Recounts the history of the Army Nurse Corps, whose members served with but not in the armed forces, and describes the experiences of nurses in every theater of World War II, including the special situation faced by African American nurses.

In Soviet Nightingales, Susan Grant tracks nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. Disease and illness were rampant in the early 1920s after years of war, revolution, and famine. The demand for nurses was great, but how might these workers best serve the country's needs? By examining living and working conditions, nurse-patient relations, education, and attempts at international nursing cooperation, Grant recounts the history of the Bolshevik effort to define the "Soviet" nurse and organize a new system of socialist care for the masses. Although the Bolsheviks aimed to transform healthcare along socialist lines, they ultimately failed as the struggle to train skilled medical workers became entangled in politics. Soviet Nightingales draws on rich archival research from Russia, the United States, and Britain to describe how ideology reinvented the role of the nurse and shaped the profession.

The heart-wrenching and inspirational WWII story of the first American nurse to die at the Normandy landings, the true account of a woman whose courage and compassion led to what a national radio show host in 1945 called "one of the most moving stories to come out of the war—a story of an army nurse that surpassed anything Hollywood has ever dreamed of." She was a Jewish girl growing up in World War I-torn Poland. At age seven, she and her family immigrated to America with dreams of a brighter future. But Frances Slanger could not lay her past to rest, and she vowed to help make the world a better place—by joining the military and becoming a nurse. Frances, one of the 350,000 American women in uniform during World War II, was among the first nurses to arrive at Normandy beach in June 1944. She and the other nurses of the 45th Field Hospital would soon experience the hardships of combat from a storm-whipped tent amid the anguish of wounded men and the thud of artillery shells. Months later, a letter that Frances wrote to the Stars and Stripes newspaper won her heartfelt praise from war-weary GIs touched by her tribute to them. But she never got to read the scores of soldiers' letters that poured in. She was killed by German troops the very next day. American Nightingale is the unforgettable, first-ever full-length account of the woman whose brave life stands as a testament to the American spirit.

A “New & Noteworthy” selection of The New York Times Book Review “Alexis Clark illuminates a whole corner of unknown World War II history.” —Walter Isaacson, New York Times bestselling author of Leonardo da Vinci “[A]n irresistible human story. . . . Clark's voice is engaging, and her tale universal.” —Jon Meacham, Pulitzer Prize–winning author of Thomas Jefferson: The Art of Power and American Lion: Andrew Jackson in the White House A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler's army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil. Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war. Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court's Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history's most violent conflicts.

World War I is regarded as the first modern war, driven by fearful new technologies of mechanized combat. The unprecedented carnage rapidly advanced military medicine, transforming the nature of wartime caregiving and paving the way for modern nursing practice. Drawing on firsthand accounts of American nurses, as well as their Canadian and British counterparts, historian Paul E. Stepansky describes nurses' encounters with devastating new forms of injury--wounds from high-explosive artillery shells, poison gas burns, "shell shock," the Spanish Flu. Comparing nursing practice on the western front with nursing care during the American Civil War, the Spanish-American War, and the Anglo-Boer War, the author is especially attentive to the emergent technologies employed by nurses of the Great War.

In 1964, as part of its landmark Civil Rights Act, Congress outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. This provision, known as Title VII, laid a new legal foundation for women's rights at work. Though President Kennedy and other lawmakers expressed high hopes for Title VII, early attempts to enforce it were inconsistent. In the absence of a consensus definition of sex equality in the law or society, Title VII's practical meaning was far from certain. The first history to foreground Title VII's sex provision, Equality on Trial examines how the law's initial promise inspired a generation of Americans to dispatch expansive notions of sex equality. Imagining new solidarities and building a broad class politics, these workers and activists engaged Title VII to generate a pivotal battle over the terms of democracy and the role of the state in all labor relationships. But the law's ambiguity also allowed for narrow conceptions of sex equality to take hold. Conservatives found ways to bend Title VII's possible meanings to their benefit, discovering that a narrow definition of sex equality allowed businesses to comply with the law without transforming basic workplace structures or ceding power to workers. These contests to fix the meaning of sex equality ultimately laid the legal and cultural foundation for the neoliberal work regimes that enabled some women to break the glass ceiling as employers lowered the floor for everyone else. Synthesizing the histories of work, social movements, and civil rights in the postwar United States, Equality on Trial recovers the range of protagonists whose struggles forged the contemporary meanings of feminism, fairness, and labor rights.

The country’s wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life. The armed services and the wars they fight shape all aspects of life—from the formation of racial and gendered identities to debates over environmental and immigration policy. Warfare and the military are ubiquitous in popular culture. At War offers short, accessible essays addressing the central issues in the new military history—ranging from diplomacy and the history of imperialism to the environmental issues that war raises and the ways that war shapes and is shaped by discourses of identity, to questions of who serves in the U.S. military and why and how U.S. wars have been represented in the media and in popular culture.

The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq. The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas. Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition. This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.

Four months before the attack on Pearl Harbor on December 7, 1941, Mildred McClellan Melville, a member of the Denver Woman’s Press Club, predicted that war would come for the United States and that its long arm would reach into the lives of all Americans. And reach it did. Colorado women from every corner of the state enlisted in the military, joined the workforce, and volunteered on the home front. As military women, they served as nurses and in hundreds of noncombat positions. In defense plants they riveted steel, made bullets, inspected bombs, operated cranes, and stored projectiles. They hosted USO canteens, nursed in civilian hospitals, donated blood, drove Red Cross vehicles, and led scrap drives; and they processed hundreds of thousands of forms and reports. Whether or not they worked outside the home, they wholeheartedly participated in a kaleidoscope of activities to support the war effort. In Colorado Women in World War II Gail M. Beaton interweaves nearly eighty oral histories—including interviews, historical studies, newspaper accounts, and organizational records—and historical photographs (many from the interviewees themselves) to shed light on women’s participation in the war, exploring the dangers and triumphs they felt, the nature of their work, and the lasting ways in which the war influenced their lives. Beaton offers a new perspective on World War II—views from field hospitals, small steel companies, ammunition plants, college classrooms, and sugar beet fields—giving a rare look at how the war profoundly transformed the women of this state and will be a compelling new resource for readers, scholars, and students interested in Colorado history and women’s roles in World War II.