraits, he will publish unseen images of rap's most famous artists along with written contributions from rapper Swae Lee and photographer Chi Modu.

A collection of essential quotations from the renowned fashion designer, DJ, and stylist Abloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who was a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West’s creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh’s work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh’s unique perspective as a trailblazer in his fields. Select quotations from the book: “I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it.” “Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair—one person, one idea, no one else involved.” “Black influence has created a new ecosystem, which can grow and support different types of life that we couldn’t before."

This publication brings together four texts which analyze Gerhard Richter's monumental project Atlas, an assemblage of photographs that he has collected since 1962. Atlas, which at present comprises more than 5,000 images -- ranging from political portraits to landscapes and from found photojournalistic pictures to photographs taken by the artist himself -- constitutes an ordered collection of personal visual memories from which Richter draws the themes and motifs for his ongoing exploration of the possibilities of painting. Buchloh examines Atlas as a mnemonic device, comparing Richter's assemblage to Aby Warburg's 1927 monumental project on collective memory; Chevrier distinguishes European and American uses of photography and art and positions Richter's work in contrast to that of the Photorealists and American Pop artists; Zweite discusses Atlas as a response to the tension between semantics and semiotics in Modernism; and Rochlitz analyses the complex relationship between photography and painting in contemporary art with specific reference to Richter's works Ema and Betty.

German master Kurt Richter (1900-1969) made significant contributions to the chess world as a player, and as an editor and author. Unassuming in real life, Richter was a fearsome opponent who expressed himself mainly through his over-the-board results, as well as through his chess journalism and literary output. He was responsible for several innovative openings, some of which gained renewed status in later years. This overview of his life and games sheds light on a player who should be better known, with much never-before-seen material. Examples of his entertaining writings on chess are included, some featuring his fictitious student opponent, Dr. Zabel. A wide selection of games illustrates the surprising combinations and brilliant style of play that earned him the title "The Executioner of Berlin."

Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.

G.H. Hovagimyan is an absurdist, a strategist, a serial collaborator, and nothing short of a cultural icon in the world of contemporary art, particularly as it relates to how artists have adopted the digital technological tools of our times, adapting them in his work for critique of art, popular culture, and social engagement. Situationist Funhouse is a joyride through this history. The journey Stephen Zacks so meticulously documents and describes is not only an incredibly comprehensive ride through G.H.'s life work to date--Hovagimyan adopted G.H. as an acronym in the 1990s as a kind of gesture of personal rebirth and to ease others' difficulty with his last name [pronounced ho-va-GIM-yan]--it also serves as a document that tracks a particular view on the alternative contemporary art scene of New York from the 1970s to the present day.

Tupac Shakur: Uncategorized is a 200 page photo book of Tupac Shakur. It contains images and portraits of the artist taken from 1994 until the last shoot Chi Modu did with himnine months before he passed. Many of the images have never been published.

A collection of color photographs taken over a period of decades, Feb. 1968 - July 1998, with descriptions by Roger Steffens and afterwords by Kate and Devon Steffens.

The Houston, Texas, neighborhoods of Fifth Ward, Third Ward and South Park have grown to be hallowed ground for modern rap culture, populated with celebrities, entrepreneurs, support networks and a micro-economy of their own. Photographer Peter Beste (photographer of True Norwegian Black Metal) and writer Lance Scott Walker spent nine years documenting the most influential style in twenty-first-century hip hop and the vibrant inner city culture from which it stems. Houston Rap, edited by Johan Kugelberg, profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C and Big Hawk. The book also features community leaders, rappers, producers, businessmen and family members, all providing an astonishing and important insight into a great American cultural narrative. In addition to featuring Beste’s previously unseen images of the contemporary Houston rap scene, Houston Rapincludes a detailed timeline charting the growth of rap music in Houston from its origins to the present.

The first volume documenting the life and work of Larry Legaspi, the designer behind the iconic looks for musical acts including KISS, LaBelle, George Clinton, and Parliament. One of the unsung heroes of fashion in the '70s, Larry Legaspi was a designer ahead of his time. Crafting a space-age look in silver and black leather, Legaspi created the look for the defining musical acts of the era, including KISS, Labelle, George Clinton, and Parliament. Dying of AIDS in 2001, Legaspi left twin legacies as both designer and curator that remain largely unexplored. This volume, authored by Rick Owens, fills in crucial gaps in the knowledge of Legaspi's work and impact on the fashion world, while providing a dynamic visual presentation of the life and work of a legend. Filled with a blend of previously unpublished photographs of Legaspi's creations as well as new images of Owens's work, this stunning volume tells the story of the designer's subversive sensibility. An essay by André Leon Talley and interviews with Patti LaBelle, Paul Stanley, Valerie Legaspi, and Pat Cleveland offer a intimate glimpse into Legaspi's world.