This is a study of the Federazione Universitaria Cattolica Italiana (FUCI) between 1925 and 1943, the organisation of Catholic Action for the university sector. The FUCI is highly significant to the study of Catholic politics and intellectual ideas, as a large proportion of the future Christian Democrats who ruled the country after World War II were formed within the ranks of the federation. In broader terms, this is a contribution to the historiography of Fascist Italy and of Catholic politics and mentalities in Europe in the mid- twentieth century. It sets out to prove the fundamental ideological, political, social and cultural influences of Catholicism on the making of modern Italy and how it was inextricably linked to more secular forces in the shaping of the nation and the challenges faced by an emerging mass society. Furthermore, the book explores the influence exercised by Catholicism on European attitudes towards modernisation and modernity, and how Catholicism has often led the way in the search for a religious alternative modernity that could countervail the perceived deleterious effects of the Western liberal version of modernity.

As a leading cause of death in developed countries, ST-segment elevation myocardial infarction and its various treatment options are of great concern to those in the cardiology field. This text presents evidence-based chapters that supply clinicians with real-life situations and strategies to treat STEMI patients more effectively and at a quicker p

The Italians were so busy creating and performing superb music that they neglected to tell the great epic story of their wondrous achievement. With BRAVO! we hope to tell that story. The 1,000-year-old story begins, basically, with the work of a humble monk from the city of Arezzo. And this story has no ending. If, on one hand, we will never know the music of the Egyptians, of the Greeks, and of the Romans, on the other, we have come to know and to enjoy the music of every composer from the 12th Century to the Present day thanks to Guido's invention of the musical scale. As the story unfolds, we are rewarded with the many convincing superlatives forever tied to Italian musical endeavors. The first ten chapters deal with the Italian musical geniuses who theorized, made superb instruments, composed, performed, orchestrated, conducted and sang for the enjoyment of listeners worldwide, and the closing chapter gives a comprehensive look at the beautiful things that have happened in the Italian and American world of music. While each page of BRAVO! is full of surprising and fascinating details, the title reminds us that the term, BRAVO! is reserved only for topnotch performances. Book jacket.

In depth descriptions of various operas with scene by scene, aria by aria accounts.