Guide to the Historic Architecture of Western North Carolina

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

Sir Christopher Wren - Classical Greek - Roman Empire - Byzantine - Renaissance - Mannerist - Baroque - 19th century - Modern Architecture - Filippo Brunelleschi - Baldassare Peruzzi - Paris - London.

Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, whose work here is accompanied by over 250 illustrations and photographs. For its size, the city of Buffalo, New York, possesses a remarkable number and variety of architectural masterpieces from the late nineteenth and early twentieth centuries: Adler and Sullivan's Prudential building, H. H. Richardson's massive Buffalo State Hospital, Richard Upjohn's Sr. Paul's Episcopal Cathedral, five prairie houses by Frank Lloyd Wright, and building by Daniel Burnham, Albert Kahn, and the firms of McKim, Mead, and White, and Lockwood, Green and Company, among others. These structures by prominent "outsiders" served to spur the efforts of local architects, builders, and craftsmen, and all of them built within the context of the city-wide park and parkway system designed by Frederick Law Olmsted. In addition, the city and its environs exhibit representative works by more recent architects, among them Eero and Eliel Saarinen, Walther Gropius, Marcel Breuer, Paul Rudloph, Minoru Yamasaki, and the firm of Skidmore, Owings, and Merrill. Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, capable of the challenge of evaluating its significance. Reyner Banham is one of the world's leading authorities on the theory and practice of architecture, and he has written extensively on design in the industrial age (and Buffalo's innovative manufacturing plants and grain elevators are important exemplars of such design). Charles Beveridge, whose essay covers the park and parkway system, is editor of the Olmsted papers at The American University. And Henry Russell Hitchcock is the dean of American architectural historians, and the organizer of a 1940 exhibition on Buffalo's built environment. Their essays are followed by seven sections that delineate the city's neighborhoods, each provided with a map, neighborhood history, and a full complement of photographs with descriptive building captions. An eighth section, "Lost Buffalo," describes demolished buildings, chief among them Wright's great Larkin administration building, while the remaining sections venture out of town, exploring Erie and Niagara Counties, other parts of Western New York, and southern Ontario.

A must-have guide to one of the most fertile regions for the development of Mid-Century Modern architecture This handbook - the first ever to focus on the architectural wonders of the West Coast of the USA - provides visitors with an expertly curated list of 250 must-see destinations. Discover the most celebrated Modernist buildings, as well as hidden gems and virtually unknown examples - from the iconic Case Study houses to the glamour of Palm Springs' spectacular Modern desert structures. Much more than a travel guide, this book is a compelling record of one of the USA's most important architectural movements at a time when Mid-Century style has never been more popular. First-hand descriptions and colour photography transport readers into an era of unparalleled style, glamour, and optimism.

Western Architecture is an original and far-reaching survey of the history of architecture in Europe and North America, from ancient Greece to the present. From the earliest classical temples to today's achievements, over two thousand years of Western architectural history are summarized. Every architectural style is the product of an ideology, and the author shows how the buildings of Greece and Rome, of the Early Christian and Byzantine centuries, of the Gothic Middle Ages, the Renaissance, and the Enlightenment grew out of their respective cultures. In the nineteenth century the story in Europe and North America became more complicated, with the competing forces of Romanticism and industrial functionalism leading to apparently contradictory results--a situation that continues today in the clash between postmodernism and high-tech. But perspectives change, and every decade has its own views of the past. Eastern Europe has inevitably been underrepresented in Western criticism since 1945; Czech Baroque, Polish Neoclassicism, and Hungarian Art Nouveau provide some unexpected revelations. Illustrated throughout with photographs closely linked to the text, this is a guide for the student and general reader to follow into the twenty-first century. 456 black-and-white illustrations

Starr's study of Wyoming architecture strips away the myths, the Hollywood images and provides the reader with an accurate picture;..true stories about the role of ethnic groups, varied businesses and industries, and the ups and downs of the economy...

Creatures Are Stirring is an optimistic manifesto that rescripts the anthropocentric narratives of Western architecture with new myths for a playfully compassionate and co-habitable future. The book reconceptualizes buildings as our friends by amplifying architecture's creaturely qualities--formal embellishments, fictional enhancements, and organizational strategies that suggest animal-like agency. In an unsettled world, these qualities initiate more companionable relationships between humans and the built environment, and ultimately foster greater solidarity with other human and nonhuman lifeforms. Addressing a broad audience, Creatures Are Stirring uses the apparent subjecthood of familiar objects like plush toys and sports mascots to guide readers towards a novel way of seeing, reading, and making creaturely architecture. The book combines the authors' essays and memoirs (narrated from buildings' points of view) with contributions from contemporary architects whose work collectively defines an architectural territory that is at once grounded in disciplinary rigor and urgent realities, and liberated to elicit fantastical futures.

An easy-to-use reference to the major trends that have prevailed in architecture since classical antiquity. It outlines the key features that show how to identify the style of almost any building and gives a chronological guide to styles from around the world.