From science fiction Grand Master Clifford D. Simak, an interstellar adventure of aliens, fairies, and time travel. Until the day he was murdered, Professor Peter Maxwell was a respected faculty member of the College of Supernatural Phenomena. Imagine his chagrin when he turns up at a Wisconsin matter transmission station several weeks later and discovers he’s not only dead but unemployed. During an interstellar mission to investigate rumors of dragon activity, this alternate Maxwell was intercepted by a strange alien race that wanted him to carry knowledge of a remarkable technology back to Earth, and it seems someone does not want the information shared. Suddenly, it’s essential for Maxwell to find his own killer. He enlists the aid of Carol Hampton of the Time College, along with her pet saber-tooth tiger, a ghost with memory issues, and the intelligent Neanderthal Man recently rescued from a prehistoric cooking pot. But the search is pointing them toward the goblins, fairies, and assorted Little Folk living in reservations on campus, and into the dangerous heart of an interspecies blood feud that has been raging for millions of years. Ingeniously inventive and unabashedly tongue-in-cheek, this novel demonstrates multi-award-winning fantasy and science fiction favorite Clifford D. Simak operating at the imaginative peak of his considerable powers.

This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.

In the mid-1980s, Easton Press began publishing a series of leather-bound collector editions called “Masterpieces of Science Fiction” and “Masterpieces of Fantasy,” which featured some of the most important works in these genres. James Gunn was commissioned to write introductions to these works, which allowed him to pay tribute to many authors who inspired and influenced his own work. In Paratexts: Introductions to Science Fiction and Fantasy, Gunn has collected the most significant essays produced for the Easton series, along with prefaces he wrote for reprints of his own novels. Cited here are some of the most significant works of 19th and 20th century science fiction and fantasy, such as The Island of Dr. Moreau, 1984, Stranger in a Strange Land, A Clockwork Orange, Speaker for the Dead, The Postman, Do Androids Dream of Electric Sheep?, The Hitchhiker’s Guide to the Universe, The Dead Zone, The Mists of Avalon, Dragon’s Eye, Nine Princes in Amber, Blue Mars, The Last Unicorn, and The Lord of the Rings. Drawing upon Gunn’s lifetime of work in the field, these introductions include analyses of the individual works and the fields in which they were written. Gunn also briefly discusses each novel’s significance in the science fiction canon. Collected here for the first time, these prefaces and introductions provide readers with insight into more than seventy novels, making Paratexts a must-read for science fiction and fantasy aficionados.

This bio-bibliography of the golden age of the science fiction field includes 308 biographies compiled from questionnaires sent to the authors, and chronological lists of 483 writers' published works. This facsimile reprint of the 1975 edition includes a title index, introduction, and minor corrections. A now-classic guide to the major and minor SF writers active in the early 1970s.

From the 1960s (when the advent of what many call the postmodern style made establishing genres more difficult) to the present day, writers have been incorporating science--not only the commonly thought of science and technology but also the "soft" sciences such as psychology and sociology--into what was previously considered mainstream fiction. This book examines works by Thomas Pynchon, Doris Lessing, and others who incorporate science in fiction and exemplify the movement of mainstream fiction writers toward a new genre termed "span." It also examines works by some science fiction writers who are edging closer to the border of science fiction and slowly over into span. This book maps the boundaries of the new span genre of fiction and thus helps define texts that fall outside the realms of mainstream and science fiction. Diagrams are included and a bibliography and index.

This award-winning science fiction classic explores a far-future world inhabited by intelligent canines who pass down the tales of their human forefathers. Thousands of years have passed since humankind abandoned the city—first for the countryside, then for the stars, and ultimately for oblivion—leaving their most loyal animal companions alone on Earth. Granted the power of speech centuries earlier by the revered Bruce Webster, the intelligent, pacifist dogs are the last keepers of human history, raising their pups with bedtime stories, passed down through generations, of the lost “websters” who gave them so much but will never return. With the aid of Jenkins, an ageless service robot, the dogs live in a world of harmony and peace. But they now face serious threats from their own and other dimensions, perhaps the most dangerous of all being the reawakened remnants of a warlike race called “Man.” In the Golden Age of Isaac Asimov and Robert A. Heinlein, Clifford D. Simak’s writing blazed as brightly as anyone’s in the science fiction firmament. Winner of the International Fantasy Award, City is a magnificent literary metropolis filled with an astonishing array of interlinked stories and structures—at once dystopian, transcendent, compassionate, and visionary.

Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.

In this classic novel by the Science Fiction Grand Master, a writer searching for explanations uncovers the existence of mutants and multiple Earths: “First-rate Simak” (The New York Times). Author Jay Vickers would like nothing more than to be left alone so he can finish his next book. But “there’s something strange going on,” as his peculiar neighbor, Horton Flanders, says. For instance, the market is filling with new inventions that supposedly last forever—cars, razors, cigarette lighters, and more. Individuals and whole families are disappearing. Soon, even Mr. Flanders vanishes—but not before leaving Vickers a note. Following Flanders’s advice, Vickers travels to his childhood home, where he makes a fantastic discovery. It is a mere child’s toy, a brightly colored whistling top. But for Jay Vickers, it leads to other worlds and answers all his questions. What happened to all the vanished people? Who is behind these helpful inventions? And what sort of being would want to stop them. . . ? “Unforgettable.” —New York Herald Tribune “Solid entertainment, with plenty of startling plot twists.” —The Magazine of Fantasy & Science Fiction “Some of the most ingenious plot twists in recent science-fiction.” —Galaxy

Robot believers at the far end of the galaxy endeavor to create a true religion, but their efforts could be shattered by a shocking revelation Far in the future, on the remote planet End of Nothing, sentient robots are engaged in a remarkable enterprise. They call their project Vatican-17: an endeavor to create a truly universal religion presided over by a pope, whose extreme godliness and infallible artificial intelligence are fed by telepathic human Listeners who psychically delve into the mysteries of the universe. But the great and holy mission could be compromised by one shocking revelation that threatens to inspire serious crises of faith among the spiritual, truth-seeking robotic acolytes while tearing them into warring religious factions. For the Listener Mary is claiming that she has just discovered Heaven. There are those among the Clifford D. Simak faithful who consider Project Pope his masterpiece. But whether the crowning literary achievement of a multiple Hugo and Nebula Award–winning science fiction Grand Master or merely another brilliant novel of speculative fiction to stand among his many, Simak’s breathtaking search for God in the machine ingeniously blends science and spirituality in a truly miraculous way that few science fiction writers, if any, have been able to accomplish.