While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self.

Explains how to ignite innate creativity and free thought processes through the discovery of hidden connections among familiar things

Tracing the historical figure of Vaslav Nijinsky in contemporary documents and later reminiscences, Dancing Genius opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history.

The essays in this volume seek to examine the uses to which concepts of genius have been put in different cultures and times. Collectively, they are designed to make two new statements. First, seen in historical and comparative perspective, genius is not a natural fact and universal human constant that has been only recently identified by modern science, but instead a categorical mode of assessing human ability and merit. Second, as a concept with specific definitions and resonances, genius has performed specific cultural work within each of the societies in which it had a historical presence.

Even the gods of old, in the wildest imaginings of their worshipers, never undertook such gigantic tasks of world-wide dimension as those which Tesla attempted and accomplished. -from Chapter One First published in 1944 and long a favorite of Tesla fans, this is a definitive biography of the man without whom modern civilization would not exist. Nikola Tesla, pioneer of electrical engineering, was a close friend of Pulitzer Prize-winning author O'Neill, and here, O'Neill captures the man as a scientist and as a public figure, exploring: . how Tesla's father inspired his life in engineering . why Tesla clung to his theories of electricity in the face of opposition . how the shy but newly popular Tesla navigated the social life of New York in the gay 1890s . Tesla's friendship with Mark Twain . the story of Tesla's lost Nobel Prize . Tesla's dabblings in the paranormal . and much more. JOHN JOSEPH O'NEILL (b. 1889) also wrote Engineering the New Age and You and the Universe: What Science Reveals.

When it comes to creating ideas, we hold ourselves back. Thats because inside each of us is an internal editor whose job is to forever polish our thoughts, so we sound smart and in control, and so that we fit into society. But what happens when we encounter problems where such conventional thinking fails us? How to get unstuck? For Mark Levy, th...

In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.

Five hundred years ago, the most outstanding disciple under the Grand Yi Sect, Zhong Ming, was killed by the Chou Clan's leader, Ouyang Duan, while he was cultivating in seclusion. At this critical moment, Zhong Ming forced out his three souls. Thus, after his three souls had wandered around the world for hundreds of years, in the end, on a pitch-black night, they possessed a body that belonged to Zhong Wentao, who was born on the same day as the son of the next year. From then on, Zhong Wentao was no longer the diaosi Zhong Wentao. He was a genius doctor with superb medical skills. His path of life had skyrocketed. He would beat up the second generation, pick up beauties, take revenge for his blood feud, and become famous throughout the world ...

A genius abandoning the young, being treated as a servant by a beautiful female student, being stepped on by a tyrant, being bullied by his friends and relatives, being beaten up by his friends for the sake of his friends and being thrown to the ground to die.